Showing results by narrator "Ell" in All Categories

Emily Wilde has spent her life studying faeries. A renowned dryadologist, she has documented hundreds of species of Folk in her Encyclopaedia of Faeries. Now she is about to embark on her most dangerous academic project yet: studying the inner workings of a faerie realm-as its queen. Along with her former academic rival-now fiancé-the dashing and mercurial Wendell Bambleby, Emily is immediately thrust into the deadly intrigues of Faerie as the two of them seize the throne of Wendell's long-lost kingdom, which Emily finds a beautiful nightmare, filled with scholarly treasures.

When Daphne arrives in Berlin, the last thing she expects is to run into more drama than she left behind. Of course, she knew she'd need to do the usual: make friends, acquire lovers, grapple with German and a whole new way of life. She even expected the long nights gorging alone on family-sized jars of Nutella, and the pitfalls of online dating in another language. The paranoia, the second-guessing of her every choice, the covert behaviors? Probably come with the territory. But one night, when Daphne is alone in her apartment, something strange, unnerving and entirely unexpected intervenes.

Vera grows up in a small town, removed and isolated, pressed up against the mountains, cloud-covered and damp year-round. This town, fiercely protective, brutal and unforgiving in its adherence to tradition, faces a singular affliction: some mothers vanish, disappearing into the clouds. It is the exquisite pain and intrinsic beauty of their lives; it sets them apart from people elsewhere and gives them meaning.

Haunted by the past, Henrietta throws herself into a new job transcribing other people’s life stories, vowing to stick to the facts and keep emotions at arm’s length. But when she meets the eccentric and terminally ill Annie, she finds herself inextricably drawn in. And when Annie reveals that her sister drowned in unexplained circumstances in 1974, Henrietta’s methodical mind can’t help following the story’s loose ends…

A lesbian in a lavender marriage, Jo Smith cuts a dashing figure in pin-striped trousers, working in her bookshop and keeping impolite company. But her hard-earned stability is about to be upended thanks to her husband’s pregnant paramour, who needs medical attention that no reputable doctor will provide.

Fifteen years ago, a serial killer was on a rampage murdering young women in Middlehampton. Then, suddenly, the killings stopped, and the murderer was never found… So when the body of another young woman is found bearing the twisted killer’s unique hallmark—the overpowering stench of lavender and an origami heart—DS Kat Ballantyne knows this can only mean one thing: the killer is back.

Daughter of New York financier Leonard Jerome, Jennie was born into wealth—and scandal. Upon her parents’ separation, her mother took Jennie and her sisters to Paris, where Mrs. Jerome was determined to marry her daughters into the most elite families. The glamorous city became their tumultuous finishing school until it fell to revolt.

DS Kat Ballantyne is still reeling from a revelation that turned life as she knew it upside down. But when a dog walker discovers the body of a woman among the standing stones known locally as the Three Sisters, there’s no time to focus on her own troubles. Kat is drawn back to work to investigate. At first, the death appears to be an accident. But then Kat discovers an infinity symbol branded onto the dead woman’s abdomen.

Growing up in the care of her grandparents on Belhaven farm, Lizzie Craig discovers as a small child that she can see into the future. But her gift is selective—she doesn’t, for instance, see that she has an older sister who will come to join the family. As her “pictures” foretell various incidents and accidents, she begins to realize a painful truth: she may glimpse the future, but she can seldom change it. Nor can Lizzie change the feelings that come when a young man named Louis, visiting Belhaven for the harvest, begins to court her.

After the long journey from England, Ellis arrives in America full of hope. James Fort is where a better life will begin for her: where she will work as an indentured servant to Henry Collins and his pregnant wife, gain financial security, and fall deeply in love with bold, glorious Jane Eddowes. But as summer turns to fall, Ellis begins to notice the cracks in this new life—the viciousness of the colonists toward the Indigenous people and the terrifying anger Henry uses to control his wife and Ellis—leaving her to wonder if she has sentenced herself to a prison rather than a new home.

Edyth grew up in a quiet village with a loving family, before losing everything she holds dear in the blink of an eye. Suddenly sent to live in a priory and work with ancient texts, Edyth must come to terms with her new life and the gifts she discovers in herself. But outside the priory, something much worse is coming. With the reappearance of a boy from her past and the ominous Great Plague creeping closer and closer to the priory, it will be up to Edyth to rise above it all and save herself.

DS Kat Ballantyne came to the crime-writing festival for an escape. Instead she’s walked straight into a murder scene. Moments before he’s due on stage, a famous novelist is found dead in a locked room. It looks like natural causes, but Kat sees tiny clues that suggest murder. As she investigates, she uncovers literary rivalries, personal vendettas and hidden agendas. Is there anyone who didn’t have a motive to murder Mark Swift?

When Nora takes the train from London to visit her sister in the countryside, she expects to find her waiting at the station, or at home cooking dinner. But when she walks into Rachel’s familiar house, what she finds is entirely different: her sister has been the victim of a brutal murder. Stunned and adrift, Nora finds she can’t return to her former life. An unsolved assault in the past has shaken her faith in the police, and she can’t trust them to find her sister’s killer.

Annie Sharpe’s spark for life has fizzled out. Her kids are grown up, her restaurant is doing just fine on its own, and her 26-year marriage has come to an unceremonious end. Untethered for the first time in her adult life, she finds a winter guardian position in a historic seaside home and decides to leave her city life behind for a brand new beginning.

She wakes up, goes to work. Watches the clock and checks her phone. But underneath this monotony there's something else going on: Something under her skin. Charting the feedback loop of memory, the senses, and modern distractions with wit and precision, our narrator becomes increasingly anxious as the day moves on: Is she overusing the heart emoji? Can drinking eight glasses of water a day really fix everything? Why is the etiquette of the women's bathroom be so fraught? How does she define rape? And why can't she stop scratching?

With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War, she warily makes her way to her new home.

In 1876, orphaned Maude is forced to leave London and her brother, Frank, to live with a stranger. Everyone—especially Frank—tells her not to trust Miss Greenaway, the enigmatic owner of Orchard House, but Maude can't help warming to her new guardian. Encouraged by Miss Greenaway, Maude finds herself discovering who she is for the first time, and learning to love her new home. But when Frank comes for an unexpected visit, the delicate balance of Maude's life is thrown into disarray. Complicating matters more, Maude witnesses an adult world of interactions she cannot understand.

Charm is a witch, and she is alone. The last of a line of conquered necromantic workers, now confined within the yard of regrown bone trees at Orchard House, and the secrets of their marrow. Charm is a prisoner, and a survivor. Charm tends the trees and their clattering fruit for the sake of her children, painstakingly grown and regrown with its fruit: Shame, Justice, Desire, Pride, and Pain. Charm is a whore, and a madam. The wealthy and powerful of Borenguard come to her house to buy time with the girls who aren't real.

Emily Laurence is a liar. She is not polite, she's not polished, and she has never taught a child in her life. This position was meant to be her sister's—brilliant, kind Amy, who isn't perpetually angry, dangerously reckless, and who does (inexplicably) like children. But Amy is unwell and needs a doctor, and their father is gone and their mother is useless, so here Emily is, pretending to be something she's not. If she can get away with her deception for long enough to earn a few month's wages and slip some expensive trinkets into her pockets along the way, perhaps they'll be all right.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.