Showing results by narrator "Anna Bentinck" in All Categories

For centuries past, and all across the world, there are words for a certain kind of woman. Words that raise our hackles, fire up our blood. Words that tell a story. In this blazing cauldron of a book, the boldest writers of our day take up these words and take up their pen, celebrating fifty years of Virago.

A milestone in the history of the novel, Samuel Richardson’s epistolary and elaborate Clarissa follows the life of a chaste young woman desperate to protect her virtue. When beautiful Clarissa Harlowe is forced to marry the rich but repulsive Mr. Solmes, she refuses, much to her family’s chagrin. She escapes their persecution with the help of Mr. Lovelace, a dashing and seductive rake, but soon finds herself in a far worse dilemma.

In 1851, private detective Laetitia Rodd is enjoying a well-earned holiday when she gets an urgent request for her services. Mrs. Rodd’s neighbor Jacob Welland is a reclusive rich gentleman dying of consumption, and he wants Mrs. Rodd to find his brother, who has been missing for 15 years. Joshua Welland was a scholar at Oxford, brilliant, eccentric, and desperately poor when he disappeared from the university. Friends claim to have seen him since, in gypsy camps and wandering around the countryside.

UAE - Culture Smart! will help you turn your visit - whether it's for business or pleasure - into a memorable and enriching experience. Its contents include: local customs and traditions; the impact of history, religion, and politics; the Emiratis at home, work, and play; eating and drinking, Emirati style; dos, don'ts, and taboos; business practices; communication, spoken and unspoken; and many practical tips for managing the unexpected.

Exploring the dichotomy between one's inner and outer self is central to Behind Her Eyes. When a vulnerable woman is drawn into the lives of an enigmatic couple, she finds it hard to differentiate between reality and what truly lies beneath a seemingly perfect exterior.

A milestone in the history of the novel, Samuel Richardson's epistolary and elaborate Clarissa follows the life of a chaste young woman desperate to protect her virtue. The recording is divided into three volumes.

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

Following a scalding row with her mother, 15-year-old Holly Sykes slams the door on her old life. But Holly is no typical teenage runaway: A sensitive child once contacted by voices she knew only as "the radio people," Holly is a lightning rod for psychic phenomena. Now, as she wanders deeper into the English countryside, visions and coincidences reorder her reality until they assume the aura of a nightmare brought to life.

Francesca Stubbs has a very full life. A highly regarded expert on housing for the elderly who is herself getting on in age, she drives restlessly round England. Amid the professional conferences she attends, she fits in visits to old friends, brings home-cooked dinners to her ex-husband, texts her son, who is grieving over the sudden death of his girlfriend, and drops in on her daughter, a quirky young woman who lives in a floodplain in the West Country.

Historian and broadcaster Tessa Dunlop tells the story of the women of Bletchley Park through exclusive and unprecedented access to the women themselves. The Bletchley Girls weaves together the lives of 15 women who were all selected to work in Britain's most secret organisation - Bletchley Park. It is their story, told in their voices; Tessa met and talked to 15 veterans, often visiting them several times. Firm friendships were made as their epic journey unfolded on paper.

Hardy's third novel, A Pair of Blue Eyes, follows the story of Elfride Swancourt. The daughter of the rector of Endelstow, a sparse, sea-swept parish in Cornwall, Elfride is caught between two suitors of very different backgrounds: Stephen Smith, a young architect restoring the old parish church; and the respectable, older man of London society, Henry Knight. The blue-eyed and high-spirited protagonist must untangle the conflicting messages of her heart and her mind.

The novels of Jane Austen have been celebrated for centuries. In this unique collection, listeners will be able to experience her wit, irony, and social commentary at its best.

It is 1938 in England, and Miles and Cecily Ingham have lead the family in bringing the Cavendon estate back from the brink of disaster. But now, with the arrival of World War II, Cavendon Hall will face its biggest challenge yet. It is a challenge that will push the Inghams and Swanns to protect each other and the villagers, and reveal their true capacity for survival and rebirth.

Archaeologist Louise Cantor returns home to Sweden, and makes a devastating discovery: her only child, twenty-eight-year-old Henrik, dead in his bed. The police rule his death a suicide, but she knows he was murdered; her quest to find out what really happened to Henrik takes her across the globe to Barcelona, where her son kept a secret apartment; Sydney, Australia, to find Aron, her estranged ex-husband and Henrik's father; and to Maputo, Mozambique, where she learns the awful truth behind an AIDS hospice.

In Hilary Mantel's Wolf Hall trilogy, one of our very best writers brings the opulent world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue, and, finally, most powerful of Henry VIII's courtiers. But the bloody theatre of Cromwell's ascension will leave no one unscathed. This collection includes expertly adapted versions of Wolf Hall, Bring up the Bodies and The Mirror and the Light alongside The World of Wolf Hall.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

He is Dexter Mayhew, tall, dark and (she can't deny it) handsome. She is Emma Morley, bottled red hair, wilfully badly dressed, all principles and no action. Could this be the dawn of the rest of their lives? Or are Dex and Em living proof that - despite an unlikely beginning - men and women really can be just good friends?

To her adoring fans, Emmy Jackson, aka @the_mamabare, is the honest “Instamum” who always tells it like it is. To her skeptical husband, a washed-up novelist who knows just how creative Emmy can be with the truth, she is a breadwinning powerhouse chillingly brilliant at monetizing the intimate details of their family life.To one of Emmy’s dangerously obsessive followers, she’s the woman that has everything—but deserves none of it.

In the wake of Hilary Mantel’s brilliant conclusion to her award-winning Wolf Hall Trilogy, this collection of loosely autobiographical stories locates the transforming moments of a haunted childhood. Sharp and funny, these drawn-from-life stories begin in the 1950s in an insular northern village “scoured by bitter winds and rough gossip tongues.” For the child narrator, the only way to survive is to get up, get on, get out.