Showing results by narrator "Michael Shearer" in All Categories

Necromancer Eric Carter's problems keep getting bigger. Bad enough he's the unwilling husband to the patron saint of death, Santa Muerte, but now her ex, the Aztec King of the dead, Mictlantecuhtli, has come back - and it turns out that Carter and he are swapping places. As Mictlantecuhtli breaks loose of his prison of jade, Carter is slowly turning to stone. To make matters worse, both gods are trying to get Carter to assassinate the other. But only one of them can be telling him the truth and he can't trust either one. Carter's solution? Kill them both.

Sister murdered, best friend dead, married to the patron saint of death, Necromancer Eric Carter's return to Los Angeles hasn't gone well, and it's about to get even worse. His link to the death goddess is changing his powers, changing him. While searching for a way to break Santa Muerte's hold over him, Carter finds himself the target of a psychopath who can steal anyone's form, powers, and memories. He can be anyone. He can be anywhere.

Set in a lethal pro football league 700 years in the future, THE ROOKIE is a story that combines the intense gridiron action of "Any Given Sunday" with the space opera style of "Star Wars" and the criminal underworld of "The Godfather." Aliens and humans alike play positions based on physiology, creating receivers that jump 25 feet into the air, linemen that bench-press 1,200 pounds, and linebackers that literally want to eat you. Organized crime runs every franchise, games are fixed and rival players are assassinated.

There are very few days off when you're on an epic quest. Believe me, I know. I'm Hedi Peacock - one half Fae, the other were - and if being a half-breed with one foot in each world isn't tough enough to manage, there are the four chambers of my heart to consider. The one who holds the strings? Robson Trowbridge, the Alpha of Creemore. If I had my way, he and I would be locked in a bedroom, for eternity, but a pressing family matter needs my attention. It's true what they say: A woman's work is never done.

The dungeon—Cal—knows exactly how much their power has increased and is working daily to become exponentially more powerful. His schemes are becoming more complex and his dungeon—his body—more deadly. Dale works to subvert the plans of the dungeon, but his opponent is onto him. Hearing a voice in his head distracts him in critical moments requiring him to fight his mind even as he battles deadly creatures. Unbeknownst to both, their fight is not with each other—it’s for the continuation of their lives.

Colter Farrow was just a skinny cow-puncher when the men came to Sapinero Valley and murdered his best friend, whose past as a gunfighter had caught up with him. Now, Cole must strap on his Remington revolver, deliver some justice, and make a reputation of his own.

The necromantic armies are on the warpath and nowhere is safe—even the sanctuary of the flying dungeon has been threatened. The leadership of nearly all the sentient races has been wiped out, and only the people most suited to repelling the advancing darkness have an intact monarchy. Cal learns quickly that the primary threat is not the far-off war, but the actions of those entrusted with protecting the population. As it turns out, the idea of using a flying dungeon as a war machine is very tempting indeed.

Police Chief Delaney Reed is good at keeping secrets for the beach town of Ordinary Oregon - just ask the vacationing gods or supernatural creatures who live there. But with the first annual Cake and Skate fundraiser coming up, the only secret Delaney really wants to know is how to stop the unseasonable rain storms. When all the god powers are stolen, a vampire is murdered, and her childhood crush turns out to be keeping deadly secrets of his own, rainy days are the least of her worries.

Mick Oberon may look like just another 1930s private detective, but beneath the fedora and the overcoat, he’s got pointy ears and he’s packing a wand.

The master of the Providence plantation in Barbados gathers his slaves and announces the king has decreed an end to slavery. As of the following day, the Emancipation Act of 1834 will come into effect. The cries of joy fall silent when he announces that they are no longer his slaves; they are now his apprentices. No one can leave. They must work for him for another six years. Freedom is just another name for the life they have always lived. So Rachel runs.

The world watches the sky with trepidation. The insanity of Xenocide knew no bounds, and all will soon suffer the effects he had planned for a millennium. Though none know what is to come, they all know it isn’t going to be easy to survive. The Master has a plan, one that can give the world at large a way to escape the onrushing desolation. It may be on the bleeding edge of morality and what he needs might prove too difficult to secure, but The Master asks for trust. Cal and Dale both have their role to play as the world hurtles toward destruction.

When Duff MacCallister journeys to Texas to deliver 100 head of angus cattle, he finds a land on fire. Unruly, lawless teams of fence cutters, branded Blue Devils by the locals, are rampaging across grazing land and cutting fences in the name of an eastern land company. The ranchers are fighting back, and Duff joins the fray. But the fight leads to Austin, and into an even deadlier mission.

Necromancer is such an ugly word, but it's a title Eric Carter is stuck with. He sees ghosts, talks to the dead. He's turned it into a lucrative career, putting troublesome spirits to rest, sometimes taking on even more dangerous things. For a fee, of course. When he left LA 15 years ago, he thought he'd never go back. Too many bad memories. Too many people trying to kill him.

Powerful necromancers are on the move, and the dungeon has become a battleground. Without his faithful Wisp, Cal's mind slips—he begins creating traps and monsters that go against his already loose morals. A direct threat from an unexpected force causes Cal's mind to stabilize, but he doesn’t know for how long. Using every resource at his disposal, he works to keep his mind clear while he funds a search for his lost companion. When others fail him again and again, Cal takes matters into his own hands.

During one of the hottest summers the city has ever seen, someone is murdering mages with fires that burn when they shouldn't, that don't stop when they should. Necromancer Eric Carter is being framed for the killings and hunted by his own people. To Carter, everything points to the god Quetzalcoatl coming after him, after he defied the mad wind god in the Aztec land of the dead. But too many things aren't adding up, and Carter knows there's more going on.

War is coming, and she must decide how badly she wants the vampires on her side. Or as a thorn in her side. When children go missing, and the Humans have no leads, I'm the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. Bringing my allies together as war approaches is my number one concern. But that means I have to play nice with a vampire who is blackmailing me. If I don’t, I’m screwed and my family is dead. But I don't play nice. And I have a backup plan. Kinda.

Caprock, Texas is a sleepy cow town until oil is discovered in the 1920s. Suddenly thousands of people stream in to find their fortune. Some are honest folk like Elise and Victor Underwood, who pray for a little luck with their daily bread. But too many are two-bit swindlers. And then there’s frontier mobster Big Boy Daugherty. Sheriff Dave Buckalew faces a whole different set of circumstances as his town springs to life — in good and not-so-good ways.

Fleeing from the growing sinkhole that was once the Glory mines, Ryan Cawdor and his companions struggle to make their way east to Ryan’s home of Front Royal as a safe haven for delivering Krysty’s child. Along the way, they are welcomed into a Deathlands community based on the structure and devolved traditions of a 20th century Iowa State prison. One of the bizarre customs that has evolved is the tallying of victorious acts of violence as a way of achieving dominance. Through a misunderstanding, Doc Tanner is believed to have achieved 246 of such acts.

Flintlock takes no pleasure in killing. But when his pal O’Hara gets bullwhipped by a trio of lowdown prairie rats, Flintlock finds sanctuary for his wounded friend at the cabin of a kindly miner and his lovely daughter. Flintlock heads out to hunt down some food. But there’s more than just deer lurking in these woods. A bloodthirsty band of eight savage raiders — led by a half-mad gunslinger called The Old Man of the Mountain — wage a full-scale attack on the miner’s cabin.

Brewster Ritter had a warning for Flintlock: Do not cross the Sabine River. Ritter, the so-called Baron of the Bayou, is a vicious crime king still seething because Flintlock killed one of his gunmen in a Texas dustup. But Flintlock has his own powerful reasons for crossing into the nightmarish swamp country from East Texas. Now in an eerie land of mysterious mists, haunting cypress trees, snakes, gators, and black-hearted, trigger-happy war hogs, Ritter is waiting for Flintlock with enough men and guns to kill him 10 times over.