Showing titles in Latino American

Simpatía is set in the Venezuela of Nicolas Maduro amid a mass exodus of the intellectual class who have been leaving their pets behind. Ulises Kan, the protagonist and a movie buff, receives a text message from his wife, Paulina, saying she is leaving the country (and him). Two other events end up disrupting his life even further: the return of Nadine, an unrequited love from the past, and the death of his father-in-law, General Martín Ayala.

Ana María Luna Valdés has strived to be the perfect daughter, the perfect niece, and the perfect representative of the powerful Luna family. So when Ana María is secretly sent to London with her sisters to seek refuge from the French occupation of Mexico, she experiences her first taste of freedom far from the judgmental eyes of her domineering father. If only she could ignore the piercing looks she receives across ballroom floors from the austere Mr. Fox.

Cuando Héctor Abad Faciolince, autor de El olvido que seremos, leyó esta primera novela, decidió publicarla de inmediato; muy poco después Lumen se sumaría a su entusiasmo. Tras el éxito en Colombia y mientras Francia prepara su traducción, Cómo maté a mi padre llega a los lectores de ambos lados del océano como una de las revelaciones literarias de los últimos tiempos.

Enrique Montez, smooth-talking heir to the Taco King empire, is man enough to admit that he made a critical error when he underestimated Carolina Flores. The agricultural hotshot should have been an easy conquest—who would turn down the chance to partner with California’s largest fast-food chain? But instead of signing her name on the dotted line, Carolina has Enrique eating out of the palm of her hand, and when fate steps in with an unexpected opportunity, Enrique is willing to do whatever it takes to capture her heart.

The Mexican American War has ended, but in a California divided between two nations, Anglo squatters continue to antagonize citizens of Mexican descent by making claims on their land. Against this charged backdrop, the lives of the Alamar family - the rightful owners of a San Diego ranch - become politically, economically, and romantically entwined with a family of New England settlers, the Darrells. Inspired by experiences in her own life, Ruiz de Burton insightfully captured a troubling time in American history - a period of intense corruption, greed, racism, and classism.

On the Day of the Dead, in 1938, Geoffrey Firmin, an alcoholic and ruined man, is fatefully living out his last day, drowning himself in mescal while his former wife and half-brother look on, powerless to help him. The events of this one day unfold against a backdrop unforgettable for its evocation of a Mexico at once magical and diabolical.

A collection of stories, whose characters give voice to the vibrant and varied life on both sides of the Mexican border. The women in these stories offer tales of pure discovery, filled with moments of infinite and intimate wisdom.

El primer capítulo de una serie policiaca sobre el México más profundo y disparatado. Lo llaman simplemente El Señor, y dirige el peligroso cártel de Constanza. Hasta ahora, nada parece amenazar su poder. Pero un buen día, El Güero, uno de sus sicarios más confiables, se ve en problemas para cumplir una orden aparentemente rutinaria. Y un trío de jóvenes misteriosos se hace notar por una racha de asaltos despiadados a tiendas de autoservicio. Ambas historias terminarán por cruzarse y por cambiar para siempre el orden de las cosas en el cártel…

Examining the borders between one nation and another, between one person and another, Urrea reveals his mastery of the short form. This collection includes the Edgar-award winning "Amapola" and his now-classic "Bid Farewell to Her Many Horses," which had the honor of being chosen for NPR's "Selected Shorts" not once but twice.

Cupid only strikes once. At least that’s what Lissette Alonso believes. Ever since the Most Disastrous Valentine’s Day of All Time™ she has hated all things V-day. But Lizzie’s best friend is having pre-nuptial festivities for a week leading up to her February 14th wedding and Lissette is taking her maid of honor duties seriously, maybe too seriously. Of course of course of course who is the first person she runs into on the way to the wedding? None other than her childhood nemesis, Brian Anderson, the reason for all of her Valentine’s Day hatred.

Carmen Sanchez is back in her home country of Mexico, overseeing the renovation of an ancient cathedral into a boutique hotel. Her teen daughters, Izel and Luna, are with her for the summer, and left to fill their afternoons unsupervised in a foreign city. The locals treat the Sanchez women like outsiders, while Carmen's contractors openly defy and sabotage her work. After a disastrous accident at the construction site nearly injures Luna, Carmen's had enough. They're leaving. Back home in New York, malevolent and unexplainable happenings seem to swarm the Sanchez family.

Soy Maya Vidal, diecinueve años, sexo femenino, soltera, sin un enamorado, por falta de oportunidades y no por quisquillosa, nacida en Berkeley, California, pasaporte estadounidense, temporalmente refugiada en una isla al sur del mundo. Me pusieron Maya porque a mi Nini le atrae la India y a mis padres no se les ocurrió otro nombre, aunque tuvieron nueve meses para pensarlo. En hindi, maya significa "hechizo, ilusión, sueño".

Forbidden. Commanding. Mysterious. Beau Rochester has an entire house full of secrets. And those secrets are putting Jane Mendoza in danger.

In Parson, Texas, a small town ravaged by a devastating hurricane and the Vietnam War, twenty-nine-year-old Lou is diligently renovating a decaying old mansion for Miss Kate, the elderly neighbor who has always been like a mother to her. Mourning her brother’s death in Vietnam, Lou dreams of enjoying a more peaceful future in Parson. But those hopes are crushed when Miss Kate is murdered, and no one but Lou seems to care about finding the killer.

La primera novela para adultos en casi 15 años de la autora internacionalmente superventas de "In the Time of the Butterflies" y "How the García Girls Lost Their Accents". Antonia Vega, la escritora inmigrante en el centro de "Afterlife", ha sacado la alfombra de debajo de ella. Acaba de retirarse de la universidad donde enseñó inglés cuando su amado esposo, Sam, muere repentinamente.

Combinando de forma magistral la ficción con datos históricos, Mario Escobar sitúa al lector en la terrible situación de los judíos polacos y su lucha por la supervivencia en el Gueto de Varsovia.

1549. Convinced he’s destined to fulfill a whispered prophecy, Friar Diego de Landa labors to convert the Maya of the Yucatán Peninsula. Discovering a brutal Spanish landowner persecuting the native population, Friar Diego determines to protect them and punish the cruel man. 2010. Cortez Vuscar is convinced his father will return if he can grow their church’s congregation. Certain he’s found his true love, Cortez sets out to win her from her wealthy, unfaithful boyfriend. But his fascination with the literature she’s reading infects his mind with a deadly descent into madness.

The first novel to appear in English by one of the most talked-about and critically acclaimed writers of new Mexican fiction. From a psychoanalyst's couch, the narrator looks back on her bizarre childhood - in which she was born with an abnormality in her eye into a family intent on fixing it. In a world without the time and space for innocence, the narrator intimately recalls her younger self - a fierce and discerning girl open to life's pleasures and keen to its ruthless cycle of tragedy.

Kali Fajardo-Anstine’s magnetic story collection breathes life into her Indigenous Latina characters and the land they inhabit. Against the remarkable backdrop of Denver, Colorado - a place that is as fierce as it is exquisite - these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the Earth but tend to rise during land disputes.

Luz “Little Light” Lopez, a tea leaf reader and laundress, is left to fend for herself after her older brother, Diego, a snake charmer and factory worker, is run out of town by a violent white mob. As Luz navigates 1930s Denver, she begins to have visions that transport her to her Indigenous homeland in the nearby Lost Territory. Luz recollects her ancestors’ origins, how her family flourished, and how they were threatened. She bears witness to the sinister forces that have devastated her people and their homelands for generations.