Showing titles in Genre Fiction

Set in the 19th century, Isabel Miller's classic lesbian novel traces the relationship between Patience White and Sarah Dowling, whose romantic bond does not sit well with their puritanical New England community. In addition to being an inspiring love story, the audiobook for Patience and Sarah is an ideal listen for young-adult audiences. It is a story that shows how irrelevant race, religion, and gender are to love and that loving and being loved are what keep us human and sane.

Up-and-coming stage actress Margaret Shoard has just taken a bow as Lady Macbeth, the role she has always believed was destined for her. At home, she plays wife to her best friend Wesley, even if she doesn’t hold his sole attention romantically. After a public breakdown threatens all she holds dear, Margaret’s doctor prescribes her uppers—just a little help to get through the days.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

A sus quince años, Mungo, un adolescente con una sensibilidad diferente al resto de los chicos del vecindario, vive en un barrio obrero del Glasgow de la era post-Thatcher, en el seno de una familia protestante: sin padre, con una madre alcohólica y un hermano que representa todo lo que él odia. En un ambiente masculinizado, rodeado de paro y peleas callejeras, solo cuenta con el apoyo y el cuidado de su hermana, Jodie. Tras un altercado familiar, su madre decide enviar a Mungo de pesca con dos desconocidos de Alcohólicos Anónimos para que hagan de él un hombre de provecho.

Washington Territory, 1888. With contacts on the docks and in the railroad, and with a buyers' market funneling product their way, Alma Rosales and her opium-smuggling crew are making a fortune. They spend their days moving product and their nights at the Monte Carlo, the center of Tacoma's queer scene, where skirts and trousers don't signify and everyone's free to suit themselves.

Angela has everything she thought she ever wanted—a successful husband, a lavish house, and a bottomless fortune. But the sight of a strange man in a grocery store one night reawakens her dormant sexuality, and soon Angela embarks on a dangerous descent into the world of underground pornography and back-alley plastic surgery. As the stakes get higher, long-buried memories resurface, and Angela finds herself enamored with Reena, a fetish film performer.

Daron Marks is a young guitar player with a dream: to make it big like the guys he grew up idolizing in New Jersey - or at least escape his dysfunctional family. He makes it as far as music school in Rhode Island and the rock clubs of Boston beckon him. But it's hard to succeed from the closet.

No one knows who Calla truly is except for her childhood friend—and sister’s betrothed—the distractingly handsome Prince Grae. But when Calla and Briar journey out of hiding for Briar’s wedding, all of their well-made plans go awry. The evil sorceress is back with another sleeping curse for the last heir to the Golden Court.

A sweet sapphic romance takes a deadly dark turn in this sharp-as-a-knife novella with the slow build menace of Angela Carter's The Bloody Chamber—from a New York Times-bestselling author hailed by Chuck Wendig as "a storyteller working at the top of her class."

Recently jilted and increasingly unhinged, Dr. Voth throws himself into his work, obsessively researching the life of Jack Sheppard, a legendary 18th-century thief. No one knows Jack's true story - his confessions have never been found. That is, until Dr. Voth discovers a mysterious stack of papers titled "Confessions of the Fox". Dated 1724, the manuscript tells the story of an orphan named P. Sold into servitude at 12, P struggles for years with her desire to live as "Jack".

Bunny Lampert is the princess of North Shore⁠ - beautiful, tall, blond, with a rich real-estate-developer father and a swimming pool in her backyard. Michael⁠⁠ - with a ponytail down his back and a septum piercing⁠ - lives with his aunt in the cramped stucco cottage next door. When Bunny catches Michael smoking in her yard, he discovers that her life is not as perfect as it seems. At six foot three, Bunny towers over their classmates.

On a hot day in Bethlehem, a 12-year-old Palestinian-American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: "You exist too much," she tells her daughter. Told in vignettes that flash between the US and the Middle East, we trace her progress from blushing teen to sought-after DJ and aspiring writer.

In a Pacific Northwest hospital far from the Rummani family’s ancestral home in Palestine, the heart of a stillborn baby begins to beat and her skin turns vibrantly, permanently cobalt blue. On the same day, the Rummanis’ centuries-old soap factory in Nablus is destroyed in an air strike. The family matriarch and keeper of their lore, Aunt Nuha, believes that the blue girl embodies their sacred history, harkening back to a time when the Rummanis were among the wealthiest soap-makers and their blue soap was a symbol of a legendary love.

When a sharp cry wakes Jean in the middle of the night during a terrible tempest, she’s convinced it must have been a dream. But when the cry comes again, Jean ventures outside and is shocked by what she discovers—a young woman in labor, drenched to the bone in the bitter cold and able to speak barely a word of English.

Julia Rosenberg loves her brother. Really loves him. Enough to: Be the "best woman" at his wedding; leave behind her hard-won New York life, brilliant best friends, and drag brunches for Boca Raton, Florida; entertain the uptight bride-to-be and her vicious cronies; try (and fail) to dodge the hometown hookup buddy she can’t resist; and navigate the tricky dynamics with her divorced parents. She’s not that nervous. She has a supportive family that stood by her when she came out as a woman a few years ago.

Miri thinks she has got her wife back when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp.

At a meatpacking facility in the Missouri Ozarks, Dee-Dee and her coworkers kill and butcher 40,000 chickens in a single shift. The work is repetitive and brutal, with each stab and cut a punishment to her hands and joints, but Dee-Dee's more concerned with what is happening inside her body. After a series of devastating miscarriages, Dee-Dee has found herself pregnant, and she is determined to carry this child to term. Dee-Dee fled the Pentecostal church years ago, but judgment follows her in the form of regular calls from her mother.

Set in early 1980s Poland against the violent decline of communism, a tender and passionate story of first love between two young men who eventually find themselves on opposite sides of the political divide - a stunningly poetic and heartrending literary debut for fans of Andre Aciman, Garth Greenwell, and Alan Hollinghurst.

Eliza Macy is struggling to conceal her financial trouble as she waits for her whaling captain husband to return from a voyage. In desperation, she turns against her progressive ideals and targets Meg Wright, a pregnant free Black woman trying to relocate her store to Main Street. Meanwhile, astronomer Maria Mitchell loves running Nantucket’s Atheneum and spending her nights observing the stars, yet she fears revealing the secret wishes of her heart. On a sweltering July night, a massive fire breaks out in town, quickly kindled by the densely packed wooden buildings.

Ariane has finally adjusted to her new life as a vampire, hidden away from her kin in the Georgian countryside. She can now set her eyes on her next pursuit: her return to society as a rightful, free entity. However, regaining her freedom will not be easy. Beyond the issues of cutthroat vampire politics, the protection of her territory will also bring surprising challenges.