Showing titles in Women

"If you're not strong enough to swim fast, you're probably not strong enough to swim 'pretty," said a young Esther Williams to theater impresario Billy Rose. Since the nineteenth century, tensions between beauty and strength, aesthetics and athleticism have both impeded and propelled the careers of female swimmers—none more so than synchronized swimmers, for whom Williams is often considered godmother. In this riveting history—the first of its kind—Vicki Valosik traces a century of aquatic performance, from vaudeville and dime museums to the Olympic arena.

The flâneur is the quintessentially masculine figure of privilege and leisure who strides the capitals of the world with abandon. But it is the flâneuse who captures the imagination of the cultural critic Lauren Elkin. In her wonderfully gender-bending new book, the flâneuse is a "determined, resourceful individual keenly attuned to the creative potential of the city and the liberating possibilities of a good walk." Virginia Woolf called it "street haunting"; Holly Golightly epitomized it in Breakfast at Tiffany's; and Patti Smith did it in her own inimitable style in 1970s NYC.

For fans of the Netflix series The Crown and from the author of the New York Times best seller 17 Carnations comes a captivating biography of Wallis Simpson, the notorious woman for whom Edward VIII gave up the throne.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States, and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s.

Born to wealth that the Civil War ravaged, held captive by renegade Comanche, and rejected by family and friends, Mary Elizabeth (“Libby”) Haley ran away from home at the age of 14. Libby learned to navigate the dangerous and volatile Old West and made a name for herself as Squirrel Tooth Alice. Given her moniker because of a gap in her front teeth and her passion for raising ground squirrels as pets, Libby made the best of a difficult situation.

When the Japanese attacked Pearl Harbor in 1941, Cornelia Fort was already in the air. At 22, Fort had escaped Nashville’s debutante scene for a fresh start as a flight instructor in Hawaii. She and her student were in the middle of a lesson when the bombs began to fall, and they barely made it back to ground. Still, when the US Army Air Forces put out a call for women pilots to aid the war effort, Fort was one of the first to respond. She became one of just over 1,100 women from across the nation to make it through the Army’s rigorous selection process and earn her silver wings.

When you think of serial killers throughout history, the names that come to mind are ones like Jack the Ripper, John Wayne Gacy, and Ted Bundy. But what about Tillie Klimek, Moulay Hassan, Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators. In fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference, “There are no female serial killers.”

The American Revolution was a home-front war that brought scarcity, bloodshed, and danger into the life of every American, and Carol Berkin shows us that women played a vital role throughout the struggle. Berkin takes us into the ordinary moments of extraordinary lives. We see women boycotting British goods in the years before independence, writing propaganda that radicalized their neighbors, raising funds for the army, and helping finance the fledgling government. We see how they managed farms, plantations, and businesses while their men went into battle.

They were the most famous sisters in China. As the country battled through 100 years of wars, revolutions, and seismic transformations, the three Soong sisters from Shanghai were at the center of power, and each of them left an indelible mark on history. All three sisters enjoyed tremendous privilege and glory, but also endured constant mortal danger. They showed great courage and experienced passionate love, as well as despair and heartbreak.

Only the Clothes on Her Back uncovers practices, commonly known then, but now long forgotten, which made textiles - clothing, cloth, bedding, and accessories, such as shoes and hats - a unique form of property that people without rights could own and exchange. The value of textiles depended on law, and it was law that turned these goods into a secure form of property for marginalized people, who not only used these textiles as currency, credit, and capital, but also as entree into the new republic's economy and governing institutions.

In an age of bolters - women who broke the rules and fled their marriages - Idina Sackville was the most celebrated of them all. Her relentless affairs, wild sex parties, and brazen flaunting of convention shocked high society and inspired countless writers and artists, from Nancy Mitford to Greta Garbo. But Idina’s compelling charm masked the pain of betrayal and heartbreak.

In Medical Bondage, Cooper Owens examines a wide range of scientific literature and less formal communications in which gynecologists created and disseminated medical fictions about their patients, such as their belief that black enslaved women could withstand pain better than white "ladies". Even as they were advancing medicine, these doctors were legitimizing, for decades to come, groundless theories related to whiteness and blackness, men and women, and the inferiority of other races or nationalities.

"Eleanor Roosevelt never wanted her husband to run for president. When he won, she...went on a national tour to crusade on behalf of women. She wrote a regular newspaper column. She became a champion of women's rights and of civil rights. And she decided to write a book". (Jill Lepore, from the Introduction). "Women, whether subtly or vociferously, have always been a tremendous power in the destiny of the world", Eleanor Roosevelt wrote in It's Up to the Women, her book of advice to women of all ages on every aspect of life.

From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding Over Bloody Revenge strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt. Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners.

What could possibly go wrong in a wealthy matriarch's country home when her dilettante son, his restless wife, and his widowed brother live there together? Strong Passions, rooted in the beguiling times of Edith Wharton's "old New York," recounts the true story of a tumultuous marriage.

Hidden among the photographs, uniforms, revolvers, and war medals of the Civil War are the remarkable stories of some of the most unlikely heroes: women. This audiobook brings to light the incredible stories of women from the Civil War that remain relevant to our nation today. Each woman's experience helps us see a truer, fuller, richer version of what really happened in this country during this time period.

New motherhood is often seen as a joyful moment in a woman's life; for some women, it is also their lowest moment. For much of the twentieth century, popular and medical voices blamed women who had emotional and mental distress after childbirth for their own suffering. By the end of the century, though, women with postpartum mental illnesses sought to take charge of this narrative. In Blue: A History of Postpartum Depression in America, Rachel Louise Moran explores the history of the naming and mainstreaming of postpartum depression.

The names of few medieval monarchs and their queens are better known than Eleanor of Aquitaine, uniquely queen of France and queen of England, and her second husband Henry II. Although academically labeled "medieval," their era was the violent transition from the Dark Ages, when countries' borders were defined with fire and sword. If princes fought for their succession to crowns, the princesses were traded—usually by their mothers—to strangers for political power without the bloodshed.

On March 25, 1942, nearly a thousand young, unmarried Jewish women boarded a train in Poprad, Slovakia. Filled with a sense of adventure and national pride, they left their parents' homes wearing their best clothes and confidently waving good-bye. Believing they were going to work in a factory for a few months, they were eager to report for government service. Instead, the young women - many of them teenagers - were sent to Auschwitz. Their government paid 500 Reich Marks (about $200) apiece for Nazis to take them as slave labor. Of those 999 innocent deportees, only a few survived.

Across the world, patriarchy has oppressed women and denied their contributions, but every nation has its own unique gendered hierarchy. Dr. Anna Malaika Tubbs applies her signature approachable yet rigorous analysis to define American patriarchy in this definitive and groundbreaking history. Humanity in the United States is determined by gender in a limited and flawed binary logic that is also always tied to whiteness. Tubbs shows how a fabricated hierarchy became so deeply ingrained in the country over time that it now goes unnoticed, along with everything it intentionally conceals.