Showing titles in Music

Multi-hit songwriter Clay Mills breaks down the mystery of melody writing to give your songs an edge with the PRA method. Learn how to write inspiring songs without waiting for inspiration.

The saga of the legendary Los Angeles band Little Feat is one of rock 'n' roll's great stories. Formed in 1969 by ex-members of Frank Zappa's Mothers of Invention, Little Feat created groove-heavy music that was an irresistible mix of rock, blues, R&B, country, jazz, soul, and funk. Fronted by the charismatic but doomed vocalist and brilliant slide guitarist Lowell George, the band recorded such classic studio albums as Sailin' Shoes and Dixie Chicken, as well as Waiting for Columbus, which many consider to be one of the best live albums of all time.

Life can be difficult. But does God care? Don Moen has learned to lean on God’s promises in good times as well as bad, and he says, “You can still trust him.” In his new memoir, through heartfelt stories reminiscent of Max Lucado, “Papa Don” weaves a blanket of gentle comfort for people looking for answers.

In They Just Seem a Little Weird, veteran entertainment journalist Doug Brod offers an eye- and ear-opening look at a crucial moment in music history, when rock became fun again and a gig became a show. This is the story of friends and frenemies who rose, fell, and soared once more, often sharing stages, studios, producers, engineers, managers, agents, roadies, and fans-and who are still collaborating more than 40 years on.

From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron "Pigpen" McKernan exploded out of the early 60s roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. Dennis McNally, the band's historian and publicist for more than 20 years, takes listeners back through the Dead's history.

This Living Classroom is read by the author, Janet "Sula Spirit" Evans, and contains 38 Yoruba chants with song lyrics, translations, and phonetic pronunciations for each chant. The book also included attributes of each Orisha.

Sam Hollander has spent 30 years trudging through the peaks and valleys of a songwriting career. Before he was stacking Billboard hits, he was piling up bad luck, calamitous flops, false starts, and feeling like the world was moving on and up without him while he spun in place. Now he wears his failures like a badge of honor. In 21-Hit Wonder, he’s collected anecdotes from his weird waltzes around the banquet of pop to help aspiring songwriters and other creatives learn about survival, endurance, scheming, hustle, and the importance of laughing.

Do you need to be able to read music to play guitar? These are some of the first questions I’m usually asked as a guitar teacher. Over my 25+ year career as a musician and guitar teacher, I have come across many guitarists who cannot read a single note of music or tell you a major triad from a min7flat5 chord. In fact, I think it’s one of the most hotly debated topics in guitar playing circles anywhere around the world, certainly in the online space. I say relax! Which person is a better player? That’s a 100 percent subjective judgement, and it’s not for me to decide.

Roger Keith “Syd” Barrett was the definition of a golden boy. With good looks and an aptitude for music, he was a charismatic child who fast became a teenage leader in 1960s England. Along with three school chums - Roger Waters, Richard Wright, and Nick Mason - he formed what would become Pink Floyd.

La Bohème is one of the three operas - the others are Carmen and Aida - believed to be the most popular ever written. In the case of La Bohème the reason is that it virtually defines the term "romantic". The poignant story of Mimì and Rodolfo is told in music of such tender beauty, allied, as always, to Puccini’s intuition of what works in the theatre. The result is an opera that readily appeals to our emotions and senses.

In Man of Constant Sorrow, Grammy® Award winner Ralph Stanley opens up about his expansive career as an old-time musician. Stanley grew up in the Virginia mountains and first learned music from his banjo-playing mother. He interrupted his musical career to farm for a short time, but soon returned to music with his brother Carter. Later in his career, Stanley gained popularity after being featured in the hit motion picture soundtrack for O Brother, Where Art Thou?

Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style.

Even from the perspective of time, it is nearly impossible to grasp the full contribution made to music by Wolfgang Amadeus Mozart in his brief and glorious life. He composed his first symphony at the age of 8 and reached full artistic maturity by the time he was only 20. And when he died at the age of 35, he left a legacy of more than 600 works of brilliance - symphonies, chamber music, operas, and more - most composed during an incredibly productive 20-year period.

One of the best-loved composers of all time, Dvorák rose from rural origins to become not only a great but an influential composer. The first composer to put his native Bohemia on the musical map of the world, he was invited to do the same for America. One result was the famous "New World" Symphony, which made him a household name across the globe. Writing music of irresistible color, lilt and peasant vitality, he was also a melodist-in-a-million. This portrait-in-sound follows a lovable and in many ways a very simple, man from hay cart to imperial palace, from tragic loss to heart-warming joy, to pigeon-raising and world celebrity.

Have you ever wondered how off-key you are while singing in the shower? Or if your Bob Dylan albums really sound better on vinyl? Or why certain songs make you cry? Now, scientist and musician John Powell invites you on an entertaining journey through the world of music. Discover what distinguishes music from plain old noise, how scales help you memorize songs, what the humble recorder teaches you about timbre (assuming your suffering listeners don’t break it first), and more.

Chris Difford is a rare breed. As a member of one of London's best-loved bands, the Squeeze cofounder has made a lasting contribution to English music with hits such as 'Cool for Cats', 'Up the Junction', 'Labelled with Love', 'Hourglass' and 'Tempted'. Some Fantastic Place is his evocative memoir of an upbringing in South London in the '60s and his rise to fame in one of the definitive bands of the late '70s and early '80s. Read by Chris Difford.

Have you ever thought about the creative process that boiled inside geniuses like Mozart, Beethoven, Dvorák, Strauss, Brahms, Mendelssohn, or Liszt-or any composer, for that matter?What goes through a composer's mind when a musical composition is being set to paper? Are those magical weeks or months spent in an agonizing creative blur of ideas first tried and then discarded, or it a matter of pure inspiration?

As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they'd watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Celebrating the band's 50th anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older.

Despite dogged attempts by musicologists worldwide to find its source, the violin’s origins remain maddeningly elusive. The instrument surfaced from nowhere in particular, in a world that Columbus had only recently left behind and Shakespeare had yet to put on paper. By the end of the violin’s first century, people were just discovering its possibilities. But it was already the instrument of choice for some of the greatest music ever composed by the end of its second. By the dawn of its fifth, it was established on five continents as an icon of globalization, modernization, and social mobility, an A-list trophy, and a potential capital gain.

Songs that sell the most copies become hits, but some of those hits become something more—iconic recordings that not only inspire a generation but also change the direction of music. In Anatomy of 55 More Songs, based on his column for the Wall Street Journal, music journalist and historian Marc Myers tells the story behind fifty-five rock, pop, R&B, country, and soul-gospel hits through intimate interviews with the artists who wrote and recorded them.