Showing results by author "G.K Chesterton" in All Categories

Gilbert Keith Chesterton has become synonymous with modern Christian apologetics. But his impact goes beyond just those interested in a defense of Christian thought. His writings have influenced such diverse authors as C.S. Lewis, Marshall McLuhan, and Jorge Luis Borges, and remains a subtle and unseen presence in contemporary Catholic thought.

This collection brings together over 50 of the greatest detective stories ever written, featuring iconic characters and masterful plots from some of the most celebrated authors of the mystery genre. In The Classic Detective Collection, readers will be immersed in the thrilling worlds of famous sleuths such as Hercule Poirot, Sherlock Holmes, Father Brown, and Lord Peter Wimsey, whose brilliant minds and unique methods have defined the art of solving crime.

Father Brown, G. K. Chesterton's lovable little Norfolk priest, has an uncanny knack of unraveling mysteries that leave lesser mortals floundering. His sympathetic understanding of human nature never deserts him, even when he himself is touched by a breath of scandal, thanks to the hasty conclusions of a crusading newspaperman. In this collection, Father Brown uses his distinctive style of deduction to solve the seemingly insoluble.

Gilbert Keith Chesterton (1874-1936) was a British writer, philosopher, lay theologian, and literary critic. Chesterton wrote around 80 books, several hundred poems, some 200 short stories, several plays, plus 4,000 essays and newspaper columns. He was a columnist for the Daily News and The Illustrated London News.

A "very short Catholic priest" who does "...not seem to know which was the right end of his return ticket," Father Brown is the embodiment of the phrase 'looks can be deceiving.' Arguably the second best-known crime-solver in English literature, this unassuming man of the cloth solves case after case with ease.

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Chesterton's talent as a mystery writer is displayed in this collection of detective stories, The Man Who Knew Too Much. In each story, the star detective, Horne Fisher, deals with another strange mystery: the vanishing of a priceless coin, the framing of an Irish "prince" freedom fighter, an eccentric rich man dies during an obsessive fishing trip, another vanishing during an ice skate, a statue crushing his own uncle, and a few more.

Chesterton's allegorical masterpiece is a surreal, psychologically thrilling novel that centres on seven anarchists in turn of the century London who call themselves by the names of days of the week. The story begins when poet Gabriel Syme is recruited as a detective to a secret anarchist division of Scotland Yard by a shrouded, nameless person. Syme infiltrates a secret meeting of anarchists who are intent on destroying the world and becomes known as 'Thursday', one of the seven members of the Central Anarchist Council.

Few people had a more profound effect on Christianity in the 20th century than G. K. Chesterton. The Everlasting Man, written in response to an anti-Christian history of humans penned by H.G. Wells, is considered Chesterton’s masterpiece. In it, he explains Christ’s place in history, asserting that the Christian myth carries more weight than other mythologies for one simple reason—it is the truth.

A serious attack against Christianity by well-known newspaper editor Robert Blatchford in 1903 impelled Chesterton to seize the gauntlet of refutation. His reply was immensely successful and was the early formation of his convincing credo that is so brilliantly and cogently argued in Orthodoxy, a masterwork that was published just five years later.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" - "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

The story begins when two poets meet. Gabriel Syme is a poet of law. Lucian Gregory is a poetic anarchist. As the poets protest their respective philosophies, they strike a challenge. In the ruckus that ensues, the Central European Council of Anarchists elects Syme to the post of Thursday, one of their seven chief council positions. Undercover. On the run, Syme meets with Sunday, the head of the council, a man so outrageously mysterious that his antics confound both the law-abiding and the anarchist.

Saint Francis of Assisi is one of the most influential men in the whole of human history. This acclaimed biography of Saint Francis examines the life of a pure artist, a man "whose whole life was a poem". Here is the Saint Francis who prayed and danced with pagan abandon, who talked to animals, and who invented the crèche. Yet Francis also acknowledged the mystic responsibility to communicate his divine experience.

Considered by many to be one of G.K. Chesterton’s greatest works, The Everlasting Man (first published in 1925), along with many of Chesterton’s other works, were heavily influenced by his own spiritual journey into Christianity. Published in 1925, The Everlasting Man is said to be a rebuttal of H.G. Wells’ The Outline of History, in which Chesterton delves into the history of religion and the spiritual exploration of Western society while defending any objections to Christianity.

Classic Poems for Boys comprises a delightfully varied set of over 20 poems for 5- to 10-year olds. From rousing favorites like Felicia Dorothea Hemans’ "Casabianca" and John Keats’ "A Song About Myself", to dreamy, thoughtful poems by Henry Wadsworth Longfellow and Rudyard Kipling, this is a collection to be treasured.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors, and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.

The book acts as a guide which explains how Christianity is the best choice for all human beings, not because it's outside of our world and an independent truth, but because it is the answer to our base needs and desires. Only when Christianity is seen as a way of life instead of a belief can the true power of the faith be realized.

This audiobook is wonderfully narrated by British actor Nigel Peever, who brings the story to life. Published by Chesterton Books.

After the success of Heretics, G. K. Chesterton was challenged and compelled to share the story of his pilgrimage to faith. The result is this bracing, watershed religious autobiography in which he follows the doctrines determined in the Apostle’s Creed to deliver a personal, yet universal, defense of Christianity. Ultimately, the literary giant answers the question - not of whether divinity can be believed - but rather, how he himself came to believe it.

El conjunto de los relatos del padre Brown constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que es profundo de la naturaleza humana. Chesterton crea este singular personaje para mostrar que sólo una mirada sincera y que reconozca el misterio que la realidad encierra es capaz de salvaguardar la razón.