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The English language has grown into the world’s pre-dominant spoken language, containing over one million words. Its sources are rich and diverse, having absorbed words from other cultures and times without hesitation. With such talents as Shakespeare, Keats, Shelley, Kipling, Blake, and many other classic poets using this most flexible language to render their thoughts and visions, it is no wonder that the beauty and reach of English entrances us.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered too. Poets as rich and diverse as Tennyson, Hardy, Shelley, and Poe here share their words, thoughts and visions with us.

Angels are undeniably associated with religion and more usually Christianity, Islam and Judaism. Often they are seen as supernatural beings, benevolent celestial intermediaries interposed between God, Heaven and humanity. Obviously there are complications, a fact that our classic poets through the centuries, including Alexander Pope, Edmund Spenser, Radclyffe Hall and Hafiz, use as they write verse to explain, to reveal and to help us understand exactly why Angels are so prevalent amongst our thoughts.

Amy Levy was born in London, England, in 1861, the second of seven in a fairly wealthy Anglo-Jewish family. The children read and participated in secular literary activities and became firmly integrated into Victorian life. Amy’s writing career began early; her poem ‘Ida Grey’ appeared when she was only fourteen. Her acclaimed short stories ‘Cohen of Trinity’ and ‘Wise in Their Generation,’ were published by Oscar Wilde in his magazine ‘Women's World’.

The most enduring and popular theme of poems and poets is that of love. Love changes; its rhythms pause and pulse on the tiniest of things and the biggest of thrills. Within its shades all other feelings, all other emotions, gently reside, waiting for their moment. In these 50 poems, the many, many shades of love reveal themselves.

Christina Georgina Rossetti remains one of the most important poets in the British tradition, both for her own work and those she influenced, most notably Virginia Wolfe. Rossetti is praised for her willingness to explore different genres and poetic forms within her body of work. Thematically, her poems run the gamut from frustrated love, to religion, to the Gothic, and beyond. Her choice of form is equally eclectic. Here, a reading of some of her best work by David Shaw-Parker and Ghizela Rowe.

With almost a million words at its command, it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. Matthew Arnold is rightly placed amongst the other greats of Victorian poetry: Browning and Tennyson. The son of the founder of Rugby School, he grew up to become a poet via a career as a school inspector.

Richard Horatio Edgar Wallace was born on the 1st April 1875 in Greenwich, London. Leaving school at 12 because of truancy, by the age of 15 he had experience selling newspapers, as a worker in a rubber factory, as a shoe shop assistant, as a milk delivery boy and as a ship’s cook. By 1894 he was engaged but broke it off to join the infantry; he was posted to South Africa. He also changed his name to Edgar Wallace, which he took from Lew Wallace, the author of Ben-Hur. In Cape Town in 1898 he met Rudyard Kipling and was inspired to begin writing.

July - the seventh month of the year in the Gregorian calendar, and summer is a rich harvest of colours and sights. Poets of the calibre of Shakespeare, Keats, Pope, Whitman, and Tennyson describe and marshall their thoughts for our delight.

Listen to A.M. Burrage's The Sweeper, a thrilling supernatural tale about a cold-hearted old woman, a poor sick man, and vengeance.

Elizabeth Barrett Moulton Barrett was born on 6 March 1806, in Coxhoe Hall, County Durham, the eldest of 12 children. The family's wealth was derived from sugar plantations manned by slaves in Jamaica and enabling them to also purchase a 500-acre estate in Herefordshire. This wealth allowed her to publish poems from an early age. However by age 20 the family’s fortunes were to decline, but never below comfortable, after losing a lawsuit over their plantations.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.

Here, in this volume history’s greatest poets convey thoughts, feelings and sentiments of love to you in quick (or bite-size) conversations of verse that can slip into your day and your partner's heart.

In the war a great volume of poetry was written, produced and published in books, periodicals, newspapers or letters back to home. We often think of war as a necessity. We fight for a more just and better world. We often fail. But in our poets we gain a truth and a morality that shocks us, consoles us and holds our values to the light. In this volume we hear poems from the front, from home, from soldiers, from auxiliaries, from friend and from foe.

April - the fourth month of the year in the Gregorian calendar heralds spring in earnest and, of course, April showers and perhaps other unsettled weather. For our poets, including Owen, Stevenson, Van Dyke, Hardy, and Shelley, the month provides a rich source for them to muse upon.

October - the tenth month of the year in the Gregorian calendar, and the land prepares to give up more it its colourful coverings. On this and other themes, our poets, including Wordsworth, Rossetti, Arnold, Bryant, and Alford, have much to say.

Ah, Nonsense! The English, it is often said, have a peculiar brand of humour. Along with copious cups of tea and a stiff upper lip it keeps life together in moments of difficulty and strife. One of our most-loved humourists is Edward Lear, famed throughout the world for his nonsense verse and limericks. Listen to this collection and find out why.

The Irish Short Story tradition is packed with literary leviathans who take the raw ingredients of the land, it’s people and their own talents to create quite dazzling narratives in these perfectly pitched short stories. Genius has many names.

Night. The day has gone. Departed. And the dark embrace, the inky shadows of night descend. For many a time to unwind and slumber. For some a nagging doubt that all is not well. That some primeval and primordial happening may yet go bump in the night. But for our poets the night is a time of wonder and imagination as well as many other emotions and feelings. Among our ranks of gloried talents are Keats, Coleridge, William Morris, DH Lawrence, Whitman, Longfellow and many more besides. Their descriptions capture what they see and feel as perhaps only a poet can.

Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore. Gogol had a profound and enduring impact on literature which can be evidenced from his masterpiece, "The Cloak", more popularly although wrongly translated as "The Overcoat" published in 1841. A hundred years later Vladamir Nabokov called it ‘The greatest Russian short story ever written'.