Showing results by narrator "Lucy Paterson" in All Categories

It's New Year's Eve and the stage is set for a lavish party in one of Edinburgh's best postcodes. It's a moment for old friends to set the past to rights-and move on. The night sky is alive with fireworks and the champagne is flowing. But the celebration fails to materialize. Because someone at this party is going to die tonight. Midnight approaches and the countdown begins—but it seems one of the guests doesn't want a resolution. They want revenge.

In Wild, Amy Jeffs journeys—on foot and through medieval texts—from landscapes of desolation to hope, offering the listener an insight into a world at once distant and profoundly close to home. The seven chapters, entitled Earth, Ocean, Forest, Beast, Fen, Catastrophe, Paradise, open with fiction and close with reflection. They blend reflections of travels through fen, forest and cave, with retelling of medieval texts that offer rich depictions of the natural world.

Flora and Rose are identical twins who do not know of each other's existence. Rose has been raised by her frivolous mother with the glossy international jet set. Flora has spent her childhood in the beauty and quiet of her father's Cornish cottage. And then, by chance, they meet. The encounter seems heaven-sent to Rose, who longs to escape from a man she no longer desires. Flora can free her, and, in taking her sister's place, her uneventful life is changed forever.

Phoebe, an eight-year-old girl, lies comatose following a car accident. She is a body without a spirit, a stolen child. Ceres, her mother, can only sit by her bedside and read aloud to Phoebe the fairy stories she loves in the hope they might summon her back to this world. But it is hard to keep faith, so very hard. Now an old house on the hospital grounds, a property connected to a book written by a vanished author, is calling to Ceres. Something wants her to enter, and to journey - to a land coloured by the memories of Ceres's childhood, and the folklore beloved of her father.

When Inversgail welcomes home native daughter and best-selling environmental writer Daphne Wood for her tenure as the author-in-residence for Inversgail schools, Janet Marsh and her business partners at Yon Bonnie Books look forward to hosting a book signing for her. However, Daphne's people skills have developed a few rough edges after living alone in the Canadian wilderness for years and working with her is difficult. Things only become more complicated once she arrives. That night, a young man - an American who'd spent a night in the B&B above Yon Bonnie Books - is found dead outside a pub.

Maria Birch is 70 years old, and for her every week is the same. On Monday, she does her weekly shop. On Tuesday, she goes for a blow-dry. On Wednesday, she visits the laundrette. But Thursday is her favorite day of all - everything hurts less on a Thursday. Every Thursday Maria walks to her local café. Waiting for her at one of the red gingham-topped tables is Albie Young, a charming man with a twinkle in his eye and an impressive collection of tweed flat caps. Every week, the pair share a slice of marble cake and a pot of tea. Except one week, Albie doesn’t turn up.

Esther is nearing thirty, with a great job and a flat she shares with her two best friends, Bibi and Louise. But her life is missing that special someone. Tired of being single and sick of bad date after bad date, she thinks she’s found the answer to her romance problem in an old women's magazine. According to the magazine’s dating column, there are seven archetypes a woman will date before finding Mr. Right.

It's been years since Nadja Kulka was convicted of a cruel crime. After being released from prison, she's wanted nothing more than to live a normal life: nice flat, steady job, even a few friends. But when one of those friends, Laura von Hoven - free-spirited beauty and wife of Nadja's boss - kills her lover and begs Nadja for her help, Nadja can't seem to refuse. The two women make for a remote house in the woods, the perfect place to bury a body. But their plan quickly falls apart and Nadja finds herself outplayed, a pawn in a bizarre game.

A voicemail from her husband tells Sara he's arrived at the holiday cabin. Then a call from his friend confirms he never did. She tries to carry on as normal, teasing out her clients' deepest fears, but as the hours stretch out, her own begin to surface. And when the police finally take an interest, they want to know why Sara deleted that voicemail. To get to the root of Sigurd's disappearance, Sara must question everything she knows about her relationship.

Eight years ago, Kathleen Hart was diagnosed with breast cancer. Further complications led to a protracted recovery and months spent in hospital, where Kathleen had to learn how to walk again. While recuperating, she came across a small whitewashed cottage for sale in Wigtown, Scotland. Driving hundreds of miles on nothing more than a few photographs and an inkling, she bought it that very same day and named it Devorgilla after the formidable 13th century Scottish princess.

It is 1958. Elizabeth has been sent away from her London home to the beautiful Hartland House in Sussex. Over an idyllic summer by the coast, she grows close to the confident young Shaws, who treat her like one of their own. A lovely but innocent girl, Elizabeth is ready to fall in love - but her dreams are dangerously naïve. Decades later Elizabeth's daughter, Addie, is stunned when a stranger appears on her doorstep, claiming that they are sisters. Addie doesn't believe it until her beloved father admits that everything she's been told about her early life is a lie.

In today's connection economy, the most successful leaders inspire their people with purpose and meaning. Powerful corporate storytelling can mobilise people around an organisational objective in a way that a focus on market share never will. Be it a digital transformation or a diversity and inclusion initiative, corporate change needs the support of the people in that organisation in order to stick. Yet, while all stories can move people to take action, storytelling isn't a one size fits all.

Strangers meet, romance blossoms. But there's a test...A classic fairytale retold. Good English families all have a house in the country with a deer park, a trout stream, and an army of gardeners. They should have a son and if it can be managed, he should be handsome. Cleverness isn't important. Daughters in limited quantities are fine so long as they are pretty. Bastards are inconvenient and best ignored. It's not a big problem, unless you are one. Unfortunately, Sophy is.

A terrifying ghost story from the Queen of Icelandic crime, Yrsa Sigurdardottir, author of the Thora Gudmundsdottir novels. The crunching noise had resumed, now accompanied by a disgusting, indefinable smell. It could best be described as a blend of kelp and rotten meat. The voice spoke again, now slightly louder and clearer: Don't go. Don't go yet. I'm not finished.

An apocalyptic cult member carries out a gas attack on a rush-hour metro, but what links him to a jazz buff in downtown Tokyo? Or to a Mongolian gangster, a woman on a holy mountain who talks to a tree and a late night New York DJ? Set at the fugitive edges of Asia and Europe, Ghostwritten weaves together a host of characters, their interconnected destinies determined by the inescapable forces of cause and effect.

There are worse things than being spectacularly jilted. Losing a leg, for instance, or getting shot - well, perhaps not: The bullet Alistair took fighting in the peninsula never landed him in London's scandal sheets. Captain Alistair Beaumaris never dreamed he'd be tossed over by Lord Fairchild's bastard daughter, losing both her and her fortune - a singular humiliation that should have taught him a lesson. But when your luck is out, you do foolish things, like quarrel with your oldest friend. Or mistake a perfectly respectable widow for a lady of easy virtue.

The first the police know of the crime is when clips are sent from the victim's Snapchat account, showing her begging for forgiveness. The CCTV at the cinema where she was working show her being dragged into the night by a masked killer. When the body is found, it is marked with a number 2...Detective Huldar joins the murder investigation, bringing child psychologist Freyja on board to help question the murdered teenager's friends. Soon, they uncover that Stella was far from the angel people claim: a relentless bully, she made life miserable for those around her.

When Orna meets Gil on an online dating site, their lackluster affair seems like nothing more than a way to stave off the pain of her recent divorce. But soon it becomes clear that Gil may not be exactly who he claims to be and that Orna’s own lies may be weaving an unexpected trap for her.

1921. Survivors of the Great War are desperately trying to piece together the fragments of their broken lives. While many have been reunited with their loved ones, Edie’s husband Francis has not come home. Francis is presumed to have been killed in action, but Edie believes he might still be alive. Harry, Francis’s brother, was there the day Francis was wounded. He was certain it was a fatal wound, but Harry begins questioning his memory of what happened. Hired by grieving families, Harry returns to the Western Front to photograph gravesites. He searches for evidence of Francis.

The story follows Peter's relationship with Wendy, where he eventually persuades her to join him in the fairy tale world of Neverland to be a mother to him and his friends, The Lost Boys. But not all is safe in Neverland, as the Peter's evil adversary Captain Hook tries to thwart Peter and his friends' fun on multiple occasions. Ending in the climatic final duel between Peter and Captain Hook, this story is filled with action, adventure, family bonds, and an infamous ticking crocodile.