Showing results by narrator "Joshua Saxon" in All Categories

Rome, 133 BC. Gaius Marius is back from war in the West. They fought for the peace and prosperity of Rome, but the legions return to find the Eternal City far less peaceful and prosperous than they had hoped. People are starving, homelessness abounds, war after war has overtaxed the legions. And the revolutionary tribune, Tiberius Gracchus, thinks he has a solution for everything. Political parties are developing, the people are up in arms, the senate is enraged. And Tiberius is at the center of it all.

Riptide, Oregon, 1983. A sleepy coastal town, where crime usually consists of underage drinking down at a Wolf Point bonfire. But then, strange things start happening. A human skeleton is unearthed in a local park, and mutilated animals begin appearing, seemingly sacrificed, on the town's beaches. The Mercy of the Tide follows four people drawn irrevocably together by a recent tragedy as they do their best to reclaim their lives - leading them all to a discovery that will change them and their town forever.

There are lines that probably shouldn't be crossed, doors that should stay shut, thoughts that shouldn't be considered. In these three novellas by Stephen Graham Jones, the dead talk, ancient evil opens its eyes, and that guy across the parking lot, he's watching you, and has been for a while now. Lock the door; tell yourself it's nothing; turn the radio up. It won't matter. You're already three miles past where you meant to stop.

Yog-Sothoth, known as the Key and the Gate and a host of other names, is H.P. Lovecraft's most enduring creation after the Necromnomicon and Great Cthulhu itself. An eldritch god that occupies all time and space, Yog-Sothoth is most known for his role as the antagonist in The Dunwich Horror but has played a role in many other Cthulhu Mythos stories. Tales of Yog-Sothoth features several stories centered around the creepy deity and its monstrous intelligence.

To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits even Compton hadn’t previously imagined.

Brian Lumley's Cthulhu Mythos writings began in the 1960s when he was included in new collections by August Derleth's Arkham House. While today, the author is probably better-known for his Necroscope and Psychomech series, he has continued with his Mythos stories for over 40 years. This volume spans that career, using Derleth's suggestion that the Mythos monsters could be viewed as "Elementals", and includes a new novella-length story.

Khai begins life in ancient Egypt as the son of Pharaoh Khasathut's chief architect. Believing Pharaoh to be a god, Khai is stunned to learn that the supposedly great and wise leader is a shriveled, ancient fossil of a man whose chief desires are to deflower young virgins and achieve eternal life through the powers of his black magicians. When Khai dares to raise a hand to Pharaoh, he is condemned to be a slave. Escaping, Khai flees to neighboring Kush where he earns the rank of general in the army of Queen Ashtarta...and a place in Ashtarta's bed.

Tarra Khash is a Hrossak, a barbarian from the steppes beyond the River Luhr. A fearless adventurer, Tarra roves Theem-hdra in search of his next fortune, his next drink, and warm, willing females to share his bed. The Hrossak is a most fortunate man, for he has faced more than one god during his travels, and so far escaped unscathed. Seeking to avenge the murder of a beautiful young woman of the half-mystical Suhm-yi, Tarra joins forces with her husband, now the last of his kind.

In a land ruled by the shape-shifting Dragon Kings, Cabe Bedlam is hunted for both the legacy he represents and the future he may bring. Yet, dragons may be the least of the dangers, for in a land drenched with sorcery, Cabe's magical inheritance may be what destroys him!

This book explains how you can use emotional intelligence to become more confident at work. You'll learn how to correct what is holding you back, how to overcome imposter syndrome, and when feeling too self-assured can actually backfire.

The very best of Brian Lumley's works in the Cthulhu Mythos sub-genre, including such recent tales as "The Hymn" and "The Taint", are collected and presented for the first time in audio format.

Harry Keogh, the Necroscope, the man who can talk to the dead, and Earth's greatest vampire hunter, has been searching for his wife and infant son gone missing during Harry's war against the vampires. This obsession has left him open to subtle influence by an ancient vampire, Radu. Entombed in amber, trapped in undeath, Radu plans for his resurrection and plots the destruction of other vampires who might challenge his supremacy.

“Oh, Mrs. Sirman, there’s a problem with your husband’s cremation.” “What sort of problem?” “It’s his body.” “What about it?” “It won’t burn.” And so it begins for Pam Sirman…the first step toward learning that everything she thought she knew about her husband is wrong, perhaps even his humanity. But if he's not human, what is he? Pam is one of three lives that will be drawn together by the apocalypse of the Upwelling.

Three great vampires - two Lords and a Lady - arrive on an unsuspecting Earth that teems with defenseless humans, easy prey for the marauding vampires. But humanity has defenders. Though the Necroscope is gone, the psychically gifted men and women of E-Branch move swiftly against the vampire infestation.

Necroscope®: The Last of the Lost Years, Volume 2, the 20th volume in Brian Lumley's Necroscope® series, contains two short novels, one long novella, one short story, and a closing piece entitled Resurrection. Each of these, except the short story, (Old Man With A Blade where Harry is pursued by the Grim Reaper), feature the Necroscope, Harry Keogh, during this final (?) period of his life known as "The Lost Years".

Obsessed with the acquiring the Holy Grail for the Lasombra clan, the vampire Montrovant sets out on a quest that leads him through the establishment of the Knights Templar, the lair of an ancient Egyptian evil, and the deserts of the Holy Land. Dark forces are pitted against him, and each ally must be watched in turn, as treachery leads to deceit and back agan in a race against time, the Church, and the mysterious Kli Kodesh, who is more ancient, even than Montrovant's sire.

Jake Cutter is reluctantly learning how to be a Necroscope - how to use the Mobius continuum to travel instantaneously from place to place, how to talk to the dead - but dead humans don't like him much. As far as he's concerned, Jake won't stop until he's satisfied his own bloodlust. He wants revenge against the Italian mobsters who killed the woman he loved and nearly killed him. But it seems vampire hunting is truly Jake's job now. To defeat them, Jake will need every weapon in a Necroscope's arsenal, including the power to pull all the unsleeping dead out of their moldering graves.

Before Julius Caesar ruled Rome, his uncle Gaius Marius was the most powerful man in the eternal city. Once a provincial nobody with a ruined family, Marius only had one way to power: the sword. Years later, he writes to his protege Quintus Sertorius, explaining to him how he rose through the ranks of the Roman legion to become the most powerful man in the Republic. He wants to encourage and inspire the young man but gets lost in the retelling of his first experience of war, love, and killing.

After chronicling the personal stories of the Band of Brothers in We Who Are Alive and Remain, author Marcus Brotherton presents a collection of remembrances from the families of the soldiers of Easy Company-and how their wartime experiences shaped their lives off the battlefield.

The volcanic eruption that created the island of Surtsey in 1967 also revealed a long-hidden cache of documents that told the fantastic history of Theem'hdra as written by the sorcerer Teh Atht. Building on translations begun by the scholar Thelred Gustau—who vanished under mysterious, some say magical, circumstances—Brian Lumley brings the saga of the Primal Land to audiences of today. Here, the wizard Mylarkhrion—most powerful of the terrible magicians who walked the earth in those long-ago days—battles sorcerers jealous of his knowledge, power, and wealth.