Showing results by author "Philip Roth" in All Categories

When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.

The Ghost Writer introduces Nathan Zuckerman in the 1950s, a budding writer infatuated with the great books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his idol, E. I. Lonoff. At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress.

I Married a Communist is the story of Ira Ringold, a big American roughneck who begins life as a teenage ditch-digger in 1930s Newark, becomes a big-time 1940s radio star, and is destroyed, as both a performer and a man, in the McCarthy witchhunt. In his heyday as a star—and as a zealous, bullying supporter of “progressive” political causes—Ira marries Hollywood’s beloved silent-film star, Eve Frame.

Goodbye, Columbus is the story of Neil Klugman and pretty, spirited Brenda Patimkin. Neil comes from poor Newark, while Brenda is of suburban Short Hills. On one summer break, they meet and dive into an affair that is as much about social class and suspicion as it is about love. The novella is accompanied by five short stories that range in tone from the iconoclastic to the astonishingly tender.

The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate. Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the mind of the novelist Nathan Zuckerman.

The hero of Everyman is obsessed with mortality. As he reminds himself at one point, "I'm 34! Worry about oblivion when you're 75." But he cannot help himself. He is the ex-husband in three marriages gone wrong. He is the father of two sons who detest him, despite a daughter who adores him. A masterful portrait of one man's inner struggles, Everyman is a brilliant showcase for one of the world's most distinguished novelists.

Newly discharged from the Korean War army, reeling from his mother’s recent death, freed from old attachments and hungrily seeking others, Gabe Wallach is drawn to Paul Herz, a fellow graduate student in literature, and to Libby, Paul’s moody, intense wife. Gabe’s desire to be connected to the ordered “world of feeling” that he finds in books is first tested vicariously by the anarchy of the Herzes’ struggles with responsible adulthood and then by his own eager love affairs.

Now in his mid-thirties, Nathan Zuckerman, a would-be recluse despite his newfound fame as a best-selling author, ventures onto the streets of Manhattan in the final year of the turbulent 60s. Not only is he assumed by his fans to be his own fictional satyr, Gilbert Carnovsky ("Hey, you do all that stuff in that book?"), he also finds himself the target of admonishers, advisors, and sidewalk literary critics. The recent murders of Robert Kennedy and Martin Luther King Jr. lead an unsettled Zuckerman to wonder if "target" may be more than a figure of speech.

Philip Roth concentrates on five episodes from his life: his secure city childhood in the thirties and forties; his education in American life at a conventional college; his passionate entanglement, as an ambitious young man, with the angriest person he ever met (the “girl of my dreams” Roth calls her); his clash, as a fledgling writer, with a Jewish establishment outraged by Goodbye, Columbus; and his discovery, in the excesses of the sixties, of an unmined side to his talent that led him to write Portnoy’s Complaint.

At 40, the writer Nathan Zuckerman comes down with a mysterious affliction - pure pain, beginning in his neck and shoulders, invading his torso, and taking possession of his spirit. Zuckerman, whose work was his life, is unable to write a line. Now his work is trekking from one doctor to another, but none can find a cause for the pain or assuage it. Zuckerman himself wonders if the pain could have been caused by his own books.

A fiction-within-a-fiction, a labyrinthine edifice of funny, mournful, and harrowing meditations on the fatal impasse between a man and a woman, My Life as a Man is Philip Roth’s most blistering novel. At its heart lies the marriage of Peter and Maureen Tarnopol, a gifted young writer and the woman who wants to be his muse but who instead is his nemesis. Their union is based on fraud and shored up by moral blackmail, but it is so perversely durable that, long after Maureen’s death, Peter is still trying—and failing—to write his way free of it.

Azoto, carbonio, idrogeno, oro, arsenico... Sono ventuno gli elementi chimici che dànno il titolo ai racconti di questo libro, e ventuno i capitoli di un'autobiografia che per affinità e accostamenti corre sul filo di una storia personale e collettiva, affondando le radici nell'oscura qualità della materia, raccontando le storie di un mestiere "che è poi un caso particolare, una versione piú strenua del mestiere di vivere".

As a student in college, David Kepesh styles himself “a rake among scholars, a scholar among rakes.” Little does he realize how prophetic this motto will be—or how damning. For as Philip Roth follows Kepesh from the domesticity of childhood into the vast wilderness of erotic possibility, from a ménage à trois in London to the throes of loneliness in New York, he creates a novel that “ranks among the major achievements in the literature of our time”—Village Voice.

Gil Gamesh, the only pitcher who ever literally tried to kill the umpire. The ex-con first baseman, John Baal, “The Babe Ruth of the Big House,” who never hit a home run sober. If you’ve never heard of them—or of the homeless baseball team the Ruppert Mundys—it’s because of the Communist plot, and the capitalist scandal, that expunged the entire Patriot League from baseball memory.

Seymour Levov, el Sueco, atleta mítico en la escuela secundaria, afectuoso padre de familia, trabajador infatigable y acomodado heredero de la fábrica de su padre, llega a la mayoría de edad en la Norteamérica próspera y triunfante de la posguerra. Él sólo quiere hacer las cosas bien y llevar una vida tranquila. Pero la historia es más fuerte que él y le arrastra sin remedio cuando su hija Merry se ve involucrada en un acto violento contra la guerra de Vietnam. Las devastadoras consecuencias alejarán al Sueco de cualquier esperanza de felicidad o coherencia espiritual.

No matter how much you know, no matter how much you think, no matter how much you plot and you connive and you plan, you’re not superior to sex. With these words our most unflaggingly energetic and morally serious novelist launches perhaps his fiercest book. The speaker is David Kepesh, white-haired and over sixty, an eminent cultural critic and star lecturer at a New York college—as well as an articulate propagandist of the sexual revolution.

Portnoy's Complaint tells the tale of young Jewish lawyer Alexander Portnoy and his scandalous sexual confessions to his psychiatrist. As narrated by Portnoy, he takes the listener on a journey through his childhood to adolescence to present day while articulating his sexual desire, frustration and neurosis in shockingly candid ways.

From the Pulitzer Prize–winning author of American Pastoral: Like a latter-day Gregor Samsa, Professor David Kepesh wakes up one morning to find that he has been transformed—into a 155-pound breast. What follows is “terrific…inventive and sane and very funny (The New York Times Book Review).

The fate of Roth’s everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age, when he is rended by observing the deterioration of his contemporaries and stalked by his own physical woes. A successful commercial artist with a New York ad agency, he is the father of two sons from a first marriage who despise him and a daughter from a second marriage who adores him.

"Lo Svedese" è un soprannome magico al liceo di Newark, New Jersey. Appartiene a Seymour Levov, il ragazzo che tutti vorrebbero essere. Alto, biondo, atletico, ebreo, Levov eccelle nel baseball e - nell' America degli anni '50 - è destinato ad eccellere nella vita: il successo professionale, quello famigliare, la villetta borghese. Ma la lunga ed estenuante guerra del Vietnam squasserà l'America e coinvolgerà personalmente Seymour, nel modo più tremendo.