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The Ultimate Classics Collection: Volume One is a continent-hopping, century-spanning collection of 15 essential classic novels by British, American, and Russian authors, read by a cast of incredible narrators including Stephen Fry, Jason Isaacs, Adjoa Andoh, David Rintoul, and many more. Included here are stories by some of the greatest writers of all time, including Fyodor Dostoyevsky; Charles Dickens; Franz Kafka; Herman Melville; Leo Tolstoy, amongst a host of others.

The London suburb of Croydon, 1964: Helen Hansford is unmarried and in her thirties. Something of a disappointment to her middle-class parents, she’s an art therapist at the Westbury Park psychiatric hospital, where she has been having a rebellious love affair with her colleague Gil, a dashing but married doctor. One spring afternoon they receive a call about a disturbance at a derelict, vine-covered Victorian house a few miles up the road. There the police find a mute, thirty-seven-year-old man called William Tapping, his hair and beard down to his waist.

I’ve never felt welcome in my husband Dominic’s family home. His parents make it clear I’m a poor comparison to his perfect first wife, Carla. But we’re here for Christmas, so it’s important to pretend everything is fine. Until Dominic’s mother bustles into our bedroom. Smiling thinly, she blindsides me: ‘You won’t mind, will you. Carla is coming for the holidays. She’s still one of the family to us, and she can’t get home because of the storm.’ My eyes widen—did she and Carla plan this on purpose? I know Dominic won’t say a thing. He never stands up to his parents.

The British Classics Collection: Volume One is a century-spanning collection of 24 classic works of fiction and poetry by British authors, read by a cast of incredible narrators including Stephen Fry, Joanne Froggatt, Jason Isaacs, Adjoa Andoh, and many more. Included here are stories by some of the greatest writers of all time, including Charles Dickens; Emily Brontë; Jane Austen; Thomas Hardy; George Eliot; D.H. Lawrence; and Mary Shelley, amongst a host of others.

Elizabeth Gaskell’s biography of her friend Charlotte Brontë—the first full-length biography of a woman novelist by a woman novelist—is a true classic. It transports us with a deft hand straight into 19th-century Haworth, Yorkshire and crafts an extensive account of Brontë’s life, quoting throughout from letters she sent and received. From her challenging, isolated childhood to her death shortly before the age of 39, newly married and pregnant, the enigmatic author of Jane Eyre is portrayed with enormous care.

George Eliot’s sweeping story of a manufacturing town and its inhabitants is widely acknowledged to be her masterpiece and is considered to be one of the greatest English novels. A compelling exploration of social change and human nature, Middlemarch is the most requested title on our website and our edition is an ambitious production that reflects its literary significance.

Renee Gulliver appears to have it all: a beautiful house overlooking a scenic estuary on England’s East Coast, a successful career as a relationship therapist, three grown-up children, and a beloved grandson, Xavier. But then Xavier vanishes after Renee fails to pick him up from school, and the repercussions are manifold. Renee is wracked with remorse; the local community question her priorities, clients abandon her; and, as long-held grievances surface, her daughter Mia offers her a heartbreaking ultimatum.

Agatha Christie’s world is one of glamorous society parties, country house weekends and growing literary fame. Nan O’Dea’s world is something very different. Her attempts to escape a tough London upbringing during the Great War led to a life in Ireland marred by a hidden tragedy. After fighting her way back to England, she’s set her sights on Agatha. Because Agatha Christie has something Nan wants. And it’s not just her husband.

Recently divorced and reluctantly retired, Julia Bird has fled London to enjoy idyllic rural life in the Cotswolds. Determined to have the perfect English garden, her first job is to tear down the old shed, where she unearths much more than she’d bargained for: a body, apparently buried for decades. But who could it be, and who killed them? The police draw a blank, and even the gossip-fest that is the local book club can’t remember anyone going missing in the village.

Emily rents a room in a boarding house in London where she makes a modest living as an assistant to aristocratic ladies. One summer, Lady Maria Bayne asks Emily to her country estate and it’s there that Emily receives a very surprising offer of marriage from a wealthy widower in need of a wife. But Emily’s new life is not without its own obstacles and challenges.

These stories explore almost every aspect of English domestic life during the Second World War: separation, fear, and obsessions with food, sewing parties, evacuees’ journeys, and the camaraderie of the Blitz. Above all, Panter-Downes portrays the changes and social revolutions which took place during wartime.

Lisbeth Fischer has lived in the shadow of her beautiful cousin Adeline for much of her life. Pampered while Lisbeth works in the fields, Adeline makes an enviable leap in status when Baron Hulot offers her his hand in marriage. Out of kindness, they bring Lisbeth to Paris, where she falls in love with the artist Wenceslas, her protege. However, when she is jilted for Adeline's daughter Hortense, her jealousy and rage exponentially intensify, and she resolves to bring the Hulot family to ruin, employing the cold seductress Valerie Marneffe as her vehicle for revenge.

Dachau, 1942. Emilie has been told she's here to nurse evil men. But the first patient she sees in the cold, dark room is hauntingly familiar. Her first love is not wicked. He couldn't be. What is he doing here? Emilie's heart stops as she takes in her childhood sweetheart hunched in a tattered prisoners uniform, the light lost from his face. Her new husband, Otto, said this was a camp for criminals. He should know, he's the doctor. But Danner would never have broken the law.

Set in the turbulent years following the death of Lorenzo de' Medici, George Eliot's fourth novel, Romola, moves the stage from the English countryside of the 19th century to an Italy four centuries before her time. It tells the tale of a young Florentine woman, Romola de' Bardi, and her coming of age through her troubled marriage to the suave and self-absorbed Greek Tito. Slowly Tito's true character begins to unfurl, and his lies and treachery push Romola toward a more spiritual path, where she transcends into a majestic, Madonna-like role.

London, April 1882. When cool-headed Phyllida visits the World's End Investigation Bureau to offer a curious case concerning her fiancé, proprietor Lily Raynor is intrigued - and privately excited. Phyllida's fiancé, Wilberforce, is currently in an asylum in Brittany, after a tragic incident which resulted in the death of his father. Did he kill him on purpose - or was it an accident? Wilberforce's innocence looks increasingly in doubt when another murder happens at the asylum - and the evidence points to Wilberforce being the culprit.

After 30 years of marriage, and a wonderful family Christmas, Louisa is stunned when husband Kip asks for a divorce on Boxing Day. He’d never seemed unhappy – and they’ve raised three children together. For months, Kip has been secretly seeing a younger woman – and if that wasn’t bad enough – it’s the woman who broke their youngest son’s heart. Now Kip is moving out and embarking on a new life with Zoe, and Louisa is left to pick up the pieces. Their beloved family home, Charity Cottage, is up for sale, and tensions are running high.

London, 1925: In a world of townhomes and tennis matches, socialites and shooting parties, Miss Nan O’Dea became Archie Christie’s mistress, luring him away from his devoted and well-known wife, Agatha Christie. The question is, why? Why destroy another woman’s marriage, why hatch a plot years in the making, and why murder? How was Nan O’Dea so intricately tied to those 11 mysterious days that Agatha Christie went missing?

An odd group gathers for an English country house weekend party: a sickly host, a disgraced socialite, an amateur detective and her nephew, a murderous couple, an ex-army captain, and a former militant suffragist countess. The table is set for eight. By Sunday, only half the cutlery will be required, and Saturday's tablecloth will be used as a shroud. Cut off by a storm, their host is found dead in circumstances mirroring the death of Lady Alice's husband. There is no way out, while a killer walks amongst them.

Emily rents a room in a boarding house in London where she makes a modest living as an assistant to aristocratic ladies. One summer, Lady Maria Bayne asks Emily to her country estate and it’s there that Emily receives a very surprising offer of marriage from a wealthy widower in need of a wife. But Emily’s new life is not without its own obstacles and challenges.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.