Showing results by author "Colm Tóibín" in All Categories

“One of the most unforgettable characters in contemporary literature” (Pittsburgh Post-Gazette), Eilis Lacey has come of age in small-town Ireland in the hard years following World War Two. When an Irish priest from Brooklyn offers to sponsor Eilis in America, she decides she must go, leaving her fragile mother and her charismatic sister behind. Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, who loves the Dodgers and his big Italian family, slowly wins her over with patient charm.

Eilis Lacey is Irish, married to Tony Fiorello, a plumber and one of four Italian American brothers, all of whom live in neighboring houses on a cul-de-sac in Lindenhurst, Long Island, with their wives and children and Tony’s parents, a huge extended family. It is the spring of 1976 and Eilis is now forty with two teenage children. Though her ties to Ireland remain stronger than those that hold her to her new land and home, she has not returned in decades.

A poignant look at the disillusionment and angst of the post-World War I generation, The Sun Also Rises introduces two of Hemingway’s most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. In his first great literary masterpiece, Hemingway portrays an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions.

Young Eilis Lacey dreams of life beyond the confines of her tiny Irish village, but unlike her beautiful sister, Rose, Eilis' gifts are of a more practical nature: she has a head for numbers, and is a loving and dutiful daughter. Yet her ambition cannot be hidden and soon is noted by the Parish Priest, Father Flood. Via a church contact, he arranges for Eilis to travel to America where a job opportunity has arisen in New York with a reputable 'merchant of Italian origin'.

In a small town in 1950s Ireland Eilis Lacey is one among many women of her generation who cannot find work at home. So, when a job is offered in America, she knows she must leave. Arriving, alone, at a noisy boarding house in Brooklyn, Eilis can only be reminded of what she has left behind. She is far from home - and homesick. And just as she begins to find a new way of living, and the possibility of companionship, Eilis receives tragic news which sends her back to Ireland.

In this book novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences - the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own.

Eilis Lacey is Irish, married to Tony Fiorello, a plumber and one of four Italian American brothers, all of whom live in neighbouring houses on a cul-de-sac in Lindenhurst, Long Island, with their wives and children and Tony's parents. One day, an Irishman comes to the door asking for Eilis by name. He tells her that his wife is pregnant with Tony's child and that when the baby is born, he will not raise it but will leave it with her. Eilis has choices to make, and what she does in the wake of this shattering news is at the heart of one of Tóibín's most riveting and emotional novels to date.

This beautifully written, intensely intimate collection explores a subject of nearly universal experience: the psychological push and pull between a mother and a son.

In the captivating stories that make up The Empty Family, Colm Tibn delineates with a tender and unique sensibility, lives of unspoken or unconscious longing, of individuals often willingly cast adrift from their history. From the young Pakistani immigrant who seeks some kind of permanence in a strange town, to the Irish woman reluctantly returning to Dublin and discovering a city that refuses to acknowledge her long absence, each of Tibn's stories manage to contain whole worlds.

Eilis Lacey is Irish, married to Tony Fiorello, a plumber and one of four Italian American brothers, all of whom live in neighboring houses on a cul-de-sac in Lindenhurst, Long Island, with their wives and children and Tony’s parents, a huge extended family that lives and works, eats and plays together. It is the spring of 1976 and Eilis, now in her forties with two teenage children, has no one to rely on in this still-new country. Though her ties to Ireland remain stronger than those that hold her to her new land and home, she has not returned in decades.

Eamon Redmond is a judge in Ireland’s high court, a completely legal creature who is just beginning to discover how painfully unconnected he is from other human beings. With effortless fluency, Colm Tóibín reconstructs the history of Eamon’s relationships - with his father, his first "girl", his wife, and the children who barely know him - and he writes about Eamon’s affection for the Irish coast with such painterly skill that the land itself becomes a character. The result is a novel of stunning power.

The Magician opens in a provincial German city at the turn of the 20th century, where the boy, Thomas Mann, grows up with a conservative father, bound by propriety, and a Brazilian mother, alluring and unpredictable. Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice.

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. A Guest at the Feast is both an intimate encounter with a creative artist and a glorious celebration of writing.

The Magician tells the story of Thomas Mann, whose life was filled with great acclaim and contradiction. He would find himself on the wrong side of history in the First World War, cheerleading the German army, but have a clear vision of the future in the second, anticipating the horrors of Nazism. He would have six children and keep his homosexuality hidden; he was a man forever connected to his family and yet bore witness to the ravages of suicide.

Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.

During the winter solstice, on the shortest day and longest night of the year, the ancient burial chamber at Newgrange is empowered. Its mystifying source is a haunting tale told by locals. Professor O’Kelly believes an archaeologist’s job is to make known only what can be proved. He is undeterred by ghost stories, idle speculation, and caution. Much to the chagrin of the living souls in County Meath. As well as those entombed in the sacred darkness of Newgrange itself. They’re determined to protect the secret of the light, guarded for more than 5,000 years.

In 1950, Katherine Proctor leaves Ireland for Barcelona, determined to escape her family and become a painter. There she meets Miguel, an anarchist veteran of the Spanish Civil War, and begins to build a life with him. But Katherine cannot escape her past, as Michael Graves, a fellow Irish émigré in Spain, forces her to reexamine all her relationships: to her lover, her art, and the homeland she only thought she knew. The South is a novel of classic themes - of art and exile, and of the seemingly irreconcilable yearnings for love and freedom - to which Colm Tóibín brings a new, passionate sensitivity.

Meryl Streep’s performance of Colm Tóibín's acclaimed portrait of Mary is hailed by the New York Times Book Review as “an ideal audiobook,” presenting the three-time Academy Award-winner in “yet another great role.” Shortlisted for the Man Booker Prize, Colm Tóibín's The Testament of Mary presents Mary as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianity. In the ancient town of Ephesus, Mary lives alone, years after her son's crucifixion. She has no interest in collaborating with the authors of the Gospel. They are her keepers, providing her with food and shelter and visiting her regularly. She does not agree that her son is the Son of God; nor that his death was "worth it"; nor that the "group of misfits he gathered around him, men who could not look a woman in the eye," were holy disciples. This woman who we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes a tragic heroine with the relentless eloquence of Electra or Medea or Antigone, in a portrait so vivid and convincing that our image of Mary will be forever transformed.

Beautiful and profoundly moving, The Master tells the story of Henry James, a man born into one of America’s first intellectual families who leaves his country in the late 19th century to live in Paris, Rome, Venice, and London among privileged artists and writers. With stunningly resonant prose, “The Master is unquestionably the work of a first-rate novelist: artful, moving, and very beautiful” (The New York Times Book Review). The emotional intensity of this portrait is riveting.

In Colm Tóibín's masterful new novel, we are reunited with Eilis Lacey, the heroine of Brooklyn, twenty years on, in the 1970s, living with her husband, Tony Fiorello, and her children in a house in Long Island, rather too close to her Fiorello in-laws. A shocking piece of news propels Eilis back to Ireland, to a world she thought she had long left behind and to ways of living, and loving, she thought she had lost.