Showing titles in Italy

It is not an easy job to draw the border between the history of Italy and the history of Rome. In so many places, the two political and geographical entities collide. They wouldn’t be possible without each other, but they each have their own story. Rome’s history is only a small fragment of Italy’s history. Although it is just a city, Rome was the birthplace of the republic, a great empire, and notable philosophers, poets, and artists.

The very name Lucrezia Borgia conjures up everything that was sinister and corrupt about the Renaissance: incest, political assassination, papal sexual abuse, poisonous intrigue, unscrupulous power grabs. Yet, as best-selling biographer Sarah Bradford reveals in this breathtaking new portrait, the truth is far more fascinating than the myth.

Since childhood Helene Stapinski heard lurid tales about her great-great-grandmother, Vita. In Southern Italy she was a loose woman who had murdered someone. Immigrating to America with three children, she lost one along the way. Helene's youthful obsession with Vita deepened as she grew up, eventually propelling the journalist to Italy, where, with her own children in tow, she pursued the story, determined to set the record straight.

Leonardo da Vinci, Niccolò Machiavelli, and Cesare Borgia - three iconic figures whose intersecting lives provide the basis for this astonishing work of narrative history. They could not have been more different, and they would meet only for a short time in 1502, but the events that transpired when they did would significantly alter each man's perceptions - and the course of Western history.

Why is a region in northern Italy called Lombardy? It was named after the Germanic barbarians known as the Lombards. As one of several founding ethnic groups, they left their mark on the peninsula. They established dukedoms that set the country on a path to the formation of many independent city-states during the Late Middle Ages. The Lombards, living up to their designation as barbarians by the Romans, were a warlike people. The chronicle of their history is one of battles against other barbarian tribes, the Romans, the Byzantines, Muslims, and the pope and his army.

It was one of the most concentrated surges of creativity in the history of civilization. Between 1390 and 1537, Florence poured forth an astonishing stream of magnificent artworks. But Florentines did more during this brief period than create masterpieces. As citizens of a fractious republic threatened from below, without, and within, they also were driven to reimagine the political and ethical basis of their world, exploring the meaning and possibilities of liberty, virtue, and beauty.

The startling truth behind one of the most notorious dynasties in history is revealed in a remarkable new account by the acclaimed author of The Tudors and A World Undone. Sweeping aside the gossip, slander, and distortion that have shrouded the Borgias for centuries, G. J. Meyer offers an unprecedented portrait of the infamous Renaissance family and their storied milieu.

For listeners eager to experience Gibbon’s brilliant primary historicism, to understand the long decline of Rome—and the reasons for the Empire’s demise—there exists no better or more accessible condensation of Decline and Fall.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, “another world.” During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival.

It was the splendor and the scandal of the age. In 1506, the ferociously ambitious Renaissance Pope Julius II tore down the most sacred shrine in Europe, the millennium-old St. Peter's Basilica built by the Emperor Constantine over the apostle's grave, to build a better basilica.

The rise and fall of the Venetian empire stands unrivaled for drama, intrigue, and sheer opulent majesty. In City of Fortune, Roger Crowley, acclaimed historian and New York Times bestselling author of Empires of the Sea, applies his narrative skill to chronicling the astounding five-hundred-year voyage of Venice to the pinnacle of power.

If you want to discover the captivating history of Italy and Rome, then this audiobook is for you. It includes two books: History of Italy and History of Rome. It covers topics ranging from the founding and early settlements to the modern history.

Master Italian sculptor, goldsmith, and writer Benvenuto Cellini is best remembered for his magnificent autobiography. In this work, which was actually begun in 1558 but not published until 1730, Cellini beautifully chronicles his flamboyant times. He tells of his adventures in Italy and France, and his relations with popes, kings, and fellow artists.

Quattromila anni di storia in quattrocento pagine, senza ridurli a un arido elenco di date e di nomi. Impossibile? Tutt'altro: in questa "Breve storia d'Italia" Alfio Caruso fonde documentazione e divulgazione, raccontando l'Italia attraverso i personaggi, le mode, i costumi, le invenzioni. I grandi eventi si intrecciano alle minuzie quotidiane, i grandi uomini emergono da piccoli episodi, senza tacere dei loro lati meno onorevoli: il ruolo fondamentale di Nerone per la diffusione del Cristianesimo; la sola volta in cui Leonardo e Michelangelo si sfiorarono.

While staying closely aligned with Hitler, Mussolini remained carefully neutral until the summer of 1940. At that moment, with the wholly unexpected and sudden collapse of the French and British armies, Mussolini declared war on the Allies in the hope of making territorial gains in Southern France and Africa. This decision proved a horrifying miscalculation, dooming Italy to its own prolonged and unwinnable war, immense casualties, and an Allied invasion in 1943 that ushered in a terrible new era for the country.

John Hooper's marvelously entertaining and perceptive new book is ideal for anyone seeking to understand contemporary Italy and the unique character of the Italians. Looking at the facts that lie behind and often belie the stereotypes, his revealing book sheds new light on many aspects of Italian life: football and Freemasonry, sex, symbolism, and the reason Italian has twelve words for a coat hanger yet none for a hangover.

Hitler offers a deeply learned and radically revisionist biography, arguing that the dictator's main strategic enemy, from the start of his political career in the 1920s, was not communism or the Soviet Union, but capitalism and the United States. Whereas most historians have argued that Hitler underestimated the American threat, Simms shows that Hitler embarked on a preemptive war with the United States precisely because he considered it such a potent adversary.

In the aftermath of the First World War, the seeds of fascism were sown in Italy. While the country reeled in shock, a new movement emerged from the chaos: one that preached hatred for politicians and love for the fatherland; one that promised to build a ‘New Roman Empire’, and make Italy a great power again.

Edda Mussolini was the Italian dictator Benito Mussolini’s oldest and favorite child. At 19, she was married to Count Galleazzo Ciano, Il Duce’s Minister for Foreign Affairs during the 1930s, the most turbulent decade in Italy’s fascist history. In the years preceding World War II, Edda ruled over Italy’s aristocratic families and the cultured and middle classes while selling Fascism on the international stage. How a young woman wielded such control is the heart of Moorehead’s fascinating history.