Showing titles in Mexico

Drug Lord, a firsthand account of drug dealing, murder, and corruption, tells of drug kingpin Pablo Acosta, who smuggled up to 20 tons of cocaine each year into the United States before treachery brought about his downfall and grisly death.

The Spanish Conquest: What really happened? If you like to use your drive time for education by audiobook, consider this audiobook for widening and deepening your view of an event you studied briefly in school - the Spanish conquest of the Americas. Conquistador Voices, neither glamorizes nor condemns the conquistadors. Somewhat in the manner of a modern film documentary, it treats the so-called conquest as an historical event that’s worth learning about for its own sake, with most of the moralizing left to the listener.

La historia de México no es como te la contaron... Con la pluma filosa y espléndidamente documentada que lo caracteriza, Francisco Martín Moreno indaga en la deslumbrante historia de México y sus zonas más tenebrosas: revela los verdaderos intereses de líderes y caudillos, las conjuras más atroces que marcaron nuestra Independencia, la Revolución, la Guerra de Reforma y la Guerra Cristera, y analiza los motivos reales de los asesinatos para sentenciar con voz potente: ¿por qué nos han ocultado siempre la verdad?

En enero de 1923, el tren con el cuerpo maltratado de Ricardo Flores Magón avanzó sobre territorio mexicano. Hubo vítores, aunque pocos. La familia recurrió a donativos para trasladar desde Estados Unidos a uno de los más grandes revolucionarios mexicanos, muerto en cautiverio. El nuevo régimen elevaba a rango de mártir a Francisco I. Madero, pero regateaba el reconocimiento a un luchador social que había hecho posible la gesta armada.

Presentamos la historia completa de una de las naciones latinoamericanas de mayor riqueza cultural y tradición histórica, en cuyo vasto territorio se desarrollaron algunas de las más encarnizadas batallas durante la Conquista, la Independencia y la ulterior Revolución mexicana.

Emerging from the ruins of Aztec civilization and from centuries of Spanish contact with indigenous people, Mexican culture followed the Spanish colonial frontier northward and put its distinctive mark on what became the southwestern United States. Shaped by their Indian and Spanish ancestors, deeply influenced by Catholicism, and often struggling to respond to political and economic precarity, Mexicans play an important role in United States society even as the dominant Anglo culture strives to assimilate them.

Fear Is Just a Word begins on an international bridge between Mexico and the United States, as fifty-six-year-old Miriam Rodríguez stalks one of the men she believes was involved in the murder of her daughter Karen. He is her target number eleven, a member of the drug cartel that has terrorized and controlled what was once Miriam’s quiet hometown of San Fernando, Mexico, almost one hundred miles from the U.S. border. Having dyed her hair red as a disguise, Miriam watches, waits, and then orchestrates the arrest of this man, exacting her own version of justice.

Javier Valdez ofrece un libro impactante que va del reportaje a la crónica para rescatar del silencio, de la nota roja y del olvido, a numerosas mujeres que viven entre las balas momentos cruciales de su vida. Amantes de capos, amigas de ellos o familiares, son mujeres con una verdad ardiente y dolorosa, que buscan el glamour y la hermosura, el poder económico y la huida de su realidad; mujeres que viven en el límite de la ley, la violencia y de la muerte.

Vamos a mandar a México a unas cuantas sesiones de psicoterapia. Lo acostaremos en el diván y lo enfrentaremos contra sí mismo, para ver si la lógica y la razón logran imponerse contra los dogmas históricos ridículos que lo atan al pasado.

By July 1536, Alvar Núñez Cabeza de Vaca (c. 1490 - 1559) and three other survivors had walked 2,500 miles from Texas, across northern Mexico, to Sonora and ultimately to Mexico City. Cabeza de Vaca's account of this astonishing journey is now recognized as one of the great travel stories of all time and a touchstone of New World literature.

In 2002, the town of Galesburg, a slowly declining Rustbelt city of 33,000 in western Illinois, learned that it would soon lose its largest factory, a Maytag refrigerator plant that had anchored Galesburg's social and economic life for decades. Workers at the plant earned $15.14 an hour, had good insurance, and were assured a solid retirement. In 2004, the plant was relocated to Reynosa, Mexico, where workers sometimes spent 13-hour days assembling refrigerators for $1.10 an hour.

Pietro La Greca Sr. was an intimidating Napolitano con man dubbed “Mexico’s real-life Don Corleone”. He ran Mexico’s biggest money-laundering scheme during the worst economic period in the country’s history. His was a world of fast cars, mansions on the water, and VIP treatment at Las Vegas casinos. His exploitation of Mexico’s financial free fall made him a wealthy man. But while he was running his criminal empire, his son, Pietro Jr., a.k.a. Picho, was learning his father’s tricks—if only to bring the man down.

Esta es la historia de la Santa Muerte, culto de crisis; remix de catolicismo, kermesse y New Age; un culto hedonista pero también de sacrificio corporal; reflejo de fuerzas económicas, psicológicas y sociales más amplias de lo que tal vez ninguno de sus acólitos sospecha.

La historia no estudia el pasado, lo construye. Toda historia nacional es una mitología, y las mitologías sirven para estructurar la mente de un pueblo. La historia ha sido un arma, una herramienta política, un discurso psicológico, y eso es así porque siempre se ha escrito desde el poder para legitimarlo.

El chocolate, las pelotas de goma que rebotan y el sistema agrícola de las "Tres Hermanas": la gente del antiguo México los inventó hace 3.600 años. También construyeron la pirámide más grande del mundo por volumen y la sexta ciudad más poblada sin la rueda y sin animales de carga. El México antiguo introdujo la primera ciudad, calendario, sistema de escritura y acueducto en América del Norte. Este libro desentraña las historias interrelacionadas de las civilizaciones clave del México antiguo. Aprende sobre su mitología, guerra, arte, arquitectura y religión. ¿Cómo ...

As late as the 1960s, tacos were virtually unknown outside Mexico and the American Southwest. Within fifty years the United States had shipped taco shells everywhere from Alaska to Australia, Morocco to Mongolia. But how did this tasty hand-held food - and Mexican food more broadly - become so ubiquitous? In Planet Taco, Jeffrey Pilcher traces the historical origins and evolution of Mexico's national cuisine, explores its incarnation as a Mexican American fast-food, shows how surfers became global pioneers of Mexican food, and how Corona beer conquered the world.

Over a period of more than 10 years, following the overthrow of the government in 1910, Mexico experienced a period of intense and bloody warfare as a bewildering array of factions in ever-changing alliances took power and then lost it. Presidents were elected (or elected themselves) and were then deposed or assassinated. New factions appeared with impressive sounding slogans, took to the field, and were either wiped out and never heard of again or became the next government.

If you want to discover the captivating history of Mesoamerica, then check out this four-in-one audiobook. You'll learn all about the Olmec, Zapotec, Mayan, and Aztec people.

Masiosare, nuestro extraño enemigo, es un libro que hace una serie de viajes al pasado de México y la mente de los mexicanos, para comprender los mitos y traumas que nos destruyen como país y nos dividen como pueblo. En un México que no cesa de destruirse a sí mismo, Juan Miguel Zunzunegui hace, en esta revisión histórica, el llamado a la paz y la colaboración que el país necesita para sobrevivir.

Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flâneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them.