Showing titles in History & Criticism

CBGB was the birthplace of punk and new wave in America in the 1970s. The Ramones, Blondie, Television, Talking Heads and many other groundbreaking bands got their start in the rock club on New York’s Bowery. Years later, CBGB became the cauldron for New York hardcore.Originally issued in 1988 and out of print for decades, This Ain't No Disco is a detailed warts-and-all history, with memories, stories and gossip from dozens of insiders who worked, played or just hung out at CBGB. Written long before the legend overtook the reality — while the club was open and most of the principals ...

Immerse yourself in more than 400 years of the world's most celebrated operas and discover the fascinating stories behind them. Explore the lives of singers such as Maria Callas, Luciano Pavarotti, and Jonas Kaufmann. Meet composers like Mozart, Wagner, and Britten, and the librettists with whom they collaborated to create the magical blend of words and music that make up opera.

From surf music to hot-rod records to the sunny pop of the Beach Boys and the Mamas & the Papas, Hollywood Eden captures the fresh blossom of a young generation who came together in the epic spring of the 1960s to invent the myth of the California Paradise. Central to the story is a group of sun-kissed teens from the University High School class of 1959 - a class that included Jan & Dean, Nancy Sinatra, and future members of the Beach Boys - who came of age in Los Angeles at the dawn of a new golden era when anything seemed possible.

The Police have sold more than 50 million albums, made Rolling Stone's Greatest Artists of All Time list, and finished a triumphant world reunion tour in 2008. Now British journalist Chris Campion draws on extensive research and new interviews to trace the inside saga of this iconic group, including the unorthodox business strategies employed by manager Miles Copeland that took them to the top and the intense rivalry that drove Sting, Andy Summers, and Stewart Copeland to split at the height of their success in the 1980s.

For many, the name Jimi Hendrix conjures up a larger-than-life image of the man who set fire to guitars, women's hearts, and the status quo. In this groundbreaking account, music journalist Charles R. Cross takes a far deeper look. Beyond Hendrix's legendary onstage and offstage magnetism, and his excessive lifestyle, was a man who struggled to accept his role as an idol and privately craved the kind of normal family life he never had.

Dancer, award-winning choreographer, show producer, stand-up comedienne, TV/film actress, and author, Norma Miller shares her touching historical memoir of Harlem's legendary Savoy Ballroom and the phenomenal music and dance craze that "spread the power of Swing across the world like Wildfire". It was a time when the music was Swing, and Harlem was king.

Cowboys and Indies is the definitive record-business bible, chronicling the pioneers who set the stylus on the most important labelsand musical discoveries of the last century. The narrative follows all the musical trends and developments from the phonograph to the Internet age as it delves behind the big business of corporate hit machines and the diligent industry of small, curated labels.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, Hip Hop America is the definitive account of the society-altering collision between Black youth culture and the mass media.

In the '60s and '70s, America's music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy - the underconsumption that led to Karen's death at age 32 from the effects of an eating disorder.

From the Stooges and MC to Grand Funk Railroad and Ted Nugent, to the White Stripes, Eminem, and Kid Rock, and whole casts of other great bands and performers, Detroit has always produced louder, more rumbling, more subversive rock music than any city in the world. In Detroit Rock City, listeners get to hear the stories straight from the participants themselves: the singers, the guitar slingers, the fans, the reporters, the promoters, even the guys who hand-made amps to be louder and crunchier than the competition’s.

During fifty years of publishing the “Bible of Rock and Roll,” Jann Wenner recorded a series of interviews that are now regarded among the most important historical documents of rock. From the hubris and pissed-off attitude of Pete Townshend, to the volcano that was John Lennon after the breakup of the Beatles, to Bono, using music to speak to God, these interviews reveal the beating hearts of six creative giants.

Featuring a player rejected by both Nirvana and Soundgarden who became a decorated special forces soldier, Britpoppers who spiralled into addiction before becoming novelists and missionaries, the terrifying story of Guns N' Roses' first drummer, super-rejecting band leaders, self-destroying rappers, troubled hard rock bassists and girl-band burnouts, The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards.

Reflecting on the Beach Boys’ long, fascinating history, this book tells the story behind 50 of the band’s greatest songs from the perspective of group members, collaborators, fellow musicians, and notable fans. The band's music is as influential now as it was 50 years ago, and this retelling of how the iconic rock group found itself in the annals of pop culture couldn't come at a better time.

At 14, Bronislaw Huberman played the Brahms "Violin Concerto" in Vienna, winning high praise from the composer himself. Instantly famous, Huberman began touring all over the world and received invitations to play for royalty across Europe. But after witnessing the tragedy of World War I, he committed his phenomenal talent and celebrity to aid humanity. After studying at the Sorbonne in Paris, Huberman joined the ranks of Sigmund Freud and Albert Einstein in calling for peace through the Pan European Movement.

Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface.

After performing with Ronnie Hawkins as the Hawks (1957-1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band's fusion of rock, country, soul, and blues music-all tinged with a southern flavor and musical adventurousness—created a unique soundscape.

Arianna Warsaw-Fan Rauch’s life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She’s loved classical music her whole life. But she’s also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach—especially since they were born 148 years apart and the thing we call “classical music” is really just centuries of compositions shoved into one hodge-podge of a genre.

From the author's first glimpse of a magical recording studio in the mid-1960s up through a busy career that continues to the present day, this rollicking story can only be told by those that were there. As the young tape operator on sessions for the Rolling Stones, Jimi Hendrix, and Joe Cocker at the famed Olympic Sound Studios in London, Phill learned the ropes from experienced engineers and producers such as Glyn Johns and Eddie Kramer.

There are countless books on music with much analysis given to musicians, bands, eras and/or genres. But rarely does a book delve into what's going on inside us when we listen. Michel Faber explores two big questions: how do we listen to music and why do we listen to music? To answer these questions, he considers a range of factors, which includes age, illness, the notion of "cool," commerce, the dichotomy between "good" and "bad" taste and much more.

Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers.