Showing results by narrator "Eve Karpf" in All Categories

When Devon farmer's daughter Roxanne Hawkins attends a local summer concert, the 14-year-old is blindingly stage-struck. On the day of St Petroc's autumn fair, Roxanne runs away to seek fame and fortune in the bright lights of London. There she stumbles across suave and sophisticated music-hall fixer Harry Bright, who persuades her to adopt the stage-name Annie Breeze. The popular double act Bright and Breeze is born.

London 1927: the city is buzzing with life. By day, Grace Rutherford is a copywriter at one of London's biggest advertising agencies but by night she is Diamond Sharp, author of a racy gossip column. When Grace meets two Americans who are sworn enemies, she is drawn into a web of secrets and lies which will change her life forever....

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers we bring you a selection of those we consider the best. In Volume 1 we bring you the classics 'A Dill Pickle' by Katherine Mansfield, 'The Storm' by Kate Chopin, and 'The Sexton’s Hero' by Elizabeth Gaskell.

The fourth story featuring the madcap ten-year-old, Flossie Teacake. Her older sister's magic fur coat transforms Flossie into Floz, a teenager who can go anywhere and do anything - including buying a lottery ticket and winning a million pounds.

Charlotte Mary Mew was born on 15th November, 1869 in London to professional parents her father was responsible for the design of Hampstead Town Hall. Charlotte, one of seven children, three of whom died in early childhood, was educated at Lucy Harrison's School for Girls and attended lectures at University College, London.

Unbeknownst to anyone, somewhat-unhappy and never-quite-fitting-in 10-year-old Eddie Albert can speak to animals, including his pet dog Butch, his hamster and his two goldfish (who claim they were once pirates). But when Eddie is sent to stay with his eccentric aunt in Amsterdam, he discovers that she too has this gift.... So begins a breathless cosmopolitan comic crime adventure, as Eddie, Aunt Budge, his new friend Flo and a whole gang of amazing animals take on the most dastardly villain Amsterdam has ever seen, in a desperate race against time to save one of their own.

In this series we look at short stories from many of our most accomplished writers. Miniature masterpieces with a lot to say. This volume is dedicated to one such recognised master of the short story, namely Katherine Mansfield, whose innovative stream of consciousness and symbolic narrative style profoundly influenced Virginia Woolf. She was born on 14th October 1888 into a prominent family in Wellington, New Zealand, the middle child of five. A gifted cellist who at one point considered taking it up professionally, her first attempts at writing were published in school magazines.

In this volume of fifty poems our classic poets delve with storied verse into every facet of this institution. From the good, the bad and even the ugly, from the Wedding day to the realisation that divorce and separation maybe the better path. Between these two frontiers other avenues and facets are explored by the pens of many including Shakespeare, Khalil Gibran, Emily Dickinson and the Rossetti’s.

Gerald Hennessey - silver-screen star and much-loved heartthrob - never quite makes it to Temple Regis, the quaint Devonshire seaside town on the English Riviera. Murdered on the 4.30 from Paddington, the loss of this great man throws Temple Regis' community into disarray. Not least Miss Judy Dimont, corkscrew-haired reporter for the local rag, The Riviera Express. Investigating Gerald's death, she's quickly called to the scene of a second murder.

These three stories are amongst the finest by Katherine Mansfield, a woman highly regarded as one of the greatest writers of short stories. In these bittersweet tales, she gently reveals the emotions and feelings within the lives of apparently unexceptional people. Her stories offer a sensitive insight into human behaviour, achieved not by creating scenes of high drama, but by revealing the motives and thoughts of believable characters.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best. In Volume 2 we bring you the classics 'The Yellow Wallpaper' by Charlotte Perkins Gilman and 'Roman Fever' by Edith Wharton.

From the author of The Daffodil Sea comes this post-war saga of love and loss. Corporal Reith Douglas loses his memory after sustaining a head injury. Desperate to recover his past, he little realises that things are never quite what they seem.

An essential for life. Without it life is impossible. Was it always that way? In this volume of stories, water becomes the landscape and narrative, a character more deadly and perhaps more aware of its power than us mere mortals. We are beguiled by its sight, whether softly breaking waves on a sandy beach or a thunderous storm engulfing the cliff face. But also in other forms; as lakes and lagoons. Water is everywhere, and where there is water is the shadow of menace.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

We begin with one of Hardy’s best regarded stories, 'The Fiddler of the Reels'. Here Hardy exposes a supernatural and demonic theme, against a realistic and historical background of the Great Exhibition of 1851 and the first trains. A typical Wessex girl is gripped by the power of music and dance when a lone fiddler casts his spell on her, causing her cloying but plain suitor to leave suddenly for London.

Anne Kingsmill was born in April 1661 (an exact date is not known) in Sydmonton, Hampshire. Throughout her life, Anne was involved in several Court cases that dragged on for years. These involved both a share of her parent’s estate for her education and later her and her husband’s share of an inheritance. In 1682, Anne became a maid of honour to Mary of Modena (wife of James, Duke of York, and later King James II) at St James’ Palace. Anne's interest in poetry began at the palace, and she started writing her own verse.

'There you have it -' Miss Dimont smiled and, lifting her dark glasses, turned to face the trainee reporter '- in a nutshell. A mystery death. Needs looking into, wouldn't you say?' Death stalks the beaches of Devon. With its pale, aquamarine waters and golden sands, the shoreline at Temple Regis was a sight to behold. But when an unidentifiable body is found there one morning, the most beautiful beach in Devon is turned into a crime scene.

From Britain's leading social historian, a lyrical look at the changes to women's lives since 1940, told with examples from her own life. The book provides an intimate, brilliant account of feminism over the last six decades. 'A young woman wearing a navy-blue duffle coat stood shivering in the vaulted Victorian booking hall of Temple Meads station in Bristol looking uncertainly around her. It was 1st January 1960, and the woman was me. I was 16 years old, and I had run away from home.'