Showing results by narrator "Steve Kelly" in All Categories

Six magicians were presented with the opportunity of a lifetime. Five are now members of the Society. Two paths lay before them. All must pick a side. Alliances will be tested, hearts will be broken, and The Society of Alexandrians will be revealed for what it is: a secret society with raw, world-changing power, headed by a man whose plans to change life as we know it are already under way.

In New Pythos, Griff is facing an execution by the dragonborn, who are furious at his betrayal. He has allies on both sides seeking to defy his fate, but the price of his freedom might come at a dear cost. And Delo will have to make a choice: follow his family, or finally surrender to his conscience.

I did a bad, bad thing. Thanks to a blank in my memory, I'm not sure what that thing was, but it was horrible enough to get me locked up in the mental ward for seven years. Horrible enough that my little sister won't even speak to me. But when I'm released back into a town determined to rub my unknown sins in my face, the past isn't the only thing that's haunting me. The four "imaginary" friends who made my childhood bearable barge into my life in a very real way.

When the world’s best magicians are offered an extraordinary opportunity, saying yes is easy. Each could join the secretive Alexandrian Society, whose custodians guard lost knowledge from ancient civilizations. Their members enjoy a lifetime of power and prestige. Yet each decade, only six practitioners are invited—to fill five places.

An explosive return to the library leaves the six Alexandrians vulnerable to the lethal terms of their recruitment. Old alliances quickly fracture as the initiates take opposing strategies as to how to deal with the deadly bargain they have so far failed to uphold. Those who remain with the archives wrestle with the ethics of their astronomical abilities, while elsewhere, an unlikely pair from the Society cohort partner to influence politics on a global stage.

An explosive return to the library leaves the six Alexandrians vulnerable to the lethal terms of their recruitment. Old alliances quickly fracture as the initiates take opposing strategies as to how to deal with the deadly bargain they have so far failed to uphold. Those who remain with the archives wrestle with the ethics of their astronomical abilities, while elsewhere, an unlikely pair from the Society cohort partner to influence politics on a global stage.

An explosive return to the library leaves the six Alexandrians vulnerable to the lethal terms of their recruitment. Old alliances quickly fracture as the initiates take opposing strategies as to how to deal with the deadly bargain they have so far failed to uphold. Those who remain with the archives wrestle with the ethics of their astronomical abilities, while elsewhere, an unlikely pair from the Society cohort partner to influence politics on a global stage.

If you’re looking for the hottest, filthiest collection of erotic short stories of the year that will leave you breathless and satisfied, then keep reading…My name is Rayna Russell, and I’m an author, editor, and writing teacher. I’m also an unapologetically rabid consumer of erotica. Like many of you, I think the short story is the perfect format for the genre. I love to meet new characters, explore a unique setting, and see what dirty magic an author can create in a few minutes. This format also pushes your boundaries.

In this thrilling next instalment, the secret society of Alexandrians is unmasked. Its newest recruits realize the institute is capable of raw world-changing power. It’s also headed by a man with plans to change life as we know it—and these are already under way. But the cost of this knowledge is as high as the price of power, and each initiate must choose which faction to follow. Yet as events gather momentum and dangers multiply, which of their alliances will hold? Can friendships hold true and are enemies quite what they seem?

A whole family of monsters has menaced my home for far too long. And in the battle to take them down, one of resurrected gangsters I love may have lost his life all over again. But my men have already survived one set of murders. I made it out of the looney bin and rescued my sister. We've proven we don't back down...even when maybe we should.

As if falling for the ghosts of four murdered gangsters wasn't crazy enough, it turns out we've got a real live supervillain on our hands. One with mysterious powers that reach way farther than we could have imagined. And that villain has torn my sister away from me. I'll stop at nothing to bring her back and see my men get the vengeance they deserve. It's just a little hard to win a war when you're not really sure what kind of monster you're up against. Or how many you're up against, for that matter.

In 2008 veteran journalist Evan Wright, acclaimed for his New York Times best-selling book Generation Kill and co-writer of the Emmy-winning HBO series it spawned, began a series of conversations with super-criminal Jon Roberts, star of the fabulously successful documentary Cocaine Cowboys. Those conversations would last three years, during which time Wright came to realize that Roberts was much more than the de-facto “transportation chief” of the Medellin Cartel during the 1980s, much more than a facilitator of a national drug epidemic.

When the world’s best magicians are offered an extraordinary opportunity, saying yes is easy. Each could join the secretive Alexandrian Society, whose custodians guard lost knowledge from ancient civilizations. Their members enjoy a lifetime of power and prestige. Yet each decade, only six practitioners are invited—to fill five places.

"The Invalid’s Story", an example of Mark Twain’s frontier-style humor, describes the misadventures of two men - Thompson and the narrator - on a train who mistake a gunbox and a rotting cheese for a corpse in a coffin. Thompson does not know much but his wild imagination has a strong influence on the naïve narrator. In the end, this situation leads to disaster.

"What Is Man?", the 1906 essay by Mark Twain, is a dialogue between a young man and an older man involving ideas of destiny, free will, and egoism. The old man asserts that the human being is merely a machine, but the young man objects and asks him to go into particulars and provide the reasons for his attitude.

Mark Twain wrote this witty satire in response to a request by editors of the New York World to contribute a humorous essay describing his first lie. He used the opportunity for discussion on the nature of lying, including "the lie of silent assertion". He pointed out the difference between a spoken lie and any other, as well as the fact that we readily condemn a lie by an individual but rarely challenge the false assumptions on which entire nations and institutions base their existence.

"Luck" was published in 1891 in Harper's Magazine and received little attention at the time. The English military hero, Lord Arthur Scoresby, is an idiot who blunders through life on pure good luck. In the Crimean War, he gets confused between his right and left hand to lead a charge in the wrong direction, which surprises a Russian force and ensures an Allied victory.

This is a story within a story by Mark Twain. The one within is the tale of the gambler Jim Smiley and his jumping frog Dan’l. After many winning bets on Dan’l’s jumping ability, a cunning stranger comes along and that day Jim loses.

Twain describes how he and his friend, Joe Twichell, tried to learn how to ride a bicycle in May of 1884. The bicycle was a new invention, and it proved to be more difficult than riding a horse. According to Twain, it was a painful and short-lived experience.

Winesburg, Ohio is a short story cycle by Sherwood Anderson. The plot revolves around the life of George Willard, from his childhood to him leaving the town as an adult. The work comprises 22 stories, with the first, "The Book of the Grotesque", serving as introduction. The book is considered a pioneering work of modernist literature due to the prominence giving to the psychological insight of the characters and the simple prose style.