Showing results for "Marcia Muller" in All Categories

It looked like a lost cause. Convicted of a brutal society murder in 1956, Lis Benedict had served a long sentence and just been released from jail. Then in a last desperate attempt to clear the Benedict name, her daughter Judy convinces All Souls Legal Cooperative to take her mother's case before the Historical Tribunal. Sharon McCone loves a challenge but has little affection for the cold and unlikable Lis. Then, suddenly, the woman in question is dead, a vicious threat is scrawled in red paint across the front of Sharon’s house, and San Francisco’s number-one private investigator is following a fresh trail of death.

On a foggy summer morning, private investigator Sharon McCone receives a call from her former neighbors, the Curleys. Their usually dependable daughter Chelle hasn't been answering their calls for weeks. Would Sharon check on her? Sharon arranges to visit the building Chelle had been living in and rehabbing in southwest San Francisco. Once it was a nightclub and bar, she learns, and a favorite destination for the city's elite during Prohibition. But there's something sinister about the space, and Sharon quickly discovers why.

Private eye Sharon McCone receives an email asking for help from her emotionally disturbed half-brother, Darcy Blackhawk, but he fails to reply to her response. As Sharon digs deeper, she discovers that Darcy sent his message from an Internet café in San Francisco, a city he's never been to before. Sensing that Darcy is in terrible danger, McCone begins a search for him throughout the city. The investigation leads her to the body of a woman at the Palace of Fine Arts, where a witness told her Darcy was headed. As her search widens, Sharon uncovers a connection to an unsolved murder....

Bobby Foster, car-hop at the chic Cafe Comedie, is going to the gas chamber. He's already confessed to the murder of Tracy Kostakos, the club's rising star. But two years after the crime, Tracy's body is still missing and Bobby's confession is full of holes. All Souls Legal Cooperative's final appeal sends San Francisco's number-one P.I., Sharon McCone, behind the footlights into the super-charged arena of anxious club owners and aspiring young hopefuls...into the fractured world of Tracy's priviledged family and the mind of a young comedienne who was not the good little girl they thought they knew....

When a former sixties radical is murdered during a string of random sniper attacks, the All Souls Legal Cooperative must settle his surprisingly large estate. Then private investigator Sharon McCone comes across a new will, made just days before he died, that disinherits his two children in favor of four unknown and unconnected parties. McCone sifts through Perry Hilderly’s belongings but finds little to explain this puzzling change. That is, until she uncovers a .357 with the serial number burned off.

Ricky Savage is Sharon McCone's brother-in-law, and the hottest country singer in the business. He's on top professionally, but hitting rock bottom in his personal life. His longtime marriage to Sharon's sister, Charlene, is breaking up, forcing him to question if it was all worth it: the struggle, hard times, and hopes of stardom that finally came true. Even worse, Ricky has been getting anonymous letters threatening not only himself, but also his children.

After Sharon McCone's father dies of a sudden heart attack, she immediately heads to San Diego to scatter his ashes and clear out his house. In a box of legal papers, she finds a 1959 petition for adoption of a child called Baby Girl Smith - an infant who, from the day of adoption, has been known as Sharon Elizabeth McCone. No one in Sharon's family will discuss the adoption, so she begins her own search for the truth. Her quest takes her deep into Indian country, to the Flathead Reservation in Montana.

Traumatized by a recent life-or-death investigation, Sharon McCone flees to her ranch in California's high desert country to contemplate her future. Deep depression shadows her days and nights, and a chance encounter with a troubled, highly secretive Native American woman begins to haunt her dreams. Even though she is determined not to investigate anything during her stay - and perhaps not ever again - McCone is drawn into the plight of the young woman and her dysfunctional family.

Sharon McCone has chosen a guy who respects her as a professional and shares her passions. But living together in her beloved little house on Church Street may be another matter entirely. The looming crisis of who will compromise first is delayed when Hy heads out of town on business and McCone dives into one of her most baffling cases yet - the disappearance of Laurel Greenwood, who vanished twenty-two years before without a trace.

A knock on the door in the middle of the night. It can only be bad news, and it is: Sharon's father, Elwood, has been the victim of a vicious, racially motivated attack. A nationally recognized Shoshone Indian artist, he'd been visiting Sharon for the holidays, browsing for gifts in San Francisco's exclusive Marina District, when he was set upon by a mob of angry young men. Now Elwood lies in a coma, hovering between life and death.

Settled in to their new home after they lost their house in a fire, and fully established in their new shared offices, private investigator Sharon McCone and her business partner husband, Hy, are finally starting to feel comfortable. That calm is shattered when Hy's former colleague, Gage Renshaw - a shady troublemaker whom they presumed dead - reappears, and it's unclear what he wants from his prosperous former associate.

It's a cold Sunday in San Francisco. Sharon McCone's alone on a routine surveillance job, following a man named Frank Wilkonson through the city's lush horticultural hot spots to the sere foothills of the Diablos. But when she returns to find her kindly old client in a pool of blood, nothing she's learned explains it. The search for answers takes her from Wilkonson's sullen brood on Burning Oak Ranch, to the eccentric havoc of a household in the Haight, to Golden Gate Park and the desperate digs of the homeless.

McCone and Friends contains three stories told by McCone herself, as well as a novella and a short story narrated by the agency’s investigator Rae Kelleher, a story from the viewpoint of its office manager Ted Smalley, an investigation conducted by McCone’s nephew Mick Savage, and one by her long-term lover Hy Ripinsky.

In The Bughouse Affair, this first of a new series of lighthearted historical mysteries set in 1890s San Francisco, former Pinkerton operative Sabina Carpenter and her detective partner, ex-Secret Service agent John Quincannon, undertake what initially appear to be two unrelated investigations. Sabina's case involves the hunt for a ruthless lady "dip" who uses fiendish means to relieve her victims of their valuables at Chutes Amusement Park and other crowded places. Quincannon, meanwhile, is after a slippery housebreaker who targets the homes of wealthy residents.

Unwanted and neglected from birth, Barbara Graham had to overcome the odds just to survive. Her beauty was both a blessing and a curse—offering her too many options of all the wrong kind. Her innate sensitivity left her vulnerable to the harsh realities of the street, where she was left to fend for herself before she reached double digits. Her record of petty crimes spoke to a life that constantly teetered on the brink of disaster. But in 1953, a catastrophic twist of fate would catapult her out of obscurity and into the headlines.

An unidentified woman's body washes up at nearby Point Deception, immediately stirring up old feelings of fear and suspicion. Relentless in pursuing his story, and haunted by a tragedy in his own past, Newberry does not let up, instilling fear in the town's sheriff, Rhoda Swift, who fears his prying will destroy her town. But as more women die and public panic sets in, Newberry and Swift form an uneasy alliance and unite in a confrontation with a killer whose motives are not as random as they seem.

When a pleasant afternoon's bicycling through Golden Gate Park with a friend ends with the revelation of threatening letters, followed by a gunshot in a mansion garden, Sabina Carpenter knows this is a case that demands her immediate and undivided attention. The questions her partner John Quincannon has to unravel are not difficult: Wrixton, a wealthy banker, has met his extortionist's first demand, but the order to pay another $5,000 is too much to face. The banker's real problem is something he doesn't want to reveal.

A debutante's missing body, murder most foul, and weird spectrallights in the fog make for a thrilling gas light-era tale of mystery and detection. In 1895 San Francisco young debutantes don't commit suicide at festive parties, particularly not under the eye of Sabina Carpenter. But Virginia St. Ives evidently did, leaping from a foggy parapet in a shimmer of ghostly light.

A hard, four-hour drive north of San Francisco leads to sparsely populated Soledad County, a combination of spectacular seashore, inland forests, and small towns steeped in gold-mining history. One of those towns is Cyanide Wells, now an artsy community, whose name comes from the miners' use of cyanide to refine ore and the time the area's water supply was tragically poisoned. To Matthew Lindstrom, that sinister legacy is ironically appropriate for the place he finally expects to find his ex-wife, Gwen.

Sharon McCone is excited - and relieved - to move her detective agency into the perfect new office space. Unfortunately, real estate woes aren't the only headache that the new building brings into Sharon's life. Possible 19th-century ghosts and a shady "intra-reality organization" ensure that Sharon's new office will bring as much excitement as any of her clients.