Timothy and Jonah, wealthy entrepreneurs with a spoiled son, hide sins from their past—one involving a death on a cruise, the other a crime in Bali. Nathan and Samantha, the hot ex-nanny turned trophy wife, grapple with infertility and a shocking paternity secret. Bartosz and Angelika (he’s a chef, she’s a former sex worker) carry debts to the other couples they don’t even realize they owe. Over fourteen days, the couples bond—but their pasts are too deeply intertwined to stay hidden. The sly concierge, Putu, knows more than he lets on.

Lana Fleming’s sister has vanished from the set of TV’s hottest show, and no one seems to care. Desperate for answers, Lana sneaks in as an extra, only to get stranded with Griffin Hart, an A-list action star with a reputation for good abs and bad decisions. Though Griffin didn’t expect to be cast as a librarian’s sidekick in a real-life thriller, he’s weirdly into it—and into her. Even more unsettling—she sees right through his playboy persona. But their meet-cute soon turns deadly when they uncover a Hollywood scandal for the ages.

Sometimes the darkest mysteries are homegrown. When Zephyr Nelson returns home to look after her ailing mother, she discovers that her younger brother, Cotter, has become obsessed with a malevolent influencer on a mysterious voice app. Just as a series of puzzling deaths begin plaguing their small town of Sugarland. With the help of her college best friend and occasional lover, Teddy, Zephyr unravels truths about Sugarland that are impossible for her to accept ...

Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.

Amy Nicols (Lizzy Caplan) was an FBI agent with a dogged need to protect everyone—until that instinct caused her to mishandle a crisis, lose innocent lives, and lose her job. Now a civilian working in private security, that mistake still haunts her. One morning on the commuter train, she overhears a young couple plotting a murder. Ignoring warnings from her family and friends, Amy’s instinct to protect and serve compels her to investigate. But the further she goes, the more she finds her own life in danger.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

The Driver: Ahead he could see only the stretch of unending road, on either side brown-scorched plains of dirt and scrub, above it all a soaring blue sky and blinding sun. The Hitchhiker: Have you ever done something bad? The question was like a clawed hand seizing his guts. The Fugitive: She’d made a mistake. Wasn’t the first time and wouldn’t be the last. Ever since she’d left, all she’d found was more trouble.

Ryan and Sophie are a golden couple in Melbourne, the charming, salt-of-the-earth country boy and the charismatic, gorgeous social butterfly. When Ryan’s father dies, leaving them the family farm, it seems like a chance for Ryan to get back to his roots and for Sophie to embrace the bucolic country life she always dreamed of. But reality proves very different, and years spent struggling against an implacable drought have pushed their marriage – and finances – to the absolute limit.

For years, Aidan Cullen has dreamed of becoming a successful crime writer. When his hard work finally pays off and his first book is published, what should have been a night of celebration unravels into an evening of horror. Left for dead after a brutal attack, trauma leaves him paranoid and reclusive, and he retreats to the remote countryside with only his dog Nanook for company. With the world kept at arm’s length, he begins to feel safe. That is, until a woman is murdered at the end of his road.

In an abandoned warehouse, a schoolboy makes a grisly discovery: 96 containers, each filled with exquisitely preserved bodily remains. Detective Eva Harris knows the line between life and death better than most. Having survived a near fatal encounter with the criminal underworld once before, she is still haunted by the repercussions of her actions - and fearful of the whole truth emerging.

Jackie and Pete King have lived in Dunmore for years, running one of the two local pubs in the sleepy little town. Money has been tight after the bushfires, and it’s about to get tighter if they can’t find a way to pay their suppliers to keep their business going and keep the bank from foreclosing on their property. So when Jackie receives a mysterious phone call offering them $100,000 to let someone bury a body on their land, the answer isn’t as simple as they thought it would be.

Death is a topic Bradford Douglas is intimately familiar with. The young attorney is on a crusade against capital punishment. He’s saved a number of death row inmates, but none of his cases has been as tough as the one he now faces: Henry Combs, a vicious serial killer, has only hours to live when Douglas is summoned for a Hail Mary attempt to have the man’s sentence commuted to life imprisonment. As Douglas races to pursue whatever strategies he can think of, he finds his passion for justice giving way to something altogether different. An obsession.

Adam Turner works the mid-dawn shift at his local radio station. From 12am to 6am, it’s his job to fill the airtime with old songs, inane chatter, and the occasional talkback caller. It’s a long way from his prime-time slot from over a decade ago, when he was a star in the making. Now there’s no producers, no billboards, no stakes, and not many listeners. His frequent callers are drunk students headed home from a night out, or long-range truck drivers. He is completely alone in the studio from midnight until dawn every night. And then one night at 12:45am, he gets a different kind of call.

I know all about being afraid of the dark. Like my uncle, in my thirties I found my way into my own dark forest, face-to-face with the big bad wolf. He was so close to me the whole time, I could taste the blood on his breath. Meeting him felt like a fairytale. I fact, I met him at a bar called the Wolf's Lair. A sensational trial for an historic serial murder. A missing woman with a trail of secrets. A top lawyer famous for defending notorious criminals. A retired homicide cop hunting for the truth.

Gabby Ashford has just survived an attempt on her life. Detectives have connected her story to two other cases in the area: Professional women drugged at a bar, brought to their homes, and drowned in their bathtubs. Gabby, who miraculously woke up in her own bathtub unharmed, could be the key to finding a serial killer on the loose - but she has no memory of the attack. Gabby admits herself to a high-end rehabilitation center to recover, and to seek the help of a psychiatrist renowned for his work with memory recovery.

Every object has a ghost. There is a small yellow backpack - half unzipped, mouth yawning to the pavement, contents strewn around it (a banana, an exercise book, a pair of scissors) - abandoned on a suburban footpath. Ten feet away, the rubber stamp of tyres, resisting clamped brakes, mount the curb and cut across the path. The tracks come to an end at a crippled stop sign. The street, a tree-lined suburban road dappled in late-afternoon sunlight, is calm. But anyone walking past can feel the ghosts: the prickle on the back of their necks that tells them something happened here.

Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.

Styvie Savard was a damn good cop - before she made a mistake that cost her everything. Now she lives in her car, works a dead-end job, and scrapes by on the fumes of a dwindling savings account. Life couldn’t get much worse, until it does. One morning on the way to work, Styvie hits a 16-year-old, Dharma, with her car. When the injured girl flees the scene, Styvie finds that she can’t leave well enough alone.

Part dark romance, part fairy tale, DISORDER marks the arrival of bestselling Italian author Rokia, available for the first time in English, in a vibrant translation by Beth Hickling-Moore. The production is voiced by an all-star cast: Diane Guerrero (Orange is the New Black), William Gao (Heartstopper), Freya Allan (The Witcher) and Connor Swindells (Sex Education.)

In this short thriller from number one New York Times best-selling authors Greer Hendricks and Sarah Pekkanen, narrated by actress Kate Mara, a young woman’s dream getaway becomes her worst nightmare. Prepare yourself for a transformative experience. Sometimes, life’s setbacks contain hidden gifts. Here at Lakewood, you’ll find the space to unwrap them. A weekend at the Lakewood Retreat is exactly what Chloe Powell needs. Freshly unemployed after her boss loses a reelection campaign, the former press secretary desperately wants a break from the bustle of Washington, DC.

Shelby works as a dog walker in northern California, and she’s just finished up her bi-weekly trip to the park with a husky named Pluto. When she brings him back to his house, she finds his owner - Todd Burke, a well-known local businessman and founder of an organic supplements company - lying on the bathroom floor, dead. A detective arrives on the scene. As she interviews Shelby, the body is inspected by a medical examiner, and more cops search Todd’s home, it becomes clear that the victim’s life was less picture-perfect than his clean-cut persona might lead you to believe.