After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

The Driver: Ahead he could see only the stretch of unending road, on either side brown-scorched plains of dirt and scrub, above it all a soaring blue sky and blinding sun. The Hitchhiker: Have you ever done something bad? The question was like a clawed hand seizing his guts. The Fugitive: She’d made a mistake. Wasn’t the first time and wouldn’t be the last. Ever since she’d left, all she’d found was more trouble.

Ryan and Sophie are a golden couple in Melbourne, the charming, salt-of-the-earth country boy and the charismatic, gorgeous social butterfly. When Ryan’s father dies, leaving them the family farm, it seems like a chance for Ryan to get back to his roots and for Sophie to embrace the bucolic country life she always dreamed of. But reality proves very different, and years spent struggling against an implacable drought have pushed their marriage – and finances – to the absolute limit.

In this pulse-pounding short thriller for fans of Big Little Lies and The Last Mrs. Parrish, Maggie Cabot refuses to sit by idly as police re-open an investigation into the mysterious death of a woman her husband used to know. After two decades in a near-perfect marriage, Maggie and James Cabot are enjoying their first year as empty-nesters in their charming Florida suburb, until two detectives arrive at their front door and change their lives forever.

Lenny has always known that his wife, Claire, is the love of his life. But somehow his marriage is in shambles, he’s struggling with the kids, and a string of anonymous text messages are tormenting him, insisting that Claire is a liar. Claire knows Lenny is a good man, but there’s a lot she hasn’t told him about her past. Now she’s terrified that the horrors that haunt her are about to put her entire family in danger. Strange new neighbours, insidious clients and schoolyard scandal begin to fracture Claire and Lenny’s happy families façade.

Death is a topic Bradford Douglas is intimately familiar with. The young attorney is on a crusade against capital punishment. He’s saved a number of death row inmates, but none of his cases has been as tough as the one he now faces: Henry Combs, a vicious serial killer, has only hours to live when Douglas is summoned for a Hail Mary attempt to have the man’s sentence commuted to life imprisonment. As Douglas races to pursue whatever strategies he can think of, he finds his passion for justice giving way to something altogether different. An obsession.

Late Victorian London. When James Miller, the most respectable of Scottish businessmen, is pulled, dead, from the Thames, his daughter is drawn into an investigation which reveals a whole world of secrets and corruption. Alongside local detective Culley, Catriona’s search for her father’s killer leads all the way to the tragic truth behind the ghostly legend of The Darkwater Bride and the power of her deadly kiss. The Darkwater Bride combines the genres of the Victorian mystery thriller with the equally classic Victorian mode of the ghostly tale.

The case began in New Brunswick, New Jersey, in 1922 and lasted for over a decade. The killer has never been found, and the case continues to fascinate true-crime aficianados. A bon vivant Episcopal minister, a not-so-virginal soprano in his choir. The wealthy wife. Her oddball brother. Their furtive maid. The snooping congregants. The bumbling detectives. And in the denouement, a trial, one of the more notable of America’s Jazz Age, covered by the likes of Damon Runyon, Dorothy Dix and James Thurber. All of it hanging on the dramatic testimony of a single, strange witness.

Gabby Ashford has just survived an attempt on her life. Detectives have connected her story to two other cases in the area: Professional women drugged at a bar, brought to their homes, and drowned in their bathtubs. Gabby, who miraculously woke up in her own bathtub unharmed, could be the key to finding a serial killer on the loose - but she has no memory of the attack. Gabby admits herself to a high-end rehabilitation center to recover, and to seek the help of a psychiatrist renowned for his work with memory recovery.

Meet Harry, aspiring tech entrepreneur. He’s a would-be Steve Jobs trapped in a cubicle gig at an angel investor firm, so close and yet so far from his dreams. His marriage is foundering, his career is stalled out, and all he wants is to create an app like Uber, or Tinder, something to make real change in the world, and change his own life forever. Now meet Peter, a deeply troubled computer genius who lives in a basement apartment, chugging red wine, nursing old grudges and writing code. When Harry meets Peter, it’s both of their lives that will change, when they invent an app for murder.

For years, Aidan Cullen has dreamed of becoming a successful crime writer. When his hard work finally pays off and his first book is published, what should have been a night of celebration unravels into an evening of horror. Left for dead after a brutal attack, trauma leaves him paranoid and reclusive, and he retreats to the remote countryside with only his dog Nanook for company. With the world kept at arm’s length, he begins to feel safe. That is, until a woman is murdered at the end of his road.

“The Heron” is the nickname a big-city accountant has attached to himself in his new home near San Diego, where he’s using the alias to avoid a hit man who may be after him. It seems a former client believes that The Heron has skipped town with several million dollars not his own. Don Winslow’s ensuing, entertaining yarn is by turns twisty, dark, and comical as we observe the delicate dance between the pursuer and the pursued.

As newspapers reported in the 1890s, a woman dubbed "Shakespeare" was found dead in a seedy hotel along the waterfront by Manhattan’s South Street Seaport. The chilling scene recalled for press and police alike Jack the Ripper’s victims in London. Panicked New Yorkers worked feverishly to halt that maniac’s spree from expanding across the Atlantic. The city only sighed relief after detectives abruptly arrested a traveling Algerian ex-soldier for the crime.

In the summer of 1985, a brilliant young British DNA scientist Helena Greenwood is found murdered in her front garden in a quiet suburb in California. The police believe they know the killer’s identity but there’s no evidence against him, and the only thing linking him to the crime is the fact he’d been charged with sexually assaulting Helena just a few months previously.

Gloria Burtzlaff feared for her life one day back in April of 1991 when her abusive husband, Larry, drunk and violent, slapped her, hit her, and began pelting her with glasses. After he tried to drown her in a tub, she got the family shotgun and confronted him in his underwear. “Larry, I’m going to kill you,” she declared. Defense lawyers would later claim he lifted a glass as if to say, “Have at it, sister.” Have at It, Sister is a true-crime tale about Gloria, a South Dakota woman who shot her abusive husband and was put on trial in a precedent-setting case.

Stan Weir is mourning a tragic loss when he meets a mysterious nine-year-old girl, who claims to be the reincarnated spirit of his late wife. Marcy Keef is a single mother trying to make ends meet when her daughter Erin starts describing ‘past life memories’. Neither wants to believe Erin, but as violent secrets are revealed, the truth becomes harder to deny.