Evie has just barely acknowledged that she has an eating disorder when she’s admitted to an inpatient treatment facility. Now her days are filled with calorie loading, therapy sessions, and longing—for home, for control, and for the time before her troubles began. As the winter of her treatment goes on, she gradually begins to face her fears and to love herself again, with the help of caregivers and of peers who are fighting their own disordered-eating battles.

Clara loves rules. Rules are what have kept her and her sister, Molly, alive—or, rather, undead—for over a century. Work their historic movie theater by day. Shift into an owl under the cover of night. Feed on men in secret. And never fall in love. Molly is in love. And she’s tired of keeping her girlfriend, Anat, a secret. If Clara won’t agree to bend their rules a little, then she will bend them herself. Boaz is cursed. He can’t walk two city blocks without being cornered by something undead. At least at work at the theater, he gets to flirt with Clara, wishing she would like him back.

On the night Miles Abernathy—sixteen-year-old socialist and proud West Virginian—comes out as trans to his parents, he sneaks off to a party, carrying evidence that may finally turn the tide of the blood feud plaguing Twist Creek: Photos that prove the county’s Sheriff Davies was responsible for the so-called “accident” that injured his dad, killed others, and crushed their grassroots efforts to unseat him. The feud began a hundred years ago when Miles’s great-great-grandfather, Saint Abernathy, incited a miners’ rebellion that ended with a public execution at the hands of law enforcement.

Belén Dolores Itzel del Toro wants the normal stuff: to experience love or maybe have a boyfriend or at least just lose her virginity. But nothing is normal in East Oakland. Her father left her family. She’s at risk of not graduating. And Leti, her super-Catholic, nerdy-ass best friend, is pregnant—by the boyfriend she hasn’t told her parents about, because he’s Black, and her parents are racist.

Jake volunteers at a nursing home because he likes helping people. He likes skating and singing, playing Bingo and Name That Tune, and reading mysteries and comics aloud to his teachers. He also likes avoiding people his own age . . . and the cruelty of mirrors . . . and food. Jake has read about kids like him in books—the weird one, the outsider—and would do anything not to be that kid, including shrink himself down to nothing. But the less he eats, the bigger he feels. How long can Jake punish himself before he truly disappears?

Andrew’s just trying to make it through Picture Day, which is easier said than done when it seems like the whole world is out to get him—from a bully to a science experiment gone wrong to a someone else’s juice snot (don’t ask). But as Andrew goes through the school day, and as one thing after another goes wrong, that little kernel of worry in his stomach is getting hotter and hotter, until it threatens to pop and turn into a public panic attack, his worst fear. He tries to keep his anxiety at bay, but the news that his grandmother with Alzheimer’s is missing is too much.

Twelve-year-old Kwame Powell isn't ready to deal with losing his grandmother, even as he and his family head to Ghana for her celebration of life. He's definitely not ready when he's sucked into a magical whirlpool that leads straight to Asamando, the Ghanaian underworld. There, he comes face to face with his grandmother, who is very much alive, and somehow still...a kid? Together with his best friend, Autumn, and a talkative aboatia named Woo, Kwame must battle angry nature gods, and stop the underworld from destroying the land of the living.

From the author of the National Book Award finalist Patron Saints of Nothing comes an emotionally charged, moving novel about four generations of Filipino American boys grappling with identity, masculinity, and their fraught father-son relationships.

In this semi-autobiographical collection of poems, Renée Watson writes about her experience growing up as a young Black girl at the intersections of race, class, and gender. Using a variety of poetic forms, from haiku to free verse, Watson shares recollections of her childhood in Portland, tender odes to the Black women in her life, and urgent calls for Black girls to step into their power.

On the night before her wedding, seventeen-year-old Sorel leaps from a window and runs away from her life, grabbing men’s clothes and a sharp knife. To keep from being found, she takes on the identity of Isser Jacobs—but it soon becomes clear that the real Isser Jacobs is a lawbreaker, a revolutionary, and powerful people want him dead. Sorel is drawn into the dark underworld of her small city, where smugglers, forgers, and wicked angels fight for control of the Jewish community. In order to make it out, Sorel must discover who Isser Jacobs really is—and who she wants to be.

Fern’s lived at the Ranch, an off-the-grid, sustainable community in upstate New York, since she was six. The work is hard, but Fern admires the Ranch's leader, Dr. Ben. So when Fern’s mother sneaks them away in the middle of the night and says Dr. Ben is dangerous, Fern doesn't believe it. She wants desperately to go back, but her mom just keeps driving. Suddenly thrust into the treacherous, toxic, outside world, Fern thinks only about how to get home again.

A wealthy businessman is dead, and fifteen-year-old Ruby Monroe is in a Dallas jail awaiting trial for his murder. Ruby has no one she can count on—no one, except her state-appointed caseworker, a woman named Cadence Ware. In Ruby’s experience, that’s not anyone she can trust. Cadence is familiar with the cold reality of Ruby’s situation, even before Ruby was arrested. Angry and alone, homeless and hungry, breaking the law just to survive, she is the kind of girl no one wants to listen to, especially not the prosecutor who wants to put her away for life.

In the early hours before dawn, a young girl and her father greet their horses and ride together through the waking city streets. As they trot along, Daddy tells cowboy stories filled with fun and community, friendship, discovery, and pride.

Sharkita “Kita” Hayes is always waiting. Waiting for her mama to mess up. Waiting for social services to be called again. Waiting for her and her siblings to be separated. Waiting for her worst fear to come true. But Mama promises things are different now. She’s got a good job, she’s stopped drinking, stopped going out every night—it’s almost enough to make Kita believe her this time. But even as Kita’s life is going good, she can’t shake the feeling that everything could go up in flames at any moment.

Samira is determined to have a perfect summer filled with fun parties, exploring DC, and growing as a poet—until a scandalous rumor has her grounded and unable to leave her house. When Samira turns to a poetry forum for solace, she catches the eye of an older, charismatic poet named Horus. For the first time, Samira feels wanted. But soon she’s keeping a bigger secret than ever before—one that that could prove her reputation and jeopardize her place in her community.