At 40, Lena Baker is at a steady and stable moment in life—between wine nights with her two best friends and her wedding just weeks away, she’s happy in love and in friendship—until a confession on her wedding day shifts her world.

With a newborn in tow, Bubbles Jones escapes a brutal sanctuary for “wayward girls” to confront the hypocritical shame of her pastor father and the betrayal of a lover. But Bubbles is accompanied by a woman who offers her shelter and a dream. Forging an unpredictable path ahead, Bubbles will not yield and will not hide in her unwavering commitment to make a big life real in a world determined to keep her small.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

Jake volunteers at a nursing home because he likes helping people. He likes skating and singing, playing Bingo and Name That Tune, and reading mysteries and comics aloud to his teachers. He also likes avoiding people his own age . . . and the cruelty of mirrors . . . and food. Jake has read about kids like him in books—the weird one, the outsider—and would do anything not to be that kid, including shrink himself down to nothing. But the less he eats, the bigger he feels. How long can Jake punish himself before he truly disappears?

Abandoned as an infant and raised by protective, if secretive, Italian parents, Carlotta has never quite fit in her own life as the only Black person in her neighborhood. Even when she ventures to Harlem, where jazz, community, and a man’s love await her, she doesn’t feel fully at home. But when the dynamics in her adoptive family shift, and her role grows more tenuous, Carlotta has to decide where she belongs—no matter the threats or the price that must be paid.

This Valentine’s Day, Daisy Murray has her heart set on binge-watching rom-coms. Instead, an earthquake traps her inside a bakery with its impossibly rude and insufferably handsome owner and head baker. They already have a history: she’s always smiled, he’s always scowled. Where better to finally get to know each other than amid the disaster? Then again, they have no choice. Besides, it could have its sweet, undeniable, and unpredictable perks.

Shy, bookish, and admittedly awkward, Lily Greene has always felt inadequate compared to the rest of her accomplished family, who strive for Black excellence. She dreams of becoming a children’s books editor, but she’s been frustratingly stuck in the nonfiction division for years without a promotion in sight. Lily finds escapism in her correspondences with her favorite fantasy author, and what begins as two lonely people connecting over email turns into a tentative friendship and possibly something else Lily won’t let herself entertain—until he ghosts her without a word.

The daughter of a powerful Atlanta dynasty, Ricki Wilde is the opposite of her famous socialite sisters. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When she moves into a Harlem brownstone, she leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. One evening Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way.

Transformative and breathtakingly honest, The American Queen is based on actual events that occurred between 1865 - 1889 and shares the unsung history of a Black woman who built a kingdom in Appalachia as a refuge for the courageous people who dared to dream of a different way of life. Over the twenty-four years she was enslaved on the Montgomery Plantation, Louella learned to feel one thing: hate. Hate for the man who sold her mother. Hate for the overseer who left her daddy to hang from a noose. Hate so powerful there's no room in her heart for love.

There have been countless books, articles, and televised reports in recent years about the almost mythic "white working class," a tide of commentary that has obscured the labor, and even the very existence, of entire groups of working people, including everyday Black workers. In this brilliant corrective, Black Folk, acclaimed historian Blair LM Kelley restores the Black working class to the center of the American story.

At 40, Lena Baker is at a steady and stable moment in life—between wine nights with her two best friends and her wedding just weeks away, she’s happy in love and in friendship—until a confession on her wedding day shifts her world.

Jake volunteers at a nursing home because he likes helping people. He likes skating and singing, playing Bingo and Name That Tune, and reading mysteries and comics aloud to his teachers. He also likes avoiding people his own age . . . and the cruelty of mirrors . . . and food. Jake has read about kids like him in books—the weird one, the outsider—and would do anything not to be that kid, including shrink himself down to nothing. But the less he eats, the bigger he feels. How long can Jake punish himself before he truly disappears?

The house seemed to sit apart from the others on Katydid Street, silent and alone, like it didn’t fit among them. For Violet Hart—whose family is about to move into the house on Katydid Street—very little felt like it fit anymore. Like their old home, suddenly too small since her mother remarried and the new baby arrived. Or Violet’s group of friends, which, since they started middle school, isn’t enough for Violet’s best friend, Paige. Everything seemed to be changing at once. But sometimes, Violet tells herself, change is okay.

Seventh grade begins, and Kareem’s already fumbled it. His best friend moved away, he messed up his tryout for the football team, and because of his heritage, he was voluntold to show the new kid—a Syrian refugee with a thick and embarrassing accent—around school. Just when Kareem thinks his middle school life has imploded, the hotshot QB promises to get Kareem another tryout for the squad. There’s a catch: to secure that chance, Kareem must do something he knows is wrong.

For Elio Solis, eighth grade fizzes with change—his body teeming with hormones. His feelings that flow like lava. His relationship with Pops, who's always telling him to man up, the Solis way. And especially Camelia, his first girlfriend. But when betrayal and heartbreak send Elio spiraling toward revenge, he doesn't anticipate that a fight to prove his manhood and defend Camelia's honor will lead to dire consequences—or that Camelia's not looking for a savior.

Jade believes she must get out of her neighborhood if she's ever going to succeed. Her mother says she has to take every opportunity. She has. She accepted a scholarship to a mostly-white private school and even Saturday morning test prep opportunities. But some opportunities feel more demeaning than helpful. Like an invitation to join Women to Women, a mentorship program for "at-risk" girls. Except really, it's for black girls. From "bad" neighborhoods. But maybe there are some things Jade could show these successful women about the real world and finding ways to make a real difference.

When eleven-year-old Hank’s mom doesn’t come home, he takes care of his toddler sister, Boo, like he always does. But it’s been a week now. They are out of food and mom has never stayed away this long… Hank knows he needs help, so he and Boo seek out the stranger listed as their emergency contact. But asking for help has consequences. It means social workers, and a new school, and having to answer questions about his mom that he's been trying to keep secret. And if they can't find his mom soon, Hank and Boo may end up in different foster homes—he could lose everything.

Anuri Chinasa has had enough. And really, who can blame her? She was the unwilling star of her stepmother’s social media empire before “momfluencers” were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart. Now, at twenty-five, Anuri is desperate to put her way-too-public past behind her and start living on her own terms.

It’s the summer before fifth grade, and for Ferris Wilkey, it is a summer of sheer pandemonium: Her little sister, Pinky, has vowed to become an outlaw. Uncle Ted has left Aunt Shirley and, to Ferris’s mother’s chagrin, is holed up in the Wilkey basement to paint a history of the world. And Charisse, Ferris’s grandmother, has started seeing a ghost at the threshold of her room, which seems like an alarming omen given that she is also feeling unwell. But the ghost is not there to usher Charisse to the Great Beyond. Rather, she has other plans—wild, impractical, illuminating plans.

This unforgettable novel tells a universal coming-of-age story about Taja Brown, a young African American girl growing up in Houston, Texas, and deftly and beautifully explores the universal struggles of growing up, battling family expectations, discovering a sense of self, and finding a unique voice and purpose. Told in 53 short, episodic, moving, and iridescent chapters, Calling My Name follows Taja on her journey from middle school to high school.