A Dance to the Music of Time: First Movement
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Narrated by:
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Simon Vance
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By:
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Anthony Powell
About this listen
Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art.
In the second volume they move to London in a whirl of marriage and adulteries, fashions and frivolities, personal triumphs and failures. These books "provide an unsurpassed picture, at once gay and melancholy, of social and artistic life in Britain between the wars" (Arthur Schlesinger, Jr.).
The third volume follows Nick into army life and evokes London during the blitz. In the climactic final volume, England has won the war and must now count the losses. Four very different young men on the threshold of manhood dominate this opening volume of A Dance to the Music of Time. The narrator, Jenkinsa budding writer shares a room with Templer, already a passionate womanizer, and Stringham, aristocratic and reckless. Widermerpool, as hopelessly awkward as he is intensely ambitious, lurks on the periphery of their world. Amid the fever of the 1920s and the first chill of the 1930s, these four gain their initiations into sex, society, business, and art. Considered a masterpiece of modern fiction, Powell's epic creates a rich panorama of life in England between the wars. Includes these novels: A Question of Upbringing, A Buyer's Market, The Acceptance World.
As an added bonus, when you purchase our Audible Modern Vanguard production of Anthony Powell's book, you'll also receive an exclusive Jim Atlas interview. This interview – where James Atlas interviews Charles McGrath about the life and work of Anthony Powell – begins as soon as the audiobook ends.
This production is part of our Audible Modern Vanguard line, a collection of important works from groundbreaking authors.©1951 Anthony Powell (P)2010 Audible, inc.Listeners also enjoyed...
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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The Mistake
- By: K. L. Slater
- Narrated by: Lucy Price-Lewis
- Length: 8 hrs and 26 mins
- Unabridged
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You think you know the truth about the people you love. But one discovery can change everything.... Eight-year-old Billy goes missing one day, out flying his kite with his sister Rose. Two days later he is found dead. Sixteen years on, Rose still blames herself for Billy's death. How could she have failed to protect her little brother? Rose has never fully recovered from the trauma, and one of the few people she trusts is her neighbour Ronnie, who she has known all her life.
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How much do we really know about the ones we love?
- By T. West on 12-03-17
By: K. L. Slater
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Starship Troopers
- By: Robert A. Heinlein
- Narrated by: R.C. Bray
- Length: 8 hrs and 15 mins
- Unabridged
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
- By Kristopher G. Hesson on 10-03-24
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Slayers: A Buffyverse Story
- By: Christopher Golden, Amber Benson
- Narrated by: Amber Benson, Charisma Carpenter, James Charles Leary, and others
- Length: 8 hrs and 2 mins
- Original Recording
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Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.
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A dream come true
- By Anonymous User on 10-12-23
By: Christopher Golden, and others
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Ghost Stories: Stephen Fry's Definitive Collection
- By: Stephen Fry, Washington Irving, M.R. James, and others
- Narrated by: Stephen Fry
- Length: 8 hrs and 18 mins
- Unabridged
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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A literary icon sometimes seen as a bridge between the Beat Generation and the hippies, Ken Kesey scored an unexpected hit with his first novel, One Flew Over the Cuckoo’s Nest. His successful follow-up, Sometimes a Great Notion, was also transformed into a major motion picture, directed by and starring Paul Newman. Here, Oregon’s Stamper family does what it can to survive a bitter strike dividing their tiny logging community. And as tensions rise, delicate family bonds begin to fray and unravel.
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Beware of Pity
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In the twilight of the Austro-Hungarian Empire, a young cavalry officer is invited to a dance at the home of a rich landowner. There - with a small act of attempted charity - he commits a simple faux pas. But from this seemingly insignificant blunder comes a tale of catastrophe arising from kindness and of honour poisoned by self-regard. Beware of Pity has all the intensity and the formidable sense of torment and of character of the very best of Zweig's work. Definitive translation by the award-winning Anthea Bell.
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One of my favorite authors
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What listeners say about A Dance to the Music of Time: First Movement
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- The Terrier
- 02-08-11
Kind of a yawn
I usually like novels that promise to go deep into the minds of the characters and don't mind if there isn't much action. I can't say why exactly but for the first time ever for an audiobook, I quit this one after a few hours. Maybe I quit too soon but I didn't care much about any of the characters and they certainly weren't doing anything remotely interesting. I had trouble keeping my mind on the story.
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- Carolyn
- 09-12-11
Panorama
I suspect real editors will blanche as I compare this to the Ladies #1 Detective Agency. However, as in the L#1DA, the plot is secondary to the character development. In fact there is no plot. You simply get a picture of life in England during a particular period. It is indeed slow listening and that is the point. Before listening, download the Exclusive Interview with James Atlas and Charles McGrath on Anthony Powell. It will set the stage. Anyone hooked on the period pieces of the BBC or PBS should enjoy this book.
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4 people found this helpful
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- Audiobook Obsessed
- 12-19-11
Disappointed by novel and/or performance
The print version of this book received rave reviews on other sites. Based on the reviews, I did not expect the book to be plot focused. I usually love British classics. Unfortunately, Simon Vance's performance seemed uninspired by the novel. I could not tell whether Vance, or the author, did not develop the characters into memorable individuals. I have listened to a number of well-acted audiobooks by Simon Vance. In this performance, I did not lose myself in his performance of the novel, and instead, found his distinctive voice a distraction.
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Overall
- Linda L Dege
- 04-05-11
One of the best books I have ever listened to.
I first heard this book on book at bedtime in the U.K. and was delighted to find it here. I like the drawing of the characters and its very Englishness. It may be too English for some. Enjoy!
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Overall
- Jennifer Seattle, WA
- 02-03-11
A Masterpiece on All Counts
A Dance to the Music of Time, inspired by the painting of the same name by Nicolas Poussin, was rated by Time magazine as one of the 100 Best English-language Novels from 1923 to 2005. Written by the English novelist Anthony Powell, who took almost 25 years to create the 12-volume set, provides a highly-literate and highly-amusing look into the English upper-middle class between the 1920s and the 1970s. The book covers politics, class-consciousness, society, culture, love, social graces, manners, education, power, money, snobbery, humour, and more.
Although daunting in terms of length, the absolutely brilliant narration by the talented Simon Vance rewards the reader over thousands of pages, hundreds of characters, and twelve installments of gorgeous prose. This is a not-to-be-missed collection of novels for any serious reader of English literature.
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20 people found this helpful
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Overall
- M. Brandman
- 03-08-11
Masterpiece
Powell's Music of Time books are a masterpiece of English literature. Massive in scope but ironically very narrow in its analysis of people, place and time, Powell devoted his life to these novels. His prose are rich, lyrical and incredibly smart. Simon Vance is excellent as always.
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9 people found this helpful
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Overall
- William
- 08-27-11
Most enjoyable
I concur with all the glowing reviews of this audio book....the whole series.
Undoubtedly, Simon Vance's, always sterling several other audio books I have, is totally in the zone with this one.
The author's description of the mostly banal, prosaic events and interactions of the multitude of characters over the span of years, decades is quietly yet deeply fascinating.
Though weeks since finishing the final volume, I frequently listen again to various chapters. Powell puts highly descriptive words and phrases to elemental human events that I can so much identify but never the depth nor capacity of nuance to articulate.
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- Lakeman
- 05-03-13
A stately masterpiece. Not for the impatient.
If you could sum up A Dance to the Music of Time: First Movement in three words, what would they be?
Profound, multi-layered.
What did you like best about this story?
The brilliantly sharp humour, and the ever deepening insights of both protagonist and indeed reader as the narrative unfolds. A marvellous portrait of an era long gone. To be compared with Brideshead Revisited.
What about Simon Vance’s performance did you like?
The different voices and the sense of wistfulness that Powell intended.
Was this a book you wanted to listen to all in one sitting?
No! Certainly not.
Any additional comments?
I don't blame those people who complained they were bored. It is not for everyone. This is a cerebral slow burner of a tale spread over 12 novels and about 40 years. It's not for those who like a rollicking, tumultuous incident-packed plot. It just aint that sort of work.
For those with time, patience, and an interest in English social history, this is a glorious and profound experience.
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5 people found this helpful
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- Canon John 3
- 10-21-15
If you have eyes to see and wisdom to understand
Any additional comments?
Having reached my 60s and listened to Proust and James Joyce and Waugh among many others, I came to Powell not knowing what to expect. Some have said there is no plot, but I find it contains the plot of human existence particularly the relationship between men and women. Whereas Proust writes introspectively of himself. Powell writes as an observer of others. This book may not make much sense to anyone under 40 or 50. Only after you have lived through several decades might one appreciate the genius of this work. The first volume seems slow because it contains the "early" years, but I encourage folks to listen on.
This is great literature.
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- W Perry Hall
- 12-03-17
5 Stars on a Huge Dancefloor to this Roman-Fleuve
I delighted in this fascinating, woefully underappreciated roman-fleuve (a long sequence of novels together making up a single work) particularly when reflecting upon it as a dance to 'the music of time' in which 'partners disappear only to reappear once again, once more giving pattern to the spectacle.'
I'm only covering the work as a whole in this review so I might suggest you stay with it even if you don't particularly love this first volume, which covers the early days of the characters into their mid-20s. It gets much, much better and is well worth reading/listening to in its entirety.
*A Dance to the Music of Time* is composed of four movements of three novels each published between 1951 and 1975. The work covers 1921 through 1975 as the narrator Nicholas Jenkins progresses from his English schoolboy days at Eton all the way through the free-love late 1960s into the early 1970s. Notably, Powell attended Eton at a time when several other talented writers were there, including Eric Blair (a/k/a George Orwell), Cyril Connolly and Henry York (Henry Green).
Jenkins is as much an observer as he is a participant, and rarely the center of attention. Instead, he gives focus to the lives, growth and aging of his closest three classmates and paints on a huge canvas his and their dance with thirty-two other characters who join and leave and rejoin. The sequence captures in a way I've not seen in any other work how time alters the players by introducing them, then bringing them back at a later time, and then takes them away again, ultimately all of them--some with violence and in war and some quietly--and the reader--this one at least--is knelled by the impermanence of life and its permanence (it goes on).
The primary trio includes the boorish and ambitious Kenneth Widmerpool (one of the most memorable, despicable characters drawn in any literature I've read), the blue-blooded and self-destructive Charles Stringham and the self-assured and worldly-wise Peter Templer.
He brilliantly composes each of the thirty-two supporting characters with such prismatic particulars that I can recall most of them now, a year out from reading the cycle. The primary beauty of the four movements is watching these characters waltz in with an ease that can only be imagined by a writer on his game pouring his soul into the works.
I am so glad I threw away my fear of this Dance.
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