
The 42nd Parallel
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Narrado por:
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David Drummond
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De:
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John Dos Passos
This first entry in John Dos Passos's celebrated U.S.A. trilogy paints a grand picture of the United States at the dawn of the twentieth century.
©2010 John Passos (P)2010 Tantor MediaListeners also enjoyed...




















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Narrator was brilliant
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Sublime Narration
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Perfect Narrator for this book!
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I loved the history embedded in good stories
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Where does The 42nd Parallel rank among all the audiobooks you’ve listened to so far?
Completely unique. The techniques utilized to fine effect by Dos Passos create a surprisingly modern and cinematic feel, especially considering these books were written 80 years ago! In particular, Dos Passos encapsulates visual and audible elements into his prose. The audible parts of the writing, especially newspaper headlines, radio messages, and popular songs, make this a wonderful choice for a book to be listened to as opposed to being read. It is a gift that narrator David Drummond rises brilliantly to the occasion (God this would be a terrifying book to consider reading - and singing - aloud). All this and the 42nd Parallel happens to be one of the most famous books of the 20th Century.... I have read of Ernest Hemingway's respect for Dos Passos. Since that was an exceedingly small camp, as Hemingway seemed to actively hate most writers, I had looked forward to listening to my first Dos Passos novel. I was not disappointed. Throughout the 42nd Parallel, I heard echos of Hemingway dialog and situations. Other writers and artists also. Joyce in particular. And painters. One might do worse than characterizing this novel as a Diego Rivera painting written in prose.A Diego Rivera painting in written form
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Would you recommend this audiobook to a friend? If so, why?
Yes, but after that friend had read the triogy. It's easier to let the long stories unwind after you have the basics down about the character arcs and the vast plotline the trilogy takes in over so many yearsWhat was one of the most memorable moments of The 42nd Parallel?
Mac's initiation on the road with a traveling salesman in Wisconsin unfolds wonderfully, I wish Dos Passos kept the lighter tone for more of his characters to come in the trilogy; it would have helped.Have you listened to any of David Drummond’s other performances before? How does this one compare?
I liked his reading of the whole USA trilogy. It is part of a whole, and Drummond keeps it flowing,Was there a moment in the book that particularly moved you?
No, I liked it. Dos Passos brought a detached presence to much of his prose, and it shows. It does distance a reader or listener from the events, on the other hand. Drummond does his best to engage you, but it can be difficult as the relentless fates channeled by the trilogy continue on.Any additional comments?
Probably more valuable, like Sinclair Lewis, for the life of Americans after WWI as recorded, than for the actual stories. Almost a century after the events, it still speaks for the hopes of the little men and women and how they are crushed or warped or abandoned in the rush for survival and wealthThe other side of WWI and more
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An American classic.
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Early twentieth century stories
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The main narrative follows several different characters as they make their way through their lives between the turn of the century and World War One. As fiction goes, it’s wandering, nearly plotless stuff, but I found the window into another time fascinating. Along the way, we get an immersion course in cultural attitudes, historical events, people’s daily concerns, and the not-unfamiliar tensions between different layers of society. Then there are all the sights, sounds, smells, sensations, impressions, and emotions of the time -- the raw, intimate, illuminating human stuff that a present-day writer looking back couldn’t hope to replicate.
Yes, some of the themes are dated -- for example, there are no significant non-white characters, and the idea of people having sex (*gasp*) *before* marriage was no doubt more edgy in the ‘30s. Dos Passos seems intent on a soul-baring of his generation through his characters, who are caught between grand ambitions and selfish desires, seemingly unable to make any decisions of lasting consequence. They desert their families and their employers in search of some unknown better thing, and are buffeted about by the indifferent forces of history. Members of the Millennial Generation should read this novel and stop letting older people lecture them with phony-baloney mythology about how everyone had their s--- together back in the day, and America was just honest, happy, patriotic, and swell. It’s a lie.
In fact -- and maybe it’s because I don’t read enough old fiction -- I was taken aback by how many aspects of the world of this novel seem not to have changed much in a hundred years. The way society was divided between the haves and the have-nots -- and the way half of the latter group was sure it would soon be in the ranks of the former, and resented the other half. The same media-fed anti-socialism paranoia. The same naive, flag-waving patriotism around the big war, and the same undercurrent of cynicism that it might have all just been a big scam. The desire for a comfortable, white-picket-fence life versus the fear of selling out. Constant worry about how to pay the bills. Otherness of foreigners. Dating (apparently, the phrase “let’s just be friends” goes way back). Loneliness. Desire. Groping in the dark.
Obviously, a novel of this era and style won’t appeal to all readers, but for those who can embrace its unblinking camera reel view of life, it’s brilliant and definitive. The final chapters generate a palpable atmosphere of anger and unrest, as the US enters the Great War, and the anti-war and pro-war factions square off in New York City, yelling the usual cliches at each other as riot police march in. Plus ça change, plus c'est la même chose.
Powerful document of an all-too-familiar past
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Advent of the American Century scruitinized
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