Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Lou is a happily married mother of an adorable toddler. She’s also the victim of a local serial killer. Recently brought back to life and returned to her grieving family by a government project, she is grateful for this second chance. But as the new Lou re-adapts to her old routines, and as she bonds with other female victims, she realizes that disturbing questions remain about what exactly preceded her death and how much she can really trust those around her.

At 19 years old, college student Josie Stratton was kidnapped by a madman and held shackled for 10 months in an abandoned warehouse before she finally escaped her hellish prison. Eight years later, when the body of a young woman is found chained in the basement of a vacant house, Cincinnati Police Detective Zach Copeland is instantly reminded of the crime committed against Josie Stratton. Zach was just a rookie on the perimeter of that case, but he's never forgotten the traumatized woman with the haunted eyes.

Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige - he just doesn’t quite know what he’s signing up for. The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room.

Travis Wren has an unusual talent for locating missing people. Often hired by families as a last resort, he takes on the case of Maggie St. James—a well-known author of dark, macabre children’s books—and is soon led to a place many believed to be only a legend. Called Pastoral, this reclusive community was founded in the 1970s by like-minded people searching for a simpler way of life. By all accounts, the commune shouldn’t exist anymore and soon after Travis stumbles upon it…he disappears. Just like Maggie St. James.

One year ago, Lucy’s sister, Nicki, left to meet friends at a pub in Dublin and never came home. The third Irish woman to vanish inexplicably in as many years, the agony of not knowing what happened that night has turned Lucy’s life into a waking nightmare. So, she’s going to take matters into her own hands. Angela works as a paper-pusher in the Missing Persons Unit, but wants nothing more than to be a fully fledged member of An Garda Síochána, the Irish police force. With the investigation into the missing women stalled, she begins pulling on a thread that could break the case wide open.

Dunia Ahmed lives an ordinary life—or she definitely used to. Now she’s the subject of a true crime podcast. She’s been missing for over a year, and no one knows if she’s dead or alive. But her story has listeners obsessed, and people everywhere are sporting merch that demands “Find Dunia!” In the days before her disappearance, Dunia is a successful pharmacist living in New York. The daughter of Pakistani immigrants, she’s coping with a broken engagement and the death of her mother. But then something happens that really shakes up her world: someone tries to murder her.

Matty Melgren is a convicted serial killer serving life without parole for the murders of several women in London in the 1980s. He has consistently protested his innocence, and the evidence against him was largely circumstantial. At the time of his arrest, Matty’s girlfriend was Amelia-Rose, a single mother to 12-year-old Sophie. Sophie adores Matty. He’s handsome, funny, respectable—she could never suspect him of the brutal killings in the headlines. Then a police sketch of a suspect is released that looks a lot like Matty. Was it him?

The deeper the secret, the darker the shadow. Ten years ago, Jolene nearly killed her friend Elizabeth in a gruesome accident. And no one has any idea. Not even Elizabeth. Jolene has been trying to outrun the guilt ever since, wandering from place to place and career to career. So she’s shocked when, after her latest move, she runs into the very person she’s been trying to avoid for ten years. Elizabeth still lives with scars from the accident. And she’s still clueless about what happened that fateful night.

In a small Alaska town, a boy is found with his throat ripped out and all the blood drained from his body. The inhabitants of Deadhart haven’t seen a killing like this in twenty-five years. But they know who’s responsible: a member of the Colony, an ostracized community of vampyrs living in an old mine settlement deep in the woods.

Camille Gardener is a grieving - and angry - mother who, five years after her daughter’s death, is still obsessed with the privileged young man she believes to be responsible. When her rash actions draw the attention of a secret group of women - the collective - Camille is drawn into a dark web where these mothers share their wildly different stories of loss as well as their desire for justice in a world where privilege denies accountability. Fueled by mutual rage, the collective members devise and act out retribution fantasies via anonymous, highly coordinated revenge killings.

Hazel and Fox are an ordinary married couple with a baby. Except for one small thing: they're murderers. Well, they used to be. They had it all. An enviable London lifestyle, five-star travels, and plenty of bad men to rid from the world. Then Hazel got pregnant. Now, they’re just another mom-and-dad-and-baby. They gave up vigilante justice for life in the suburbs: arranged play dates instead of body disposals, diapers over daggers, mommy conversations instead of the sweet seduction right before a kill. And Hazel finds her new life terribly dull.

No electricity, no family, no connection to the outside world. For eight years, Cooper and his young daughter, Finch, have lived in isolation in a remote cabin in the northern Appalachian woods. And that's exactly the way Cooper wants it, because he's got a lot to hide. Finch has been raised on the books filling the cabin’s shelves and the beautiful but brutal code of life in the wilderness. But she’s starting to push back against the sheltered life Cooper has created for her - and he’s still haunted by the painful truth of what it took to get them there.

Seven years ago, Olivia woke up in the trunk of a stranger’s car—and barely escaped with her life. She’s been looking over her shoulder ever since. Now, Olivia is a true-crime podcaster on a mission to help other women avoid her fate. But years spent covering violence and crime have left her burned out. So when Olivia’s estranged sister Quinn invites her to reconnect on an exclusive cruise, she jumps at the chance for a break…only this trip won’t be the relaxing vacation she’s hoping for.

Home alone with her young children during a blizzard, a mother tucks her son back into bed in the middle of the night. She hears a noise—old houses are always making some kind of noise. But this sound is disturbingly familiar: it’s the tread of footsteps, unusually heavy and slow, coming up the stairs. Shrouded in the shadows, she sees the figure of a man appear down the hallway. Terrified, she quietly wakes her children and hustles them into the oldest part of the house, a tiny, secret room concealed behind a wall.

Scarlett Clark is an exceptional English professor. But she’s even better at getting away with murder. Every year, Dr. Clark searches for the worst man at Gorman University - professor, student, or otherwise - and plots his well-deserved demise. Thanks to her meticulous planning, she’s avoided drawing attention to herself…but as she’s preparing for her biggest kill yet, the school starts probing into the growing body count on campus.