
The Story of Grunge
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Narrated by:
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Michael Stewart Foley
About this listen
You can’t truly understand the last decade of the 20th century without a look at the muddy, electrifying rock music that would come to define it: grunge. For such a short-lived genre—at least in the mainstream—grunge had a lasting impact on American music and culture. It also provides a unique lens through which to examine the post-Reagan, pre-internet America of the 1990s.
In the six lectures of The Story of Grunge, you’ll explore the rise and evolution of the genre, tracing it from Seattle subculture to MTV and the Billboard charts, all the way to its decline and evolution into new forms. Along the way, you’ll meet the pioneers of grunge and see how they, and their music, continue to influence popular culture today.
While the emergence of Nirvana in the early 90s marked grunge’s ascendency, you’ll begin at an earlier point in the story, exploring the birth of the genre’s unique look and sound from within the wider punk scene in the Pacific Northwest. From there, you’ll see how grunge was a vehicle for politics and social consciousness in music, including feminism and the Riot Grrrl movement. And you’ll also understand why the rapid rise of grunge was not quite the authentic, organic process it might seem, but rather the result of marketing savvy and cynical commercialism.
The death of Nirvana’s lead singer and grunge icon Kurt Cobain in 1993—combined with increasing oversaturation and commercialization of the genre—certainly diminished the creative energy that spurred the rise of grunge. And yet, as you’ll see, the music, style, and anti-corporate philosophy of grunge has had a deep and lasting impact that continues to resonate well into the 21st century.
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Teenage Wastelands: A Guide to Dystopian Young Adult Fiction
- By: Sherri L Smith, The Great Courses
- Narrated by: Sherri L Smith
- Length: 2 hrs and 24 mins
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In the six lectures of Teenage Wastelands: A Guide to Dystopian Young Adult Fiction, award-winning YA author Sherri L. Smith will show you why dystopian stories have become so successful and why they continue to inspire. As you trace the history of dystopian stories and dive into some of YA’s most influential tales of the future, you’ll see why these often dark and challenging works have such a hold on the imagination. From The Giver to The Hunger Games to Orleans, dystopian tales allow us to grapple with hard questions and consider how we want to live—both now and in the future.
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What & Why
- By SamH on 04-10-25
By: Sherri L Smith, and others
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Hidden Histories with Nova Reid
- By: Nova Reid
- Narrated by: Nova Reid
- Length: 4 hrs and 19 mins
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Nova Reid, author of The Good Ally, delves into the untold stories of extraordinary, unsung Black women who created and shaped pivotal moments in world history, British culture and society. Through powerful storytelling, personal insights and new research, Nova delves into the lives of pioneers, journalists and rule-breakers who made vital contributions to civil rights, yet have been mythologised, are unknown or erased from history.
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Very Informative
- By SaSa on 03-23-25
By: Nova Reid
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Toy Story 4: Bonnie’s First Day of School
- By: Judy Katschke
- Narrated by: Disney Publishing Worldwide
- Length: 7 mins
- Unabridged
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Bonnie is nervous for her first day of kindergarten, but her new friend Forky has an idea! Listen along to this fun audio story as Forky makes sure Bonnie has a great first day.
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Fun Forkey Adventure
- By BadgerBooks on 02-25-25
By: Judy Katschke
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Brown Noise
- By: Audible Sleep
- Narrated by: Audible Sleep
- Length: 12 hrs
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Tune out the world with brown noise. Brown noise can promote relaxation, improve focus and sleep quality by blocking external sounds through its roaring sound frequencies. This 12-hour track is designed to support long-term focus and sleep quality overnight.
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Better than white noise
- By Amy Lohmann on 03-04-25
By: Audible Sleep
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Burn, Baby, Burn
- The Life and Legacy of H Rap Brown
- By: Noor Wazwaz, Obaid Siddiqui
- Narrated by: Noor Wazwaz, Obaid Siddiqui
- Length: 2 hrs and 44 mins
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On a March night in 2000, two deputy sheriffs serving a warrant were shot in Atlanta, Georgia. One was severely wounded while the other would die a day later. The shooting kicked off a large manhunt in search of the alleged cop killer. Four days later in Alabama, authorities found their man—Jamil Al-Amin. He was a Muslim leader with the title of Imam in the West End neighborhood of Atlanta. He was also the man formerly known as H. Rap Brown. He was a charismatic Black radical in the late '60s.
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It ended in the middle
- By Teola Young on 04-14-25
By: Noor Wazwaz, and others
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Him
- By: JD Kirk
- Narrated by: David Tennant, Louise Brealey
- Length: 9 hrs and 28 mins
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When Sarah’s husband, Nick, is killed in a car accident, her world shatters. Facing a future without him seems impossible. But maybe she doesn't have to. When Sarah discovers EternaTech, the AI program Nick and his business partner have been working on in secret, she is given the chance to speak to Nick from beyond the grave. It sounds like him. It feels like him… As Sarah becomes consumed by her connection to this digital Nick, she begins uncovering secrets about his final days.
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Not as good as Kirk's Logan series
- By Tony B. on 03-01-25
By: JD Kirk
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How to Survive Menopause
- By: Samantha Bee
- Narrated by: Samantha Bee
- Length: 1 hr and 9 mins
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Samantha Bee wants to talk about menopause. Okay, she actually doesn’t want to, but she must. Half of the world’s population will spend one third of their lives in it, yet it’s been completely shrouded in secrecy—until now. The Emmy Award-winning host of Full Frontal with Samantha Bee shares everything she has learned in her new one-woman show, How to Survive Menopause. Because everyone needs that one best friend who will keep it real for them—like, really real.
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She'd get my vote
- By Michele on 04-11-25
By: Samantha Bee
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The Day She Disappeared
- By: Sam Genever
- Narrated by: Peter Noble
- Length: 10 hrs and 32 mins
- Unabridged
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Johannesburg, 1980s Apartheid South Africa. Augustine flees her vengeful ex-boyfriend with nothing but her child and the clothes on her back, terrified he will find her. Because she also possesses a dangerous secret. One he will kill for. One he will never stop hunting her for. But Augustine is rescued by a wealthy white housewife who takes pity on her, offering both employment and refuge. Or so she thinks. It might seem that she is safe inside the walls of the prosperous Diamond family home, but outside her every move is watched. Her sanctuary has become her prison.
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the action of the story
- By lauriesamson on 03-06-25
By: Sam Genever
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The Last Showman
- Words + Music, Vol. 41
- By: Usher, Gerrick Kennedy
- Narrated by: Usher
- Length: 1 hr and 12 mins
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For the past 30 years, Usher has exhilarated audiences with stadium-sized anthems, innovative choreography, and dazzling charm that has made him a once-in-a-generation superstar. The Last Showman is an introspective look into the past, present, and future of a beloved global R&B icon. Usher opens up about the inspirations, heartache, and growth that fueled the creation of his record-breaking magnum opus, Confessions, while revisiting some of its most iconic tracks.
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love you Ursher
- By Amazon Customer on 02-06-25
By: Usher, and others
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The Commuter
- By: James Patterson, Aaron Tracy
- Narrated by: Lizzy Caplan, Richard Schiff, Thomas Lennon, and others
- Length: 2 hrs and 30 mins
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Amy Nicols (Lizzy Caplan) was an FBI agent with a dogged need to protect everyone—until that instinct caused her to mishandle a crisis, lose innocent lives, and lose her job. Now a civilian working in private security, that mistake still haunts her. One morning on the commuter train, she overhears a young couple plotting a murder. Ignoring warnings from her family and friends, Amy’s instinct to protect and serve compels her to investigate. But the further she goes, the more she finds her own life in danger.
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Amazing full cast audio production and storyline
- By Jason Nichols on 03-02-25
By: James Patterson, and others
What listeners say about The Story of Grunge
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- Mark
- 03-07-25
A Scholarly Study of Grunge
If you're looking for some sort of pop-journalistic history of your favourite grunge bands, you may be disappointed. This is a rather serious academic study of grunge as a social movement. Issues such as economics, politics, feminism and the ethics of commercializing angst are the author's/lecturer's focus. I'm glad I listened, for I now have a better understanding of the origins and impact of music that was once often in my ears.
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2 people found this helpful
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- Maria Fischer
- 03-09-25
I learned a lot.
I liked the way the story was told. I learned a lot about how grunge music became what it is and I loved it.
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- Jay Hays
- 04-01-25
Excellent cultural anaylsis
I appreciated the historical development of grunge and how it emerged as a counter cultural movement then coopted by corporate entities. He also dives into the important and lasting political influence.
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- Joe Howard
- 03-17-25
A great job explaining the mindset on using the scene at the time.
Growing up in Tacoma, Wa during the birth of grunge was a great experience. I was 13 years old in 1988 and spent my youth driving between Seattle and Olympia seeing all the shows I could. You do a great job representing this era and area!
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- C. M. Nelson
- 03-19-25
Social and political backdrop to grunge
So I thought this was interesting. To hear about my favorite musical genre from this angle. One shouldn’t be shocked that “grunge” was/is counter culture, much like the 60s. And that some artists were pretty vocal about their attitudes and political views, nirvana and Pearl Jam especially. Spends almost too much time with those bands, as if the Seattle scene didn’t already exist before them. As usual, Alice In Chains (my fave)gets a few mentions at best. Maybe because they werent as political? But still, an interesting listen.
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- Apprentice Iron Chef
- 02-27-25
A great brief overview of Grunge
Pleasant voice to listen to. I learned quite a bit about grunge. I enjoyed learning more about the artists intentions and artistry.
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2 people found this helpful
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- Shannon Miller
- 03-01-25
Homily and history
Knowledgeable historian, but s one of this is just political opinion. Author minimizes justifies drug abuse by not offering any counter argument
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- James Patrick
- 04-12-25
A Miasma of Tedious Leftist Mythmaking
As one who was ensconced in the visceral pulse of the late 80s early ‘90s underground—specifically in the fetid, luminous subterranea of Chicago’s true scene (Naked Raygun, The Didjits, Big Black, The Jesus Lizard, Albini's serrated minimalism)—I approached The Story of Grunge not only with curiosity but a certain proprietary nostalgia. Grunge, after all, was never merely the flannel-clad effusion that seeped from Seattle into the maw of MTV; it was a feral cry against suburban anesthesia, a muddy, misanthropic sacrament performed in smoke-clogged clubs with bad wiring and worse acoustics. It was the authenticity that mainstream rock had long since bartered away.
Alas, what we are offered here is not a history but an ideologically embalmed caricature—one that sound less like a retrospective and more like a progressive sermon in six predictable parts. All the requisite pieties are present: a sanctimonious hagiography of third-wave feminism, abortion lionized as an unimpeachable good, the Riot Grrrl movement held up as the genre’s teleological apex—as if it were the logical telos of a sound forged more in psychic disintegration than social theory.
What grunge was—the scream, the drone, the sludge of spiritual disillusionment—is here reduced to a moral allegory for leftist virtue. And nowhere is this more nauseating than in the author’s gleeful nod to how young Gen Xers supported Bill Clinton, that arch-priest of neoliberalism. This, we’re told, was a sign of political maturity. As if it were not Clinton who, with his NAFTA treaties and free-trade dogmas, gutted American manufacturing, eviscerated working-class stability, and consigned entire towns to economic oblivion—all while selling it with a saxophone and a smirk. The same generation that shouted along to Cobain’s howls of alienation was, apparently, meant to cheer for the man who sold their parents’ jobs to the lowest bidder.
There is no sense here of the tragic, Dionysian core of grunge. Little of Cobain’s weary nihilism, of Layne Staley’s haunted narcotic liturgies, of the abrasive genius of Albini’s anti-commercial sonic theology. Just sterile analysis, moralistic teleology, and the self-satisfied reduction of subculture into sociopolitical parable.
If you remember the real underground—not the VH1 version, but the unwashed, unkempt, and unclassifiable scene where the music actually happened—you’d do better to revisit Goat or In Utero than endure this lecture. This is not the story of grunge. This is its eulogy, read aloud by the very forces that killed it.
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