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The Modern Scholar: Greek Drama: Tragedy and Comedy
- Narrated by: Peter Meineck
- Length: 8 hrs and 20 mins
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Publisher's summary
The plays of one ancient city 2,500 years ago by just four playwrights have had a profound effect on the development of all subsequent Western drama, not only on the theatrical stage, but on opera, film, television, stand-up comedy, and dance - in fact, most, if not all, of the live arts owe a debt to the theatre of ancient Greece and the city of Athens. This course will examine the social, historical, and political context of ancient Greek drama and equip listeners with a set of critical analytical tools for developing their own appreciation of this vitally important genre. The course will focus on the four extant playwrights, Aeschylus, Sophocles, Euripides, and Aristophanes, and examine each of their plays closely.
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Story
As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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Fahrenheit 451
- By: Ray Bradbury
- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
- Unabridged
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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Slayers: A Buffyverse Story
- By: Christopher Golden, Amber Benson
- Narrated by: Amber Benson, Charisma Carpenter, James Charles Leary, and others
- Length: 8 hrs and 2 mins
- Original Recording
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Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.
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A dream come true
- By Anonymous User on 10-12-23
By: Christopher Golden, and others
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Holiday Hideaway
- A Short Story
- By: Mary Kay Andrews
- Narrated by: Eva Kaminsky
- Length: 1 hr and 59 mins
- Unabridged
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Tilly Farriday isn’t feeling very jolly this season. Recently divorced and broke, she’s squatting in one of her rental agency’s properties until her new home is ready. The sprinkles on top of the burnt Christmas cookie that is her life? The new owner shows up early, forcing Tilly to hide in the attic to save her job…and what remains of her dignity.
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I ain’t afraid of no ghosts
- By 🔥 Phx17 🔥 on 10-31-24
By: Mary Kay Andrews
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
What listeners say about The Modern Scholar: Greek Drama: Tragedy and Comedy
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 06-26-20
Brilliant Course
Professor Meineck provides outstanding insight into a subject that can get complicated when exploring on your own. I really enjoyed the structure of the lectures. The reading was easy and fun to listen to from start to finish. The PDF adds a simple outline to course discussion items.
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Overall
- Danielle Gregrow
- 04-13-19
Wonderful
The rest of his lectures are just as amazing. He presents my favorite interpertation of Clytemnestra's plight.
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- jinx
- 01-30-14
Great Survey of Greek Plays
What did you love best about The Modern Scholar?
Prof Meineck's knowledge and obvious enthusiasm about the subject.
(Though it is strange how the feedback question here seems to be on The Modern Scholar series and not this title in particular).
What was one of the most memorable moments of The Modern Scholar?
There were two: when he was describing the Oresteia (which isn't really a moment...); and when he gave (periodically) different translations of the same Greek text and examined the etymology of words.
Which scene was your favorite?
Guess it would be the Clytemnestra-Orestes scene, with all its complexities and nuances.
If you were to make a film of this book, what would the tag line be?
I wouldn't make a film of this lecture.
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1 person found this helpful
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- Wiregrass18
- 02-27-17
Magnificent
One of the best courses I have ever listened to. Meineck help us see and appreciate the enormous power and beauty of the remarkable body of literature, as well as the art form of Greek drama and the history of which it was a part.
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Overall
- entropent
- 03-03-09
Outstanding.
I could not put this audiobook aside, and have listened to much of it several times. Professor Meineck discusses the significance of Greek drama and provides a great deal of information on the historical and cultural context in which the genre developed. He helps us to imagine the staging and see the plays from the viewpoint of the original audience. After this, five lectures provide an in-depth examination of the incomparable Aeschylus, two cover Sophocles, and the final three cover Euripides and Aristophanes.
For an example, lecture seven discusses Agamemnon. Here we are helped to imagine the sacrifice of Iphigenia, and a parallel is drawn to a perversion of the Greek wedding ceremony. Very interesting information is provided on the translation of Clytemnestra's assertion of fidelity, which is on the surface a bald-faced lie. Meineck returns to the original Greek to help us see that she has very carefully chosen her words. He discusses female power images in the beacon fires, and points out that Aeschylus has altered the myth to have Clytemnestra herself murder Agamemnon, rather than her lover. We are treated to a superb examination of Agamemnon's return, in which he is met by Clytemnestra's carefully staged welcome-trap. As she lays out a tapestry for the conquering hero to walk on, we see the murder of Iphigenia replayed. While preventing him from stepping on the soil of his homeland, she compels Agamemnon to wade through metaphorical blood, trampling the wealth of his own household, on his willing way to his own ritual sacrifice. Good stuff, as is the rest of this course. Highly recommended.
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39 people found this helpful