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The Man Who Was Thursday, A Nightmare (AmazonClassics Edition)
- Narrated by: Rory Barnett
- Length: 6 hrs and 36 mins
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Publisher's summary
Poet Gabriel Syme believes in the beauty of order and, as such, is recruited by Scotland Yard to an anti-anarchist police corp. While undercover, Syme meets fellow poet Lucian Gregory, a verse writer devoted to disorder, who introduces him to London’s anarchist underworld. Just as Gregory is to be elected to the central council, Syme’s cover is revealed and he is forced to make a decision that sends the cabal into chaos. Is anyone in this underground faction who or what they seem? Syme suddenly realizes he doesn’t have all the answers.
G. K. Chesterton’s masterpiece unfolds itself as a marvel of disguises: political parable, detective novel, Edwardian gothic, spy thriller, and metaphysical mystery - a byzantine maze of deception and subterfuge that surprises to this day.
Revised edition: Previously published as The Man Who Was Thursday, a nightmare, this edition of The Man Who Was Thursday, A Nightmare (AmazonClassics Edition) includes editorial revisions.
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The Third Policeman
- By: Flann O'Brien
- Narrated by: Jim Norton
- Length: 6 hrs and 43 mins
- Unabridged
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Flann O'Brien's most popular and surrealistic novel concerns an imaginary, hellish village police force and a local murder.
Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV series Lost.
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Hell is other people's bicycles.
- By Darwin8u on 03-01-15
By: Flann O'Brien
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H. P. Lovecraft's Book of the Supernatural
- 20 Classic Tales of the Macabre, Chosen by the Master of Horror Himself
- By: Henry James, Washington Irving, Edgar Allan Poe, and others
- Narrated by: Davina Porter, Steven Crossley, Bronson Pinchot
- Length: 16 hrs and 45 mins
- Unabridged
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H. P. Lovecraft is arguably the most important horror writer of the 20th century. Culled from his 1927 essay "Supernatural Horror in Literature”, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer, including Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle. This chilling collection includes 20 works, each prefaced by Lovecraft's own opinions and insights in each author’s work.
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Not all the stories are complete
- By SteffiT on 10-21-13
By: Henry James, and others
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Les Misérables
- By: Victor Hugo
- Narrated by: Bill Homewood
- Length: 67 hrs and 53 mins
- Unabridged
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Les Misérables is set in Paris after the French Revolution. In the sewers and backstreets, we encounter "the wolf-like tread of crime", and assassination for a few sous is all in a day's work. We weep with the unlucky and heart-broken Fantine, and we exult with the heroic revolutionaries of the barricades; but above all we thrill to the steadfast courage and nobility of soul of ex-convict Jean Valjean, always in danger from the relentless pursuit of the diabolical Inspector Javert.
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Use earphones that are light on bass
- By Tad Davis on 11-08-15
By: Victor Hugo
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Death in Venice
- By: Thomas Mann
- Narrated by: Peter Batchelor
- Length: 3 hrs and 6 mins
- Unabridged
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A stunningly beautiful youth and the city of Venice set the stage for Thomas Mann’s introspective examination of erotic love and philosophical wisdom.
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A problem with the narration
- By Erez on 03-19-12
By: Thomas Mann
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At Swim-Two-Birds
- By: Flann O’Brien
- Narrated by: Alan Smyth
- Length: 10 hrs and 20 mins
- Unabridged
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A wildly comic send-up of Irish literature and culture, At Swim-Two-Birds is the story of a young, lazy, and frequently drunk Irish college student who lives with his curmudgeonly uncle in Dublin. When not in bed (where he seems to spend most of his time) or reading, he is composing a mischief-filled novel about Dermot Trellis, a second-rate author whose characters ultimately rebel against him and seek vengeance. From drugging him as he sleeps to dropping the ceiling on his head, these figures of Irish myth make Trellis pay dearly for his bad writing.
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Worth waiting for
- By Ken Watkins on 02-04-20
By: Flann O’Brien
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The Scarlet Pimpernel
- By: Baroness Orczy
- Narrated by: Stephen Crossly
- Length: 10 hrs and 3 mins
- Unabridged
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The French Revolution is at the height of its fury. Daily, hundreds of aristocratic heads fall from the guillotine. Emotions run high, and anyone suspected of sympathy toward the nobility is in mortal danger. Only one man is daring enough to lead a small band against popular opinion - the Scarlet Pimpernel. Using masterful disguises and clever strategies, the Scarlet Pimpernel smuggles noblemen and women from France to safety in England. His success is a thorn in the side of the Revolution. As he vanishes from each escapade, he leaves no trace behind except an image of the colorful flower that is his emblem.
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One of my favorite stories!
- By M. Cook on 08-06-18
By: Baroness Orczy
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Victory
- By: Joseph Conrad
- Narrated by: George Guidall
- Length: 13 hrs and 30 mins
- Unabridged
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From one of the greatest modern writers in world literature comes a magnificent story of love, adventure, and rescue played out against the shimmering South Seas. Alone on a tropical island, a Swedish baron and a beautiful violinist discover the long-lost joys of love. But when two treasure hunters arrive on the beach, the lovers know that evil has invaded their romantic paradise—an evil they are powerless to stop.
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Beautiful, sad and powerful
- By Darwin8u on 01-20-13
By: Joseph Conrad
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The Insidious Dr. Fu Manchu
- By: Sax Rohmer
- Narrated by: Edward E. French
- Length: 7 hrs and 59 mins
- Unabridged
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The year is 1920. Dr. John Petrie, a physician and our narrator, meets his friend Denis Nayland Smith, who served as British police commissioner in Asia. Smith seems to know all things Asia and has the innate ability to get all the support he needs from British government officials. Smith stands for everything good, proper, and most importantly, British. Petrie is, of course, knowledgeable in medicine, forensics, and chemistry and an ace with a pistol - for good measure. Together they must thwart Dr. Fu-Manchu’s diabolical plan to restore China to its former glory.
By: Sax Rohmer
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Crome Yellow
- By: Aldous Huxley
- Narrated by: Robert Whitfield
- Length: 5 hrs and 55 mins
- Unabridged
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One of the greatest prose writers and social commentators of the 20th century, Aldous Huxley here introduces us to a delightfully cynical, comic, and severe group of artists and intellectuals engaged in the most free-thinking and modern kind of talk imaginable. Poetry, occultism, ancestral history, and Italian primitive painting are just a few of the subjects competing for discussion among the amiable cast of eccentrics drawn together at Crome, an intensely English country manor.
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Bloomsbury in a blender, 1922
- By Adeliese Baumann on 01-02-17
By: Aldous Huxley
What listeners say about The Man Who Was Thursday, A Nightmare (AmazonClassics Edition)
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Michael G Kurilla
- 04-24-21
Fighting themselves
G K Chesterton's The Man Who was Thursday, a Nightmare is dark comedy written in 1908 and focused on anarchy and anarchists. An undercover Scotland Yard policeman manages to infiltrate what is believed to be the senior council of a European anarchists' society. He had been recruited to this job in a secretive manner by a senior officer whom he has never seen. Each member of the council is referred to as a day of week with Sunday as the leader, while he becomes Thursday. Gradually through the course of his investigation, he comes to learn that the rest of council are also undercover policemen, all unknown to each other resulting in many odd and semi-humorous situations.
Chesterton crafts a complex thriller with the subject of anarchy analogous to terrorism today with the societal fear and intense law enforcement. The backstory on Thursday is intriguing as he came to this line of work after youthful excess in the direction anarchy and essentially was rebelling against rebelling. The ending is a bit confusing but suggests the need for a benign evil to prevent malevolent evil from emerging.
The narration is acceptable, particularly with regards to English and European accents. Pacing is brisk.
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