Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Elise and her boyfriend, Tom, set off for Minnesota, hoping the paycheck from the sugar beet harvest will cover the rent on their Brooklyn apartment. Amidst the grueling work and familiar anxieties about her finances, Elise starts noticing strange things: threatening phone calls, a mysterious rash, and snatches of an ominous voice coming from the beet pile. When Tom and other coworkers begin to vanish, Elise is left alone to confront the weight of her past, the horrors of her uncertain future, and the menacing but enticing siren song of the beets.

It’s the height of the industrial revolution and ten years into Lenore’s marriage to steel magnate Henry, their relationship has soured. When Henry’s ambitions take them from London to the remote British moorlands to host a hunting party, a shocking carriage accident brings the mysterious Carmilla into their lives. Carmilla, who is weak and pale during the day but vibrant at night. Carmilla, who stirs up something deep within Lenore. And before long, girls from the local villages fall sick, consumed by a terrible hunger . . .

Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.

It is the summer of ‘97 and the repressed Scottish town of Pitlaw is itching for change. Enter the Freakslaw―a travelling carnival of deviant queers and architects of mayhem. There’s Gloria, fortune teller and worm charmer; her daughter Nancy, a contortionist witch; big-hearted tightrope walker, Werewolf Louie; not to mention illusionists and conjoined twins, Cass and Henry, and tattooed human pincushion, Pin Gal.

In a plague-stricken medieval convent, a nun works on a forbidden mystic manuscript. In rural South Carolina, an alligator named Dragon becomes a beloved pet for a precocious, tough-talking twelve-year-old. During a long, muggy July, an adolescent girl finds unexpected power as her family obsesses over the horror film The Exorcist. On the outskirts of a Southern college town, a young woman resists the tyranny of a shape-shifting older professor as she develops her own sorceress skills.

It is 1998; Lilith, Sash, and Abraxa are teenagers, and they are making Saga of the Sorceress, a game that will change everything, if only for the three of them. 18 years later, Saga of the Sorceress still exists only on the scattered drives of its creators.

With all the narrative power and intellectual authority that have distinguished his earlier books, V.S. Naipaul explores the life, the culture, the ferment inside the nations of Islam–in a book that combines the fascinations of great travel literature with the insights of a uniquely sharp, original and idiosyncratic political mind.

Nick Carraway―paper soldier and novelist―has found a life and a living watching the mad magical spectacle of New York high society in the late thirties. He's good at watching, and he's even better at pretending: pretending to be straight, pretending to be human, pretending he's forgotten the events of that summer in 1922. On the eve of the second World War, however, Nick learns that someone's been watching him pretend and that memory goes both ways. When he sees a familiar face at a club one night, it quickly becomes clear that dead or not, damned or not, Jay Gatsby isn't done with him.

When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States.

In the year 2106, climate change has altered the world, transforming borders, cities, and socioeconomic structures. Additionally, a cosmic event known as the “Bloom” has awakened psionic abilities in a small percentage of the population. One such individual is Maida Sun, who possesses the ability to know the history of objects she touches. In the course of her new job with a cultural recovery project in San Francisco, she comes across an object that plunges her into the lives of Li Nuan, a sex-trafficked girl in a Chinatown brothel in 1906, and Nathan, a tech-designer and hedonist in 2006.

Stacey is the dusty air, the cracked soil, the drought. To thirteen-year-old Bethany Sloane, she’s everything. Abandoned by her mother at a remote African boarding school, Bethany will do anything to stay in Stacey’s good graces. And that means learning the rules of each twisted game.

The world has been overrun by hitherto unknown beasts. Society has collapsed: the power is gone, cars are abandoned across the highways, and anyone left is hiding from the terrifying creatures—and one another. Thirteen-year-old Abdi and his five-year-old sister Alva are on the run, their last hope to escape through the forest and to the sea. As they recall the strange events that led to the beasts' arrival, and how the two of them got to where they were, they must ask themselves who they can trust—and what they will do to survive.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

This is the never-before-told story of a unique time in San Francisco as well as in book industry history, when Bay Area small presses—armed with arrogance and personal computers—took the publishing field. At Foghorn Press, Vicki Morgan was an ambitious woman publisher, young and brash, coming-of-age while quixotically building a book publishing company from scratch with her eccentric brother to help.

In vivid, poetic prose, Nancy Kricorian’s The Burning Heart of the World tells the story of a Beirut Armenian family before, during, and after the Lebanese Civil War. Returning to the fabular tone of Zabelle, her popular first novel, Kricorian conjures up the lost worlds and intergenerational traumas that haunt a family in permanent exile. Leavened with humor and imbued with the timelessness of a folktale, The Burning Heart of the World is a sweeping saga that takes listeners on an epic journey from the mountains of Cilicia to contemporary New York City.

Death-shaped entities—with all of their humor and strangeness—haunt the twelve stories in Exit Zero. Vampires, ghost girls, fathers, blank spaces, day-old peaches, and famous paintings all pierce through their world into ours, reminding us to pay attention! and look alive! and offering many other flashes of wisdom from the oracle and author of Beautyland, Marie-Helene Bertino.

In an immersive Southern Gothic with echoes of Shirley Jackson’s The Lottery and Sharp Objects by Gillian Flynn, a restauranteur lured by pandemic-era incentives moves her family to a seemingly idyllic small town in Georgia, only to discover a darkness lurking beneath the Southern hospitality and sun-dappled streets.

At the Manhattan High School for the Arts, where everyone is “different” and everyone is “special,” Gretchen Yee feels ordinary. She’s the kind of girl who sits alone at lunch, drawing pictures of Spider-Man, so that she won’t have to talk to anyone; who has a crush on Titus but won’t do anything about it; who has no one to hang out with when her best (and only real) friend, Katya, is busy.