Hundreds of years after the end of the world, the Appalachian community of Iron Hollow finds itself beset by demons. Such horrors are common these days in the outlands, where most folks die young—if they don’t turn into monsters first. When a legendary knight is summoned to hunt down the latest unearthly beast to haunt their woods, the town’s new oral historian, Shrike, has more reason than most to be concerned. Because that demon was her wife. And while Shrike is certain that May still recognizes her—that May is still herself, somewhere beneath it all—she can’t prove it.

Full of glimpses into gleaming worlds and fairy tales with teeth, Seasons of Glass and Iron: Stories is a collection of acclaimed and awarded work from Amal El-Mohtar. With confidence and style, El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was, and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales, and lyrical prose.

Among the ashes of a dying world, an agent of the Commandment finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, becomes something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean the death of each of them. There’s still a war going on, after all. And someone has to win. That’s how war works, right?

Amri was a Rabbit, one of a tribe of survivors scratching out an existence in the blasted landscape of a shattered, poisoned world. The Seagull fight, the Pigeon trade and the Cockroach scavenge, but the Rabbit had one rule: If you want to see tomorrow, you run. But they didn't run fast enough when a weapon fell from the sky and consumed their home, and now Amri is alone, in the company of a fallen god named Guy Vesten. A god who promises revenge against the three gods who turned against him, and who killed her tribe.

Near the topmost deck of an interstellar generation ship, Dorothy Gentleman wakes up in a body that isn’t hers—just as someone else is found murdered. As one of the ship’s detectives, Dorothy usually delights in unraveling the schemes on board the Fairweather, but when she finds that someone is not only killing bodies but purposefully deleting minds from the Library, she realizes something even more sinister is afoot.

Ichorite is progress. More durable and malleable than steel, ichorite is the lifeblood of a dawning industrial revolution. Yann I. Chauncey owns the sole means of manufacturing this valuable metal, but his workers are on strike. They demand Chauncey research the hallucinatory illness befalling them. Marney Honeycutt, a luster-touched child worker, stands proud at the picket line with her best friend and family. That’s when Chauncey sends in the guns.

Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.

You don’t have to eat food to know the way to a city’s heart is through its stomach. So when a group of deactivated robots come back online in an abandoned ghost kitchen, they decide to make their own way doing what they know: making food—the tastiest hand-pulled noodles around—for the humans of San Francisco, who are recovering from a devastating war. But when their robot-run business starts causing a stir, a targeted wave of one-star reviews threatens to boil over into a crisis.

A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.

Everyone in Foss Butcher’s village knows what happens when the magic-workers come; they harvest human hearts to use in their spells. That’s just how life in her kingdom works. But Foss, plain, clumsy, and practical as a boot, never expected anyone would want hers. When a sorcerer snags a piece of Foss’s heart without meaning to, she is furious. For once a heart is snagged, the experience is . . . well, unpleasant. So, Foss finds herself stomping toward the grand City to keep his enchanted House and demands that he fixes her before she keels over and dies.

1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets.

From the New York Times bestselling author of Starling House comes a moving and genre-defying quest following the reluctant knight whose legend built a nation and the desperate scholar sent back through time to ensure she meets her tragic fate—even if it breaks his heart.

Leovander Loveage is a master of small magics. He can summon butterflies with a song or turn someone’s hair pink by snapping his fingers. Though such minor charms don’t earn him much respect, anything more elaborate always blows up in his face, and so Leo vowed long ago never to use powerful magic again. That is, until a mishap with a forbidden spell binds Leo to obey the commands of his longtime rival, Sebastian Grimm. Grimm is Leo’s complete opposite—respected, exceptionally talented, and absolutely insufferable.

Kembral Thorne has a few hours away from her newborn, and she’s determined to enjoy herself at the year-turning ball. But when guests start dropping dead, she can’t help sniffing out trouble—she’s a Hound, after all. Especially when her professional and personal nemesis, notorious burglar Rika Nonesuch, is also on the prowl. Everyone knows you shouldn’t get involved with Echo games. Let alone one involving ancient Echo lords who can turn layers of reality into a gameboard with human lives for pieces. But as the ballroom grows stranger and more otherworldly, it’s clearly too late.

Deep underground, 39 women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only a vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl—the 40th prisoner—sits alone and outcast in the corner. Soon she will show herself to be the key to the others’ escape and survival in the strange world that awaits them above ground.

Among the ashes of a dying world, an agent of the Commandment finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, becomes something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean the death of each of them. There’s still a war going on, after all. And someone has to win. That’s how war works, right?

Beneath the still surface of a lake lurks a monster with needle sharp teeth. Hungry and ready to pounce. Jenny Greenteeth has never spoken to a human before, but when a witch is thrown into her lake, something makes Jenny decide she's worth saving. Temperance doesn't know why her village has suddenly turned against her, only that it has something to do with the malevolent new pastor. Though they have nothing in common, these two must band together on a magical quest to defeat the evil that threatens Jenny's lake and Temperance's family, as well as the very soul of Britain.

Amri was a Rabbit, one of a tribe of survivors scratching out an existence in the blasted landscape of a shattered, poisoned world. The Seagull fight, the Pigeon trade and the Cockroach scavenge, but the Rabbit had one rule: If you want to see tomorrow, you run. But they didn't run fast enough when a weapon fell from the sky and consumed their home, and now Amri is alone, in the company of a fallen god named Guy Vesten. A god who promises revenge against the three gods who turned against him, and who killed her tribe.

Full of glimpses into gleaming worlds and fairy tales with teeth, Seasons of Glass and Iron: Stories is a collection of acclaimed and awarded work from Amal El-Mohtar. With confidence and style, El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was, and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales, and lyrical prose.

Walden is good at her job—no, Walden is great at her job. But demons are masters of manipulation. It’s her responsibility to keep her school with its six hundred students and centuries-old legacy safe. And it’s possible the entity Walden most needs to keep her school safe from—is herself.

From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

Near the topmost deck of an interstellar generation ship, Dorothy Gentleman wakes up in a body that isn’t hers—just as someone else is found murdered. As one of the ship’s detectives, Dorothy usually delights in unraveling the schemes on board the Fairweather, but when she finds that someone is not only killing bodies but purposefully deleting minds from the Library, she realizes something even more sinister is afoot.

The notoriously eccentric Lord Christopher Eden is a “man of unusual make” and even more unusual habits: he prefers to live far from the prying eyes and ears of the ton, and would rather have the comfortable company of his childhood cook and his aged butler than the swarm of servants and hangers-on befitting a man of his station. But Christopher’s pleasant, if occasionally lonely life is upended when he receives word from his lawyers that, according to his late father’s will, he must find a wife by the end of the Season if he intends to keep his family’s fortune and the Eden estate.

For centuries, vampires freely roamed the land until the Grays came out of nowhere, wiping out half the population in a night. The survivors fled to the last vampire city of First Light, where the rules are simple. If you’re poor, you drink weak blood. If you’re nobility, you get the good stuff. And you can never, ever leave. Palace maid Sam has had enough of these rules, and she’s definitely had enough of cleaning the bedpans of the lords who enforce them. When the son of the city’s ruler is murdered, she seizes the chance to blackmail her way into a better class and better blood.

Eleven hundred and some years after the death of Christ, in the kingdom that had but recently begun to call itself England, I, Once Was Willem, rose from the dead to defeat a great evil facing the humble village of Cosham. The words enclosed herein are true. I speak of monsters and magic, battle and bloodletting, and the crimes of desperate men. I speak also of secret things, of that which lies beneath us and that which impends above.

Rat Evans, heir to one of the oldest magical bloodlines in New York, doesn’t cast spells anymore. For as long as Rat can remember, they’ve been surrounded by doorways no one else sees and corridors that aren’t on any map. Then one day, they opened a passage and found a broken tower in a field of weeds—and something followed them back. When Rat is accepted into Bellamy Arts, all they want is a place to hide and to make sure they never open another passageway again. But when the only other person who knows what really happened last year.

Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world’s largest seed bank, Shearwater was once full of researchers, but with sea levels rising, the Salts are now its final inhabitants. Until, during the worst storm the island has ever seen, a woman mysteriously washes ashore.

The daughter of a Taiwanese father and white mother, Vi Liu has never quite fit into her Midwestern college town. Aimless after getting dumped by her boyfriend and dropping out of college, Vi works at the front desk of a hotel where she greets guests, refills cucumber water samovars, and tries to evade her bubbly blond coworker, Rachel. Little does Vi know her life is about to be permanently transformed when she agrees to a night out with Rachel. In the alley outside the bar, Vi discovers a strange blob—a small living creature with beady black eyes.

Built by long-gone Saints, the city of Vaiwyn lives and breathes and bleeds. As a Keeper, Mina knows better than most what her care of Vaiwyn’s bells means for the sentient city. It’s the Strauss family’s thousand-year legacy—prevent the Vespers from ringing, or they will awake a slumbering evil. One afternoon, to Mina's horror, her bell peals thirteen times, shattering the city’s tenuous peace. With so much of the city's history and lore lost in a long-ago disaster, no one knows the danger that has been unleashed—until the city begins to fight back.

Ella is a haunting. Murdered at sixteen, her ghost is furiously trapped in her father's house, invisible to everyone except her stepmother and stepsisters. Even when she discovers how to untether herself from her prison, there are limits. She cannot be seen or heard by the living people who surround her. Her family must never learn she is able to leave. And at the stroke of every midnight, she finds herself back on the staircase where she died.