Adam, in his early 20s, has to balance the need to develop his career as a pro musician with the demands of home life - he runs a vineyard in France - and partner Sylvain. The arrival in his life of Josh - they meet on a concert tour - adds extra pressure. Though Sylvain, left at home to manage the vineyard, has his own ideas for self-advancement. This third and final volume in the Adam trilogy stands alone also: A self-contained story of life, partnership, and, inevitably, music.

At 22, Adam Wheeler learns that he has come into property, a mill house and vineyard in southern France. Leaving old friends behind, Adam moves across the Channel. His new life is a lonely one, until new neighbour Stéphane turns out to be offering more than just a helping hand with his vines. But when the love of Adam’s teen years, Sylvain, appears on the scene, Adam must decide exactly what, and who, he really wants.

A chance encounter on a country bus. A brush of thigh against thigh and a sideways, then a downward, glance. Nineteen-year-olds Tom and Mick could hardly have guessed the epic nature of the journey they were setting out on. A journey that would take them into business partnership together. A journey that would bring them little by little to the deepest reaches of the human heart. An adventure that would catapult them into the sweet and sometimes painful mysteries of life and sex and love.

The tragic-comic story of two young men, aged 21 and 18, who fall in love in the summer of 1962, but who have the misfortune to be working as teachers in a Catholic preparatory school at the time. Their names are Tom and Christopher. In the opposite corner to them stands Father Louis, the elderly headmaster. It is his conviction that the sixties will go down in history as the decade which sees the earthly triumph of the Catholic Church. Life becomes more complicated for Tom and Christopher when Miss O'Deere, the art mistress, decides to paint the pair as David and Jonathan and to enter the result in a public exhibition. To say nothing of the inconvenient attentions paid to them by 13-year-old Angelo Dexter.

1333. Edward III is at war with Scotland. Nineteen-year-old Sir Harry de Lyon yearns to prove himself and jumps at the chance when a powerful English baron, William Montagu, invites him on a secret mission with a dozen elite knights. They ride north, to a crumbling Scottish keep, capturing a feral, half-starved boy within and putting the other inhabitants to the sword. But nobody knows why the flower of English knighthood snuck over the border to capture a savage, dirty teenage boy. Montagu gives the boy to Harry as his squire, with only two rules.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

Di Canzio follows their story past the end of Maurice to the front lines of battle in World War I and beyond. Forster, who tried to write an epilogue about the future of his characters, was stymied by the radical change that the Great War brought to their world. With the hindsight of a century, di Canzio imagines a future for them and a past for Alec—a young villager possessed of remarkable passion and self-knowledge.

It's the number one rule in this beach town: don't fall for a tourist. But Jonah Lachlan isn't like any tourist I've ever met. He's not here for a good time, that much is obvious. In fact, the brooding, boy-next-door cutie is clearly hell-bent on being miserable. Though he's here with his best friend, he doesn't seem interested in hook-ups. Or fun. The guy brought a book to this beach full of gorgeous single gay men, for crying out loud. Who does that?? And as if he couldn't be any more confusing, he seems superhumanly immune to anyone who flirts with him. Myself included.

Nat, a 47 year-old veteran of Britain’s Secret Intelligence Service, believes his years as an agent runner are over. He is back in London with his wife, the long-suffering Prue. But with the growing threat from Moscow Centre, the office has one more job for him. Nat is to take over The Haven, a defunct substation of London General with a rag-tag band of spies. The only bright light on the team is young Florence, who has her eye on Russia Department and a Ukrainian oligarch with a finger in the Russia pie.

Abandoned by his father, Gareth Inglis grew up lonely, prickly, and used to disappointment. Still, he longs for a connection. When he meets a charming stranger, he falls head over heels—until everything goes wrong and he's left alone again. Then Gareth's father dies, turning the shabby London clerk into Sir Gareth, with a grand house on the remote Romney Marsh and a family he doesn't know. The Marsh is another world, a strange, empty place notorious for its ruthless gangs of smugglers. And one of them is dangerously familiar…

Julian Jessop, an eccentric, lonely artist and septuagenarian believes that most people aren’t really honest with each other. But what if they were? And so he writes—in a plain, green journal—the truth about his own life and leaves it in his local café. It’s run by the incredibly tidy and efficient Monica, who furtively adds her own entry and leaves the book in the wine bar across the street. Before long, the others who find the green notebook add the truths about their own deepest selves - and soon find each other In Real Life at Monica’s Café.

1941. Steven Katz is the son of prosperous landowners in rural California. Although his parents don’t approve, he’s found true friends in Nick, Suki, and Ollie, sons of field workers. The group is inseparable. But Steven is in turmoil. He’s beginning to acknowledge that his feelings for Nick amount to more than friendship. When the bombing of Pearl Harbor draws the US into World War II, Suki and his family are forced to leave their home for the internment camp at Manzanar. Ollie enlists in the army and ships out. And Nick must flee.

In weekly phone calls to his daughter in Australia, widower Hubert Birdpaints a picture of the perfect retirement, packed with fun, friendship, and fulfillment. But it's a lie. In reality, Hubert's days are all the same, dragging on without him seeing a single soul. Until he receives some good news - good news that in one way turns out to be the worst news ever, news that will force him out again, into a world he has long since turned his back on.

Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character - lyrical, expansive, and hauntingly evocative.

Auntie Poldi can think of no finer place to wait for death than Sicily. All she asks is a sea view, fine wine (and plenty of it), and her family close around. When death instead takes her handsome young friend Valentino - and under mysterious circumstances at that - Poldi will not take it lying down. Perhaps it's in her blood, but Auntie Poldi's hunting instincts have never felt more alive. Justice must be served - if it's the last thing she does....

It's 2014. Sensible Nora has always taken success for granted until suddenly her life begins to fall apart. Troubled by anxiety and nightmares, she finds herself drawn to the sweeping beaches of Tenby, a place she's been only once before. Together with a local girl, she rents a beautiful townhouse and slowly begins to settle in to her new life. But Tenby hides a secret, and Nora will soon discover that this little town by the sea has the power to heal even the most painful memories.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

Two sisters, small-town Ontario, 1934. Canadian author Richard Wright tells their story, from the ordinary to the extraoridinary with an eye for the commonplace and poignant sense of the larger undercurrents that change people's lives.

From the best-selling author of One Day comes a bittersweet and brilliantly funny coming-of-age tale about the heart-stopping thrill of first love - and how just one summer can forever change a life.

Introducing Stuart, Gillian and Oliver. One by one they take their turn to speak straight out to the camera - and give their side of a contemporary love triangle. What begins as a comedy of misunderstanding slowly darkens and deepens into a compelling exploration of the quagmires of the heart.

After an eventful first few months in Provence, it seems Penelope is finally settling into her delightful new life, complete with a gorgeous love interest in the mayor of St. Merlot. When Penelope and the mayor attend a glamorous gallery opening, Penelope’s biggest worry is embarrassing herself in front of her date. But the evening takes a horrifying turn when a controversial expat painter, Roland Doncaster, chokes to death.

The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.

From the royal wedding to boring airplane companions, Samuel Beckett to Margaret Thatcher, "senior moments" to life as a waitress, Maeve's Times gives us wonderful insight into a changing Ireland as it celebrates the work of one of our best-loved writers in all its diversity - revealing her characteristic directness, laugh-out-loud humor, and unswerving gaze into the true heart of a matter.