Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Ryder, Garrett, Kenzo, and Diesel - The Vipers. Their deals are as sordid as their business, and their reputation is enough to bring a grown man to his knees, forcing him to beg for mercy. They are not people you mess with, yet my dad did. The old man ran up a debt with them and then sold me to cover his losses. Yes, sold me. They own me now. I’m theirs in every sense of the word. But I’ve never been meek and compliant.

Beckett: If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have. I need one thing from you: get out of the army and get to Telluride. My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. And here’s the kicker: there’s something else you don’t know that’s tearing her family apart.

We're not free to give into this. She's 19, and I'm 38. And I'm her boyfriend's father. Unfortunately, they both just moved into my house.

Eight years ago I fell into a secret summer fling with my best friend’s little sister before our lives went in different directions. Now, I’m the grumpy to Juliet’s sunshine on a popular dating podcast we host, and when a wealthy fan gives us a charming coastal cottage as the biggest thank you ever, we head to the town where I grew up to give it a makeover. And find the house has only one bed. Located under a mirrored ceiling.

Jane Austen's first novel - published posthumously in 1818 - tells the story of Catherine Morland and her dangerously sweet nature, innocence, and sometime self-delusion. Though Austen's fallible heroine is repeatedly drawn into scrapes while vacationing at Bath and during her subsequent visit to Northanger Abbey, Catherine eventually triumphs, blossoming into a discerning woman who learns truths about love, life, and the heady power of literature. The satirical novel pokes fun at the gothic novel while earnestly emphasizing caution to the female sex.

Steppenwolf is Hermann Hesse's tale of Harry Haller, a frustrated man who believes he is a wolf of the Steppe: a lone creature in an unforgiving world. When he is handed a cheap pamphlet titled On Steppenwolf: A Tract, he hastily reads it. The novel follows Harry as he accepts the world in which he lives and his place within it.

Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

The British Classics Collection: Volume One is a century-spanning collection of 24 classic works of fiction and poetry by British authors, read by a cast of incredible narrators including Stephen Fry, Joanne Froggatt, Jason Isaacs, Adjoa Andoh, and many more. Included here are stories by some of the greatest writers of all time, including Charles Dickens; Emily Brontë; Jane Austen; Thomas Hardy; George Eliot; D.H. Lawrence; and Mary Shelley, amongst a host of others.

This is Jane Austen's lighthearted lesson in what you get for reading too many gothic novels. It is a mark of the astonishing talent of the woman, however, that even a flippant swipe at the trashy reading of the day turned out to be an elegant if extremely funny classic. Catherine Morland is another one of those Austen girls who, in spite of her gloriously ironic portrait as a romantic heroine in training, ends up being someone whose story you'd follow to the end of the world, or at least until the end of the book.