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How to Write Pulp Fiction
- Narrated by: Virtual Voice
- Length: 2 hrs and 29 mins
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This title uses virtual voice narration
Publisher's summary
That was the formula of old-school pulp fiction—plot-driven, popular and gobbled up by a reading public hungry for more. And it produced many writers who hammered out a living selling “cash-and-carry” stories and novels. Some of these writers were among the best America has ever produced. Writers like Raymond Chandler, Dashiell Hammett and John D. MacDonald. Others are numbered among the bestselling authors of all time, including Erle Stanley Gardner, Lester Dent, and Frederick Faust (better known by his pen name, Max Brand). What were the secrets of these successful pulp writers? And how can any writer, of any genre, use them to produce fiction that sells? How to Write Pulp Fiction will teach you: • how to be more prolific • the secrets of pulp plotting • how to elevate your pulp prose • the fiction “formulas” of some of the best pulp writers of all time • the bestselling genres • how to harness the power of the series character • the most effective publishing strategies • how to market your pulp fiction Added bonus! The Start-A-Plot Machine, a brainstorming partner that will help you instantly generate a story or novel idea. You’ll never again wonder what to write next. There has never been a better time to be a writer. By tapping into the vibe of the pulp writers of old, and making use of the tools of publication available now, any hard-working writer has a serious shot at realizing steady income from their fiction. “James Scott Bell is my go-to writing guru!” - Terri Blackstock, New York Times bestselling writer
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Have you ever read a suspense novel so good you had to stop and think to yourself, "How did the author come up with this idea? Their characters? Is some of this story real?" For more than five years, Mark Rubinstein, physician, psychiatrist, and mystery and thriller writer, had the chance to ask the most well-known authors in the field just these kinds of questions in interviews for the Huffington Post. Collected here are interviews with 47 accomplished authors, including Michael Connelly, Ken Follett, Meg Gardiner, Dennis Lehane, Laura Lippman, and Don Winslow.
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Above rating categories don’t really apply…
- By RueRue on 07-23-21
By: Mark Rubinstein
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Write Your Novel from the Middle
- A New Approach for Plotters, Pantsers and Everyone in Between
- By: James Scott Bell
- Narrated by: James Scott Bell
- Length: 2 hrs and 4 mins
- Unabridged
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what if it's not the beginning or the end that is the key to a successful book? What if, amazing as it may seem, the place to begin writing your novel is in the very middle of the story? According to writing teacher James Scott Bell, that's exactly where you'll find your story's heart and heat. Bell's "Mirror Moment" is the secret, and its power is available to any writer, at any stage of the writing process...Bell presents a truly unique approach to writing a novel, one that will stand the test of time and serve you all your writing life.
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Bell's excellent advice, less well conveyed
- By Jennifer on 09-14-20
By: James Scott Bell
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Super Structure
- The Key to Unleashing the Power of Story
- By: James Scott Bell
- Narrated by: James Scott Bell
- Length: 3 hrs and 9 mins
- Unabridged
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Super Structure represents over two decades of research on what makes a novel or screenplay entertaining, commercial, original, and irresistible. Contrary to what some may think, structure is not a nasty inhibitor of creativity. Quite the opposite. Properly understood and utilized, structure is what translates story into a form audiences are wired to receive it.
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Help for crafting a great story
- By Robin on 01-09-21
By: James Scott Bell
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Write Great Scenes
- Master Techniques to Create Scenes That Keep Readers Enthralled
- By: Meg Leader
- Narrated by: Virtual Voice
- Length: 1 hr and 57 mins
- Unabridged
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DO YOU want readers to find your stories un-put-downable?DO YOU want to create stories readers love? WRITE GREAT SCENES gives you a key set of tools to becoming a writer whose works readers can't stop reading. The most fundamental building block of any novel isn't the character or the plot or anything except the scenes. If you learn how to write great scenes you'll be well on your way to creating novels readers can't put down. This book breaks down what makes a great scene, the four critical elements every great scene needs, and provides you with an entire toolkit of Page-Turner Techniques ...
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Well written, voice fades
- By Jamilah on 07-13-24
By: Meg Leader
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How to Write Dazzling Dialogue
- The Fastest Way to Improve Any Manuscript
- By: James Scott Bell
- Narrated by: James Scott Bell
- Length: 2 hrs and 39 mins
- Unabridged
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There is one sure-fire way of improving your novel fast...You may know the fundamentals of how to write fiction. You may be more than competent in plot, structure and characters. But if your dialogue is dull it will drag the whole story down...Don't sabotage your chances of selling your work to readers or publishers because the dialogue is unexceptional. Dazzle them with what the characters say. How to Write Dazzling Dialogue will give you the tools to do it.
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Good course, subpar audio quality
- By Andrew Wadsworth on 03-21-20
By: James Scott Bell
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Creating Compelling Characters From The Inside Out
- By: L. M. Lilly
- Narrated by: Virtual Voice
- Length: 3 hrs and 28 mins
- Unabridged
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Do Your Readers Care What Happens To Your Characters? No matter what type of fiction you write, it's the characters that draw readers in. In fact, if the reader doesn't care about the characters, the most gripping plot won't carry the day. So how do you get readers to care? Character diagrams, checklists, and charts can only take you so far. You need to know your characters--and love (or hate) them--just as you do real people, which means learning about your characters from the inside out. In Creating Compelling Characters From The Inside Out you'll explore your characters' loves, lives, ...
By: L. M. Lilly
What listeners say about How to Write Pulp Fiction
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- Karl Anderson
- 03-11-24
A rare look at an underestimated genre.
I wish there were more books on craft that focus on the pulp writers. These guys from the golden age were two fisted literary punk rock.
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- Thomas Van Boening
- 01-23-24
These virtual voice narrators are not it.
Great advice. Would have enjoyed hearing Mr. Bell give it himself, as he has before.
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- PhoenixMark
- 07-11-24
Poor AI voice.
Always great advice from Mr. Bell. Lots of insights from many famous and prolific pulp authors.
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- Anonymous User
- 07-22-24
AI voice isn’t bad… but book is good for any die hard pulp fans!
Not sure why the author didn’t take a couple hours to read his own book. But as a big pulp buff, I enjoyed his hard-boiled lessons on writing… so much of what he said rings true for my favorite authors of the genre, including contemporary writers like Brubaker.
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- Matt Rifley
- 02-15-24
Good book, bad robot reading
Really good info and well written! BUT- the robot voice reads a LOT of words wrong. For example: does (reads as the animal / female deer) instead of does (does that make sense?).
l think all books read by ai should be free because they can't get the nuances of actual reading.
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