Still stinging from his unceremonious ouster from the Garda Siochana, and staring at the world through the smoky bottom of his beer mug, Jack Taylor is stuck in Galway with nothing to look forward to. He is teetering on the brink of his life's sharpest edges, his memories of the past cutting deep into his soul and his prospects for the future non-existent.

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

Neal Carey is not your usual private eye. A graduate student at Columbia University, he grew up on the streets of New York, usually on the wrong side of the law. Then he met a P.I. who introduced him to the Bank, an exclusive institution with a sideline in keeping its wealthy clients happy and out of trouble. They pay Neal's college tuition, and Neal gets an education that can't be found in any textbook, from learning how to trail a suspect to mastering the proper way to search a room. Now it's payback time.

A woman is found in a local cemetery, crushed to death under a gravestone. A production company is there, filming the remake of a classic sci-fi TV show on the grounds, making the investigation more difficult for DCI Harry McNeil. It's his first day in charge of the cold case unit in Edinburgh. After spending four years in Professional Standards, he has little choice but to take the promotion.

Met cop DI Rob Marshall is hot on the trail of the serial killer known as the Chameleon, who has abducted, tortured and killed a series of young women in Northwest London. As they close in, the Chameleon—who switches identity to get close to his victims—shoots Marshall’s partner and escapes.

When a 15-year-old girl fails to make it home after school, DI Heather Filson believes she’s dealing with just another teenage runaway. The girl’s grandfather, a notorious Glasgow gangster, disagrees. Convinced one of his underworld enemies has grabbed her, he’s prepared to bathe the city in blood in order to bring his princess home.

Ailsa Connolly was a brilliant psychologist and a respected criminologist. She was also a serial killer. Six years ago, DCI Sean Bracken caught her just before he was about to become her seventh victim. Every year on the anniversary of her incarceration, she taunts him with a phone call, giving him one message: "When I get out, I'll kill you." Now, Bracken has transferred back to Edinburgh and is thrown into the deep end on his first day back on duty. There's a killer who is emulating Ailsa, threatening to surpass her body count.

Gary Thorn goes for a pint with a work acquaintance called Brendan. When Brendan leaves early, Gary meets a girl in the pub. He doesn’t catch her name, but falls for her anyway. When she suddenly disappears without saying goodbye, all Gary has to remember her by is the book she was reading: The Satsuma Complex. But when Brendan goes missing, Gary needs to track down the girl he now calls Satsuma to get some answers. And so begins Gary’s quest, through the estates and pie shops of South London, to finally bring some love and excitement into his unremarkable life.

All Bunny McGarry wants is a spot of breakfast and a decent cup of tea. So imagine how annoyed he gets when two masked men attempt to rob the New York diner he is in. Unfortunately, dealing with that problem just leads to a whole lot more. One of the diner’s other customers isn’t who she appears to be, and the odds aren’t great that she is going to live to see another breakfast.

A weekly newspaper dedicated to the weird and the wonderful (but mostly the weird), The Stranger Times is the go-to publication for the unexplained and inexplicable. At least that's their pitch. The reality is rather less auspicious. Their editor is a drunken, foul-tempered and foul-mouthed husk of a man who thinks little of the publication he edits. His staff are a ragtag group of misfits. And as for the assistant editor...well, that job is a revolving door - and it has just revolved to reveal Hannah Willis, who's got problems of her own.

Haunted by his inability to track down and save his missing wife, DCI Robert Kett leaves the Metropolitan Police behind and moves to Norwich with his three young children, hoping to heal their broken family. But his newfound peace doesn’t last. Two newspaper delivery girls have gone missing in the city, and the clues point to a serial kidnapper. Kett is dragged into the centre of one of the darkest cases of his career - a case that pits him head-to-head against a horrifying evil.

Dr. Margo Dunlop is at a crossroads. Her adoptive mom just passed away, and Margo misses her so much she can't begin to empty the house - or, it seems, get her brother on the phone. Not to mention she's newly single, secretly pregnant, and worried about her best friend's dangerous relationship. In an effort to cheer herself up she goes in search of her birth mother. Instead she finds Nikki, her mother's sister. Aunt Nikki isn't what Margo expects, and she brings upsetting news: Margo's mother is dead.

Just back from her second tour in Afghanistan, NYPD Detective Chiara Corelli goes undercover to expose a ring of dirty cops. But when she's ordered to kill to prove her loyalty, she aborts the operation without having identified the leaders. Now, Corelli is the one exposed. With her brothers and sisters in blue ostracizing her, can she trust Detective P. J. Parker to watch her back?

It’s the summer of 1994, and all Maeve Murray wants are good final exam results so she can earn her ticket out of the wee Northern Irish town she has grown up in during the Troubles—away from her crowded home, the silence and sadness surrounding her sister’s death, and most of all, away from the simmering violence of her divided community. And as a first step, Maeve’s taken a summer job in a local shirt factory working alongside Protestants with her best friends, kind, innocent Caroline Jackson and privileged and clever Aoife O’Neill.

A young woman turns up at a police station. She has been kept prisoner in her own home. Abused and tortured, her every move watched, her every thought controlled. Now she's finally escaped. That's what she says. But when the police arrive at the address she's given them, her story doesn't seem to add up. Her husband is missing, but his phone and wallet are still in the house. She says she's the victim, but what if she's not? What if the stories she's telling aren't her stories at all....

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

Still stinging from his unceremonious ouster from the Garda Siochana, and staring at the world through the smoky bottom of his beer mug, Jack Taylor is stuck in Galway with nothing to look forward to. He is teetering on the brink of his life's sharpest edges, his memories of the past cutting deep into his soul and his prospects for the future non-existent.

Detective John Rebus' city is being terrorized by a baffling series of murders…and he's tied to a maniac by an invisible knot of blood. As the ghoulish killings mount and the tabloid headlines scream, Rebus cannot stop the feverish shrieks from within his own mind. Because he isn't just one cop trying to catch a killer - he's the man who's got all the pieces to the puzzle…

Recently retired due to a freak accident, NYPD officer Moe Prager is lost. In pain and without the job he loves, Moe relunctantly settles on the notion of going into the wine business with his brother. But when a suburban college student vanishes off the streets of Manhattan, Prager's universe is turned upside down and his life changed forever. Hired by the student's desperate family, Moe plunges deep into the world of New York's punk underground, sex clubs, and biker bars.

The first time somebody tried to kill him was an accident. The second time was deliberate. Now Paul Mulchrone finds himself on the run with nobody to turn to except a nurse who has read one-too-many crime novels and a renegade copper with a penchant for violence. Together they must solve one of the most notorious crimes in Irish history. Or else they’ll be history.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.