When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Everyone thinks my husband is dead. Just like we planned. Eleven years ago, my husband disappeared. Eleven long hard years I waited, my heart breaking for our son, who didn’t know his father was coming back. Today, my hands shake as I try to understand what I’ve just learned: my husband has a new wife. This wasn’t part of our plan. Eleven years ago, my husband made a terrible mistake. I sacrificed everything to help him fix it. But now he’s put our son and me in danger again. We had a plan. He broke the rules. But who will pay the price?

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Manfred Baumann is a loner. Socially awkward and perpetually ill at ease, he spends his evenings quietly drinking and surreptitiously observing Adèle Bedeau, the sullen but alluring waitress at a drab bistro in the unremarkable small French town of Saint-Louis. But one day, she simply vanishes into thin air. When Georges Gorski, a detective haunted by his failure to solve one of his first murder cases, is called in to investigate the girl's disappearance, Manfred's repressed world is shaken to its core.

The year is 1869. A brutal triple murder in a remote community in the Scottish highlands leads to the arrest of a young man by the name of Roderick Macrae. A memoir written by the accused makes it clear that he is guilty, but it falls to the country's finest legal and psychiatric minds to uncover what drove him to commit such merciless acts of violence. Was he mad? Only the persuasive powers of his advocate stand between Macrae and the gallows.

After the horrors of World War One, disillusioned army chaplain John Elliot arrives at Hern Hall, an isolated estate in the mist-shrouded English countryside. The mystery of the estate's tragic past seems to linger in the shadows when John catches a glimpse of a drowned child's face beneath the dark waters of the lake.

I was mostly a Good Dog until they sold me out to animal control, okay? But if it’s a choice between Oz, with its creepy little singing dudes, and being behind bars in gray old Kansas, I’ll choose the place where animals talk and run the show for now, thanks. It’s not my fault that the kid is stuck here too, or that she stumbled into a tug-of-war over a pair of slippers that don’t even taste good. Now one witch in good eyeliner calls her pretty and we’re off on a quest? Teenagers.

Riv—poet, philosopher, private eye—arrives in Cali, Colombia, hoping to find reprieve. Running away from an unspeakable event surrounding his ex Jane, Riv accidentally connects with his cousin Mauro and family friend Carlotta, who asks him to find her daughter Angelica Alfa-Ochoa. No sooner is Riv on the trail when it becomes clear that not only are the cops not looking for Angelica, but they are actively preventing him from finding her.

It's week one of the Swedish elk hunt, and the sound of gunfire is everywhere. When Tuva Moodyson investigates the story that could make her career she stumbles on a web of secrets that knit Gavrik town together. Are the latest murders connected to the Medusa killings 20 years ago? Is someone following her? Why take the eyes? Tuva must face her demons and venture deep into the woods to stop the killer and write the story. And then get the hell out of Gavrik.

London, 1815. Lady Petra Forsyth, daughter of the Earl of Holbrook, has made a shocking proclamation. After losing her beloved fiancé in an accident three years earlier, she announces in front of London’s loosest lips that she will never marry. A woman of independent means—and rather independent ways—Petra sees no reason to cede her wealth and freedom to any man now that the love of her life is gone. Instead, she plans to continue enjoying the best of society without any expectations.

After a harrowing flight, Queenie, her younger brother, and their elderly Chinese father arrive in the United States from the Philippines. They’re here to finally reunite with Queenie’s Filipina mother, who has been working as a nurse in Brooklyn for the past few years—building a life that everyone hopes will set them up for better prospects. But her mother is not the same woman she was in the Philippines: Something in her face is different, almost hardened, and she seems so American already.

Ava Bonney is a compassionate and studious fourteen-year-old girl with a dark secret: she has an obsessive interest in the macabre. She is fascinated by the rate at which dead animals decompose. The highway she lives by regularly offers up gifts of roadkill, and in the dead of night Ava loves nothing more than to pull her latest discovery into her roadside den and record her findings. One night, she stumbles across the body of her classmate and, fearing that her secret ritual could be revealed, she makes an anonymous call to the police.

The Beidermeier might be several rungs lower on the ladder than the real-life Barbizon, but its residents manage to occupy one another nonetheless. There’s Katherine, the first-floor manager, lightly cynical and more than lightly suggestible. There’s Lucianne, a workshy party girl caught between the love of comfort and an instinctive bridling at convention, Kitty the sponger, Ruth the failed hairdresser, and Pauline the typesetter. And there’s Stephen, the daytime elevator operator and part-time Cooper Union student.