Drama Theater

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

All the Ways to Say I Love You by Neil LaBute, directed by Leigh Silverman, is a thoughtful, psychological solo play centered around the character Faye Johnson, performed by multi-award-winning actress Judith Light (Transparent, American Crime Story, Who's the Boss?). Reflecting on an event from her past, Johnson confronts the defining question of her life: What is the weight of a lie?

All the Ways to Say I Love You received its World Premiere production at the MCC Theater in September of 2016. MCC is under the leadership of Artistic Directors Robert Lupone, Bernard Telsey, William Cantler, and Executive Director Blake West.

Bonus content includes an Audible-exclusive conversation between director Leigh Silverman and actress Judith Light.

IN THE NAME OF LOVE is a coming-out romance novel between a baseball player named Steve and a theater star named Aaron. An LGBTQ romance novel. The two meet up after years apart and rekindle their friendship. Now, with love in the air, their relationship grows more complex. Steve realizes that what he feels for Aaron is something very special. But does Aaron feel the same way about Steve? Graduation day is approaching and Steve avoids the jocks, but they’re not backing off. Now, Steve must decide if he will stand up for himself and for Aaron. But will he risk everything and come out? What...

An award winning Drama from SmartPass. Unabridged with guided description to set the scene and fill in visual moments.

The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual-assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.

Quarantine is an adaptation for the theater by E. Thomalen of Albert Camus' The Plague translated by Stuart Gilbert. It is a play in four acts and begins with the observation of rats dying, ending with "freedom" because of the lifting of the quarantine. Not everyone finds freedom to his liking. The characters capture the angst, boredom, grief, heroism, spiritual questioning, villainy, courage and longing brought on by the quarantine and the plague.

Ben is having a difficult week. After five whole years of “drinking from Mommy’s boobies”, he suddenly has to step aside for his new baby sister, Beatrice, who may or may not be human. Mommy says he has to “support her appearance no matter how humiliating it is for us as family”, but that’s hard to do when your sister has branches for arms and legs.

Carol, who tasted her first success in holding an audience in a high-school play, and Julia Gregg, a classmate as stage struck as herself, join Phyllis Marlowe's apprentice group in New York. In this setting, Carol beings to learn about herself as an actress. Phyllis Marlowe's criticism of her first performance is hard to take, but not half as painful as Mike Horodinsky's ruthless verdict. Mike is one member of the apprentice group whom Carol thoroughly dislikes. Their antagonism flames into open warfare when Mike almost succeeds in getting Carol away from the stage altogether. However, ...

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

Stagehands argue about their relationship between acts, a mountain climber struggles to rise above the summit of public opinion, the man once sent to kill a princess finds her working at a diner, retired superheroes lament their new life, and a villain threatens to blow up the world if he can get the Henchman Union to end contract negotiations. These are some of the situations found in this second collection of ten-minute plays. Each one is designed to be produced with just a few actors, few props, and within a single setting. They are easy to perform or fun to just read.

“Todo o mundo é um teatro”, escreveu William Shakespeare, “e homens e mulheres não passam de meros atores”. No novo audiolivro de Leandro Karnal, atores-ouvintes são convidados a dar um passeio pela própria consciência: a jornada de aprender com quem mais tem a ensinar no teatro do mundo - o criador de Hamlet. O que aprendi com Hamlet, dessa forma, revela os ensinamentos deixados pela principal peça de William Shakespeare numa combinação entre a experiência de um homem do século XVI e outro do século XXI.

In this survey of eighteenth and nineteenth century American drama, Tice L. Miller examines American plays written before a canon was established in American dramatic literature and provides analyses central to the culture that produced them. Entertaining the Nation evaluates plays in the early years of the republic, reveals shifts in taste from the classical to the contemporary in the 1840s and 1850s, and considers the increasing influence of realism at the end of the nineteenth century.

Steven Adler examines the dynamic life and workings of the theatre company responsible for some of the world's most compelling performances and influential productions of the last 40 years, including Marat/Sade, A Midsummer Night's Dream, Les Misérables, Les Liaisons Dangereuses, and Nicholas Nickleby.

This dramatic comedy in two acts is the first play that tells the truth about the real politics and science of the AIDS epidemic. At an annual "Black Party" held in an expensive beach house in Provincetown, a successful gay real estate agent and host of the party deals with extremely unhappy guests in the aftermath of his popular event which is cut short by a visit from an old friend he hasn't seen in four decades since they were both involved in the pioneering gay liberation movement in Kansas. The old friend is a controversial figure whose life has been devastated by what happened when ...

There are 83 copies of the First Folio in a vault beneath Capitol Hill - the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays - more than in any other nation. If current trends continue, there will soon be more high school students reading The Merchant of Venice in Mandarin Chinese than in early modern English. Why did this happen, and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global.

In this second book in this four-book series, Lindell A. Warden, a former student of Neville Goddard, will be sharing with you some powerful principles around Neville's teachings. You will learn that everything begins in the theater of your mind and that you are always creating in your imagination. He shares that your thought always precedes your evidence. You can literally choose what you will think daily and transform your world from the inside out.

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

It’s a new school year, and for Casey Chang it’s a chance to make a fresh start away from the bad memories in her old town. But for the Drama Club of Ridgefield High, it means a chance to recruit new members. And Brianna Glaser - the Type-A co-president of the club - has her sights set on the new girl. But Casey soon finds herself sucked into the excitement and drama. For these kids, Drama Club isn’t just about a school play, it’s about passion and dreams and the future.

Callie Miller loves drama. As a theater major, that's a given. It's hard to date in the theater department when all the guys are either taken or gay - like her best friend and longtime crush. When Callie becomes the lead in the biggest production of the year, she realizes she has no time for love. Until Sebastian "Bash" Moore reenters her life, stage left. He left everything behind three years ago to chase his dreams. But his heart remained at home, tied to memories of a tiny blonde with a flair for the dramatics - on and off the stage.

Every funeral is an unplanned occasion thrown together under terrible circumstances by people in shock and mourning. No one involved in burying the dead can fail to recognize their own mortality or confront the course their life has taken to date. In this full cast audio play about the death of a philandering family patriarch in a small town, characters reveal shocking secrets and struggle to decide if, when, and how they will ever see one another again. This moment marks the end of who each character is and allows us to understand who they will become.