Drama Theater

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

IN THE NAME OF LOVE is a coming-out romance novel between a baseball player named Steve and a theater star named Aaron. An LGBTQ romance novel. The two meet up after years apart and rekindle their friendship. Now, with love in the air, their relationship grows more complex. Steve realizes that what he feels for Aaron is something very special. But does Aaron feel the same way about Steve? Graduation day is approaching and Steve avoids the jocks, but they’re not backing off. Now, Steve must decide if he will stand up for himself and for Aaron. But will he risk everything and come out? What...

Although Erik Patko is still coming to terms with a heartbreaking tragedy, he begins his sophomore year of college with high hopes. He earns a headlining role in the drama club production of Curtain Drop, but while the musical is a comedy, the drama backstage is no joke. Scenery is tampered with, students are blackmailed, and four influential families are accused of bribing the dean. While his confidence is shattered and he struggles with his conflicting feelings for his roommate’s sister Priscilla, Erik must discover who’s behind the scandal before his Broadway dreams are derailed ...

Shep Carson is recovering at home and he takes Cody deeper into the BDSM lifestyle. Meanwhile, they're getting ready for the Christmas show. There's a mix up with two very important Christmas gifts and a proposal is in the air. The question is, who is proposing to who?

London, winter of 1589. The city is alive with intrigue, and anticipation. The players of Lord Strange’s Men are rehearsing a daring new play, penned by one of their promising young actors, William Shakespeare. But excitement turns to disaster when the authorities shutter the theatre over a trivial offense, plunging Will into uncertainty and despair. Determined to press on, he begins crafting a grisly revenge tragedy—Titus Andronicus—hoping to sell it to another troupe. But before he can do so, his entire collection of playscripts is stolen. His reputation, his career—everything is ...

Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time 400 years - to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life - in none other than William Shakespeare.

This bilingual edition of The Novice is a new translation of classic Brazilian author Martins Pena's three-act play O Noviço. Written in 1845 and first published in 1853, this comedy of errors is the widely regarded as Martins Pena's best. Featuring a hotheaded novice, a deceitful stepfather and the requisite love story, The Novice gives us a window to 19th century Brazilian life. For new bilingual editions of Brazilian classics, look for the New Translations of Brazilian Classics series on the Kindle Store.

10 minute plays for kids of all ages #2 is an additional collection of original, royalty-free, plays excellent for any audience. These scripts will work for intermediate drama students, to high school acting classes, and even multi-aged youth groups. Each play is versatile and can be staged as a reader’s theatre, a short parent recital, or even adapted into full stage productions. Most roles are gender flexible and range from 5 to 13 players, with the option to add more if needed. All plays are age-appropriate without concern about subjects or language. Kids as young as 5yrs have watched ...

Are you ready to embark on a journey through the remarkable achievements of African American men and women who have left an indelible mark on America and the world? “TEAR DOWN THE WALLS" is not just a play; it's a captivating exploration of the profound contributions made by African Americans across a spectrum of fields. From science to politics, law to sports, and the arts to entertainment, this production shines a spotlight on their outstanding accomplishments. Prepare to be moved by the touching portrayal of the struggles and triumphs that have shaped African American history. From the...

In his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.

A Scottish meteorologist locks horns with his American counterpart as both men try to convince General Dwight D. Eisenhower that they can accurately predict the atmospheric conditions needed to launch the greatest amphibious assault in the history of mankind - the D-Day invasion.

Drawing on her knowledge as director, actor, and teacher, Packer traces the chronological evolution of Shakespeare's female characters and examines Shakespeare's own journey and growth as a writer from feckless misogynist in his youth to committed lover in his middle years to unrepentant feminist in his final years.

Years after a near-fatal car accident almost destroyed his career, Erik Patko has finally returned to the Broadway stage, starring alongside his famous parents Lord Justyn and Lady Rebecca in a revival of the classic musical Opera Ghost. Even his girlfriend Priscilla joins the chorus after her college graduation, but instead of soaking up the accolades, Erik is tormented by his leading lady and growing more and more dependent on opiates to manage his anxiety and depression. When a masked vigilante fighting hate crimes in the Theatre District enacts vengeance on his tormentors, Erik fears ...

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

It's 1991, and Tara Maureen Murphy is finally on top. A frightening cross between Regina George and Tracy Flick, Tara Maureen Murphy is any high school's worst nightmare. She's a senior, poised to star as Sandy in South High's production of Grease. Cinching the role is just one teensy step in Tara's plot to get out of her hometown and become the Broadway starlet she was born to be. It gets tricky with the arrival of freshman Matthew Bloom, whose dazzling audition for the role of Danny Zuko turns Tara's world upside down.

Characters search for a conflict, upset audience members disrupt the show, a spy mission goes wrong, cowboys try but can’t do a simple shootout correctly, and a considerate and mannerly thief asks permission before he robs people. These are some of the situations found in this collection of ten-minute plays. Here are delightful theatrical nuggets that range from the comical to the serious. Each one is designed to be produced with just a few actors, few props, and within a single setting. They are easy to perform or fun to just read.

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

Three theatrical adaptations of ancient stories: Agamemnon A queen, her son, and his teacher await the return of their king after ten years of brutal war. Gilgamesh The oldest story in the world, in which a king finds and loses a great friend, and then sets off in search of an answer to the question of eternal life. The Golem In 17th-century Prague, a rabbi and his family turn to ancient mysticism in a desperate attempt to protect their community from approaching violence.

Four original, full-length plays: The King of Infinite Space In the ruins of an old prison at the edge of a landscape blasted by war, teenagers enact the story of the previous generation’s struggle for survival. Scenes from a Broken Hand A young man inherits an old car from his activist parents and drags his best friend on a cross-country journey in search of meaning and understanding. Motherland A teacher in a small Slovak town tries to free herself from old ways of thinking and living in the wake of the Velvet Revolution and the fall of Communism. The Wind on the Water A Jewish ...

Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendence that kept me coming back. But why did they come so few and far between?