Theater Plays

Characters search for a conflict, upset audience members disrupt the show, a spy mission goes wrong, cowboys try but can’t do a simple shootout correctly, and a considerate and mannerly thief asks permission before he robs people. These are some of the situations found in this collection of ten-minute plays. Here are delightful theatrical nuggets that range from the comical to the serious. Each one is designed to be produced with just a few actors, few props, and within a single setting. They are easy to perform or fun to just read.

An award winning Drama from SmartPass. Unabridged with guided description to set the scene and fill in visual moments.

Stagehands argue about their relationship between acts, a mountain climber struggles to rise above the summit of public opinion, the man once sent to kill a princess finds her working at a diner, retired superheroes lament their new life, and a villain threatens to blow up the world if he can get the Henchman Union to end contract negotiations. These are some of the situations found in this second collection of ten-minute plays. Each one is designed to be produced with just a few actors, few props, and within a single setting. They are easy to perform or fun to just read.

Quarantine is an adaptation for the theater by E. Thomalen of Albert Camus' The Plague translated by Stuart Gilbert. It is a play in four acts and begins with the observation of rats dying, ending with "freedom" because of the lifting of the quarantine. Not everyone finds freedom to his liking. The characters capture the angst, boredom, grief, heroism, spiritual questioning, villainy, courage and longing brought on by the quarantine and the plague.

Charles Paris has landed a dual role in a lavish West End musical: onstage as a bit player, offstage as an undercover sleuth. The production's nervous backers fear that someone is trying to kill the play. The ultimate showstopper would be to eliminate the star.

Ben Riller is the most successful producer on Broadway, but his newest production is in danger of closing before it opens. In his stressed-out condition, Ben is hearing the voice of his long-dead father, and they're having a running argument about life, love, and other people's money.

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

Ben is having a difficult week. After five whole years of “drinking from Mommy’s boobies”, he suddenly has to step aside for his new baby sister, Beatrice, who may or may not be human. Mommy says he has to “support her appearance no matter how humiliating it is for us as family”, but that’s hard to do when your sister has branches for arms and legs.

Josh’s second excursion to the adult cinema promises to be even more red-hot than the first. Determined to take his exhibitionist adventure to the next level, he once again ventures into the steamy interior of Aphrodite’s theater, renowned for its outrageous gay scene. Once inside, and filled with confidence following his first visit, Josh initiates the hot, sexy action with a pair of young, black guys and pops his public cherry whilst watching the incredibly erotic movie up on the screen. His enabling partner, Ray waits for him in the foyer of the cinema, so tantalizingly close, where ...

An undercover vampire, a prophetic park bench, an audience on stage, a mixed-up fairy tale, a bad hand, a little gibberish, some self care, a dental obsession, and the end of the world are some of the things you will encounter in this fourth collection of ten-minute plays. Most are designed to be produced with just a few actors, a few props, and within one or two simple settings. They are easy to perform or fun to just read.

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.

There are 83 copies of the First Folio in a vault beneath Capitol Hill - the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays - more than in any other nation. If current trends continue, there will soon be more high school students reading The Merchant of Venice in Mandarin Chinese than in early modern English. Why did this happen, and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global.

"The Dybbuk" original play by S. Ansky (1863 – 1920) a.k.a Shloyme Zanvl Rappoport. Adapted in English by David Serero. One of the most important Yiddish story and play of all time.

Every funeral is an unplanned occasion thrown together under terrible circumstances by people in shock and mourning. No one involved in burying the dead can fail to recognize their own mortality or confront the course their life has taken to date. In this full cast audio play about the death of a philandering family patriarch in a small town, characters reveal shocking secrets and struggle to decide if, when, and how they will ever see one another again. This moment marks the end of who each character is and allows us to understand who they will become.

When you think of Jason Robards, you also think of Eugene O’Neill and the tragic, hard-drinking characters he created in The Iceman Cometh, Long Day’s Journey Into Night, Hughie and The Moon for the Misbegotten. Robards, the son of a failed actor, Jason Robards Sr., discovered O’Neill’s plays when he was in the Navy during WW2. After the war, without his father’s encouragement, he pursued his own acting career, but it was 11 years and two failed marriages before he finally achieved success.

This stage play is about the struggle of the main character, Ricard, who has recently been arrested for driving under the influence (DUI) of alcohol. The play chronicles his personal struggle to deal with how he became an alcoholic and how to repair his life. It focuses on his values, how to identify their role in his life, and how he can shed alcohol as a value. As he begins to understand what is important in his life, he begins the trek from his distorted value structure to what is important in life.

When a staged murder at a mystery dinner playhouse turns into a real poisoning death‚ recently retired detective Gabe Tremont is called back to solve the crime and discovers the playhouse director‚ the cast and a spy from a competing theater all have reasons to want the murdered man dead.

Ida Lupino was a trail-blazer. Not only was she one of the most vibrant Hollywood actresses of the 1940s and 1950s, but she was also only the second woman to become a member of the Director's Guild. Michael B. Druxman's one-woman play, Ida: The Last Lupino, joins Ida in 1983 when she is living alone in her decaying Brentwood home as a virtual hermit, lamenting the break-up of her marriage with Howard Duff. Ida: The Last Lupino is a vivid, often witty, portrait of a woman who conquered a man's world.

Dangerous Theatre records the activities of the various organizations of the Federal Theatre Project involved with fostering the writing and production of new plays during the FTP's existence (1935-39). It presents a comprehensive and thorough picture of how playwrights actually worked and how their work was received by general audiences and critics.

An award winning Drama from SmartPass. Unabridged with guided description to set the scene and fill in visual moments.