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Within a Budding Grove
- Narrated by: John Rowe
- Length: 23 hrs and 2 mins
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Publisher's summary
In the second volume of Proust's great novel, the narrator emerges as an actor in the drama of his own life. Swann has now dwindled into a husband for his former mistress, Odette, and their daughter, Gilberte, becomes the adolescent narrator's playmate and tantalising love object.
We move from Paris to the seaside town of Balbec, from ritualised social performances to midsummer spontaneity and from Gilberte to her successor, Albertine.
In Balbec, the narrator is befriended by the painter Elstir who introduces him both to the craft of painting and to the mysterious 'little band' of girls. An artistic education is thus intricately interwoven with a journey of sexual self-discovery.
This is now the entire audiobook, not in two parts.
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In this carefully crafted novel, Dickens reveals the complexity of London society in the enterprising 1840s as he takes the listener into the business firm and home of one of its most representative patriarchs, Paul Dombey.
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Perfect pair
- By Philip on 03-25-08
By: Charles Dickens
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Posthumous Memoirs of Brás Cubas
- A Novel
- By: Joaquim Maria Machado de Assis, Jull Costa Margaret - translator, Robin Patterson - translator
- Narrated by: Ramon De Ocampo
- Length: 8 hrs and 45 mins
- Unabridged
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Machado de Assis’ classic novel, the precursor of Latin American fiction, is finally rendered as a stunningly relevant work for 21st-century audiences. In eloquent, contemporary prose, Costa and Patterson breathe new life into the dynamic character of Brás Cubas and reveal the vivid, tempestuous Rio de Janeiro of his time. The recently deceased Cubas narrates his life story, admitting glibly: “I am not so much a writer who has died, as a dead man who has decided to write.”
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Incredible story from an incredible author
- By Anonymous User on 01-01-21
By: Joaquim Maria Machado de Assis, and others
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Villette
- By: Charlotte Brontë
- Narrated by: Davina Porter
- Length: 22 hrs and 39 mins
- Unabridged
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Hailed as Charlotte Brontë’s “finest novel” by Virginia Woolf, Villette is the timeless semi-autobiographical tale of Lucy Snowe. Left with no family and no money, Lucy goes against her own timid nature and travels to the small city of Villette, France, where she becomes a school teacher in Madame Beck’s school for girls. During her stay, she falls in love—twice—and discovers an independent, inner strength rarely seen in women of her time.
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The Divine Ms. Porter delivers as always
- By peachnmario on 03-17-15
By: Charlotte Brontë
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3 Classic Novels
- Sense & Sensibility, Pride & Prejudice, Mansfield Park
- By: Jane Austen
- Narrated by: Geoffrey Giuliano, The Spire
- Length: 36 hrs and 38 mins
- Unabridged
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Welcome to the world of Jane Austen, one of the most beloved authors in the English language. Austen's works are known for their wit, social commentary, and romantic storylines that have captivated readers for generations.
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Classic Novels are the best.
- By Maureen Hart on 09-07-23
By: Jane Austen
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The Professor
- By: Charlotte Brontë
- Narrated by: James Wilby
- Length: 9 hrs and 27 mins
- Unabridged
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The Professor is Charlotte Brontë's first novel albeit the last to have been published. Edited and distributed by Arthur Bell Nicholls, two years after Brontë's death, it is based on her experiences of living as a language student in Brussels. The Professor follows the career and love affairs of William Crimsworth, a reserved but compassionate aristocrat who has been ostracised by his family and left penniless.
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Beautiful
- By ilene on 12-26-16
By: Charlotte Brontë
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The House of the Seven Gables
- By: Nathaniel Hawthorne
- Narrated by: Anthony Heald
- Length: 11 hrs and 6 mins
- Unabridged
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In a sleepy little New England village stands a dark, weather-beaten, many-gabled house. This brooding mansion is haunted by a centuries-old curse that casts the shadow of ancestral sin upon the last four members of the distinctive Pyncheon family of Salem.
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A Classic Thriller
- By E. Pearson on 12-03-10
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The Mill on the Floss
- By: George Eliot
- Narrated by: Laura Paton
- Length: 20 hrs and 37 mins
- Unabridged
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Maggie Tulliver has two lovers: Philip Wakem, son of her father’s enemy, and Stephen Guest, already promised to her cousin. But the love she wants most in the world is that of her brother Tom. Maggie’s struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy
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Great compassion
- By nina lalumia on 12-26-16
By: George Eliot
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Lady Susan, The Watsons, and Sanditon
- By: Jane Austen
- Narrated by: Norma West
- Length: 6 hrs and 28 mins
- Unabridged
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Previously unpublished in unabridged audio, these three works (one novel unpublished in her lifetime and two unfinished fragments) reveal Jane Austen's development as a great artist.
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For the Austen Addict
- By Joseph R on 09-09-09
By: Jane Austen
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Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.
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What listeners say about Within a Budding Grove
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- A. Dionysia
- 03-14-18
So Proust!
Good for lovers of Proust and know how he writes. The narrator has the correctly sensitive voice. Beautifully written ending.
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1 person found this helpful
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- Donald
- 01-11-11
Better than hard copy
Rowe's reading is brilliant. In fact, I've found the whole work more accessible and seductive as a listen than I did as a hard-copy read, thanks in large measure to Rowe's sensitive and often illuminating performance. I can't wait for the rest of the volumes to be available.
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4 people found this helpful
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- not guilty
- 02-01-21
Monty python was correct - it’s impossible to sum up proust
There are few books I have read or listened to that I catch myself thinking I have learned as much about life and people. I find proust alternatively laugh out loud funny and beautiful. He makes me miss friends and family and old flames and love them all more the same. I find this narrator wonderfully soothing and dramatic without being overly so. The moment when proust highlights his own neurosis or poses himself a question and then answers, sublime.
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3 people found this helpful
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- Hunter Weir
- 02-25-19
Rowe is great!
Proust is life changing, and Rowe brings the words to life. Get this one now!
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Overall
- beatrice
- 10-04-09
insomniac's dream
Proust writes marvelous stuff, but his interminable sentences can make his work difficult to read. Now, John Rowe to the rescue: he reads so sensitively, it's like listening to one's own thoughts. I was so glad to find he's started another volume of Proust's masterwork, and look forward eagerly to the second installment, and hopefully more to come. Insomniacs, take note: with Marcel Proust/James Rowe on your iPod, you may be able to jettison the Lunesta. I mean this in a good way (and I think that Proust, who wrote at night in that cork-lined room, would have approved): the narrative is absorbing, complex, seductive, and nonlinear, perfect for bedtime (or the wee hours of the night), as it hardly matters where you leave off or pick it up again.
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32 people found this helpful
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- Yoshi Tryba
- 02-17-20
Fun and colorful
Proust is an extraordinary author - noticing so many details and describing them wondrously. So good.
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- Tad Davis
- 09-04-19
Not for me
My first encounter with Proust was Simon Vance’s reading of Swann’s Way. It left me feeling grumpy and irritable. It certainly wasn’t the narration — Simon Vance can make a traffic report sound interesting. And it’s not John Rowe’s narration for this second volume either: he is equally charming and graceful. But he can’t overcome the aspects of Proust that I find so frustrating. The pattern of endless rumination and little overt action established in the first volume continues in this second one. If I had any sense of having something in common with these vapid people, I might not mind. But they bore me; they annoy me; they baffle me. I find myself wishing one of them would have a sudden attack of flatulence, just to liven things up a little.
At one point, I thought things were getting better: at last! the narrator has gone to a brothel! — but Proust managed to make even that potentially interesting development sound shallow and desiccated. Later, near the end of the book, the narrator develops a promising crush on a young woman named Albertine; but alas, she turns out to be either a mean-spirited tease or monumentally dense about the implications of her flirtatious remarks. (She invites him to a secret tryst at night in her hotel room, and then furiously rings the alarm when he tries to kiss her.)
It’s like having to sit through 25 hours of “My Dinner with André.” It’s full of sound and fury, signifying nothing — except that there’s no fury and very little sound.
Proust’s characters — certainly at least the narrator — are cursed with the same kind of morbid self-consciousness that afflicts the characters of Dostoevsky. There’s one crucial difference: in Dostoevsky, the anguish is existential and the consequences are life or death; in Proust, at least as far as the first two volumes are concerned, the anguish is a mild cough and the consequences are a hangnail. He seems not to notice that his characters are mostly buffoons, the narrator being the biggest buffoon of all.
What can you say about a young man who’s old enough to visit prostitutes, even to have a favorite one, and still cries himself to sleep when his grandmother doesn’t invite him to kiss her goodnight? (The same grandmother who exasperates him because.... she wants to get her photograph taken?) I can’t figure his age. Maybe my attention wandered when he mentioned that. At times he seems to be a young adult, but overall he has the emotional maturity of a pre-teen.
As I said in my comments on the first volume, people I know and and whose literary judgement I trust tell me I’m missing something. I accept that. So, Monsieur Proust, it’s not you, it’s me. I will read one more volume, if only to expose myself to yet another narrator (Neville Jason). But then I expect to call a halt to the proceedings. It seems clear at this point that I am not for Proust, and he is not for me.
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7 people found this helpful
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- bart
- 01-21-19
John Rose is a rapturously good narrator
Impressive narration by John Rowe. Volumes 1 and 2 are brilliantly done. So disappointed in the narration on Volumes 3 and forward.
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5 people found this helpful
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- Janet A Henderson
- 03-18-20
John Rowe
John Rowe is an excellent narrator for the first two books of Remembrance of Time Past. So good that I cannot even listen to the subsequent books. Please Audible Publishing, produce the entire series with John Rowe.
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2 people found this helpful
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- Kevin McCoffee
- 06-06-17
John Rowe is the reader for Proust and Moncrief
I've finished the first two volumes on audio book, occasionally reading on Kindle with the second volume, but I find it almost easier to follow John Rowe's narrative (though I read all six volumes in the tiny-script hardbacks back in the 90s). Now I'm listening to The Guermantes' Way, with the Neville narration. Just started. Maybe I'm in the transition phase, but I really miss my friend John Rowe. He took me through the labyrinthian sentences so smoothly. Maybe I'll grow to like Neville, but at the beginning of volume three he was too fast and didn't lead me as effortlessly Rowe. Anyway, apparently there is no choice. Rowe only recorded the first two volumes. (If I'm wrong let me know).
I have not dipped into newest written translations, which are said to be really good. And after I finish this round of Proust (with the Moncrief translation), I'll start again with the contemporay one). But Moncrief is so good, so good I don't know if I'm hearing Proust or Moncrief (or Rowe). But that's the nature of translation.
Whatever the case, Proust is worth a go. He's not right for everyone. I have friends (novelist friends who can't get into it). But I can. At any rate, dive into Proust, via book, Kindle, or audio. If it doesn't stick. Take a year off. Try again. If it still doesn't stick, you have every right to quit. Reading Proust is always about TIME (among a million other things), and maybe the time is not right for you now.
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