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The Seventh Victim
- Narrated by: Joanne Froggatt, Mathew Horne
- Length: 11 hrs and 25 mins
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A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Worth your time indeed
- By Storylover on 09-01-24
By: Richard Armitage
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After You've Gone
- By: Margot Hunt
- Narrated by: Stephanie Einstein, Tyla Collier, Dina Pearlman, and others
- Length: 2 hrs and 59 mins
- Original Recording
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Tessa and Charlie have been best friends since childhood. Now Tess is a famous travel writer who documents her adventures on social media while Charlie rarely leaves the safety of her home, living in fear after narrowly escaping a vicious attack years earlier. But despite their different lives, their bond of friendship remains unbreakable...even in death.
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Beautiful
- By Daniel Garcia on 07-22-24
By: Margot Hunt
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One More to Die
- By: Joy Ellis
- Narrated by: Hayley Atwell
- Length: 5 hrs and 1 min
- Original Recording
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Det. Inspector Kate Carter and her team are assigned to investigate the murder of man found inside the wreckage of a car. A vintage vinyl record from 1964, found next to the body, soon turns out to be an important clue as a second body is discovered. And meanwhile, Det. Inspector Kate, shrewd and smart, and a happy-go-lucky mum to three children, has something very dark to contend with her in her personal life.
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Very forgetful
- By Linda L. on 08-30-24
By: Joy Ellis
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Bluebeard
- By: Jim Clemente, Peter McDonnell
- Narrated by: Joseph Fiennes, Karen David, Holt McCallany, and others
- Length: 3 hrs and 38 mins
- Original Recording
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In 1919, Kathryn Wombacher finds a lonely-hearts ad placed by one Walter Andrew: "Would be pleased to correspond with a refined young lady or widow. Object, matrimony.” Kathryn and Walter fall in love and marry within weeks. What Kathryn doesn’t know...is that her new husband is really James “Bluebeard” Watson, a notorious West Coast serial killer who catfished and married 22 women, murdering 10.
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Performances
- By HappyMom on 05-24-24
By: Jim Clemente, and others
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One Little Mistake
- A Novella
- By: Lucinda Berry
- Narrated by: Brittany Pressley
- Length: 2 hrs and 23 mins
- Original Recording
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When overwhelmed stay-at-home mom Alexis finds herself at odds with her husband after she’s charged with a DUI, she is given one chance to get her family back: complete AA and admit her faults. The problem is, she’s never had a drinking problem and has no idea what caused the blackout that led to her arrest. Still, she’s committed to working through the program, if that’s what it takes to be reunited with her two young children. But when she connects with a new friend, Farrah, she’s empowered to take a closer look at her husband’s role in her downfall.
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Lucindaah!
- By Canday Jones on 09-10-21
By: Lucinda Berry
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The Worst of You
- By: Sarah Richards
- Narrated by: Sarah Desjardins
- Length: 10 hrs and 51 mins
- Original Recording
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In The Worst of You, just-wed architects Timo and Nia flee a murder scene, setting in motion a chain reaction of lies and betrayals that threaten to unravel everything they have built together. Twisted and propulsive, this thriller is told from the alternating perspectives of the couple and those close to them on Williwaw Island, each with their own motive to use the outcome of the murder case to their advantage. When a huge storm sweeps up the coast, trapping everyone on tiny Williwaw Island, it’s a race against time—and the elements — to stop the murderer from striking again.
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A boring drawn out simplistic plot
- By RJD on 05-31-24
By: Sarah Richards
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Sherlock Holmes: The Definitive Collection
- By: Arthur Conan Doyle, Stephen Fry - introductions
- Narrated by: Stephen Fry
- Length: 71 hrs and 57 mins
- Unabridged
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Ever since he made his first appearance in A Study In Scarlet, Sherlock Holmes has enthralled and delighted millions of fans throughout the world. Now Audible is proud to present Arthur Conan Doyle's Sherlock Holmes, read by Stephen Fry. A lifelong fan of Doyle's detective fiction, Fry has narrated the definitive collection of Sherlock Holmes - four novels and four collections of short stories. And, exclusively for Audible, Stephen has written and narrated eight insightful introductions, one for each title.
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Chapter Guide!
- By Katya Rice on 05-25-18
By: Arthur Conan Doyle, and others
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Dead Med
- By: Freida McFadden
- Narrated by: Patricia Santomasso, Scott Merriman
- Length: 10 hrs and 3 mins
- Unabridged
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When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
- By Morgan Meaux on 08-22-24
By: Freida McFadden
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Too Late
- Definitive Edition
- By: Colleen Hoover
- Narrated by: Ryan Gray, Maxine Mitchell, Joe Arden
- Length: 10 hrs and 19 mins
- Unabridged
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
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The House on the Water
- A Novella
- By: Margot Hunt
- Narrated by: Taylor Schilling
- Length: 2 hrs and 47 mins
- Original Recording
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Every year, Caroline Reed takes a trip with her best friend, Esme Lamont. They’re usually accompanied by their spouses - but this year, everything’s changed. Esme has just gone through a bitter divorce, and Caroline's wondering if her own marriage is reaching its breaking point as she and her husband, John, cope with the discovery that their son has been abusing drugs. Still, the inseparable duo books a weeklong stay at a beach-front home in Shoreham, Florida, inviting Esme’s brother, Nick, and his new husband. After a blissful first night in the vacation home, tragedy strikes.
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Wonderful Story
- By David M. Wilcox on 12-04-20
By: Margot Hunt
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Wonderful Story
- By David M. Wilcox on 12-04-20
By: Margot Hunt
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- By: Kate Morton
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What listeners say about The Seventh Victim
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Donna
- 10-30-22
Good, if a little predictable
I liked this story and enjoyed listening to it. Unfortunately the reader does use the wrong character name in a few sections which isn't great and I guesses the ending a bit early.
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- Trudi
- 04-01-21
interesting
good story line.
draws you in and might surprise you!
not too much gore, more mystery and not a lot of bad language (bonus for me!)
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- Kelly
- 03-20-20
Seriously? Why the good reviews?
I couldn't tell one character from another... man from woman because the narrator didn't change her voice even a little. She also sounded rushed.
The premise of the story was also highly improbable. A retired cop and author of the book about this serial killer get together and try to find who killed missing victim #7 because the killer insists on his deathbed it wasn't him. Where for me it goes off the rails, is when we realize the killer is distantly related which explains the clothes the police found in his house with the other victims. Uhm, flimsy explaination. There are so many trite remarks and silly plot holes not to mention dialogue. It's weird to have a high soft voice as a man too. The first part explanting there mothers grief is very good. The search for the real killer is predictable and amateurish. The rave reviews shock me now that I'm in it. I'll finish but I'm skipping to the end. To be honest it's a bit of a mess.
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3 people found this helpful
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- Megan
- 02-18-22
loved this book so much
enjoyed this book so much... will read this again..... you will not regret the credit. All Michael Woods books are great..
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1 person found this helpful
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- Amy Turki
- 05-21-20
Great crime story.
Between the storyline and the narrator's, it was hard to pause the book and it kept me guessing about the ending all the way through.
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2 people found this helpful
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- donnyk915
- 01-17-23
Chilling
Chilling, creepy & Suspenseful. This was a great story with a surprising ending.; The very end. Excellent narration by Joanne Froggat per usual.
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1 person found this helpful
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- "cstyles118"
- 07-28-22
Excellent book
This was such a well written and narrated book. The ending was a great twist!
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- Jennifer
- 04-27-22
Thank Goodness it’s Over!
How does this novel have 4.5 Stars?!!!!!
And how do novels (I use that term lightly here) like this one even get published? First of all, it’s evident this author just made up this story without doing any research or having the novel reviewed by an expert in the police force or the ranks of journalists. Then secondly, as I often ask, “where are the editors?” I continue to be surprised that such sloppy work manages to get published. And I have now purchased this novel via Audible. I feel like I’m an enabler to someone who should definitely not be a writer.
There are three major issues with this novel:
(1) It’s full of mistakes. Here are just a few examples:
~ It’s made clear that the murderer’s mother died when he was very young and yet at some point in the book, there’s a reference to “he only had his grandmother and mother”.
~In another scene, one of the main characters says something to the effect of “you don’t understand. You’re happily retired and I don’t want that for myself”. The husband replies with different options so she doesn’t need to be retired, but can focus on what he considers more positive activities to which she replies “you don’t understand. It’s about justice!” Say what? No wonder the husband doesn’t understand, right?
~The most egregious error is when Diane is having dinner with her ex-husband, Nick, and the narrator is reflecting on how she sees herself and says something to the effect of “Caroline wasn’t happy with her body”. So the author doesn’t remember this character’s name?”
There are many more. The above are just a few examples.
(2) In addition to the above, there’s what I call “continuity of character”. What I mean by that is, does the character essentially behave consistently through the novel? The answer in this novel is “no”. There is no consistent theme to any of the characters (save Alex). It’s difficult to get a sense of who they are at their core because there is no core.
(3) Then there’s the “who would do that” factor? I’m getting more and more frustrated by characters being written to behave in a way that no one would. Like would you call the DI who is on maternity leave when you found something? And heavily pregnant, would she run out to the scene? And furthermore, would a DI and her team run into the house to look for evidence? Or would they, perhaps, verify it there was an owner to ensure they could proceed without a search warrant to ensure they were compliant with police and legal procedures. So much inanity!
(4) Last, but not least, the reason I felt like taking a leap of faith on this author (in addition to the inconceivable
rating) was that Joanne Froggatt was the narrator. I’m a fan both from Downton Abbey as well as other novels she’s read. I think this one was a throw-away for her. There was so little range that sometimes I couldn’t catch who was talking. That was pretty disappointing.
Outside of a compelling prologue and epilogue, there’s nothing of value here.
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