They were the most powerful gang in Chinatown. Like the notorious crime families of the Italian Mob, the Asian youth gang known as the Ghost Shadows carved out their own territory in New York's underworld and ruled those streets for decades. Their leader Peter Chin, a young immigrant from the outskirts of Hong Kong, not only found a new family among his fellow gang members but became one of the two most powerful men in Chinatown's history at that time. For the first time ever, the former leader of the Ghost Shadows breaks his silence in this tell-all to author Everett De Morier

On February 3, 1889, just two days shy of her forty-first birthday, Myra Maybelle Shirley—better known at that point by her outlaw sobriquet “Belle Starr”—was blown from her horse saddle and killed by a pair of shotgun blasts, delivered by an unseen assailant, only a few miles away from her home in the Indian Territory of present-day Oklahoma. Thus ended the life of one of the most colorful, authentic, and dangerous women in the history of the American West.

D Esperanza was just thirteen years old when he lost his caregivers, his beloved grandmother and uncle. Since both of his parents were working and living in the United States, D was left on his own in a small town in Honduras. He quickly realized he simply could not make enough money to survive so he made the difficult decision to head north with his cousins and hopefully reunite with his parents in el norte. Together, the boys struggled to survive a long and treacherous journey through Central America and Mexico.

Paul Gauguin's legend as a transgressive genius arises as much from his biography as his aesthetically daring Polynesian paintings. Gauguin is chiefly known for his pictures that eschewed convention, to celebrate the beauty of an indigenous people and their culture. In this work, Sue Prideaux reveals that while Gauguin was a complicated man, his scandalous reputation is largely undeserved.

Whack Job is the story of the axe, first as a convenient danger and then an anachronism, as told through the murders it has been employed in throughout history: from the first axe murder nearly half a million years ago, to the brutal harnessing of the axe in warfare, to its use in King Henry VIII's favorite method of execution, to Lizzie Borden and the birth of modern pop culture.

On her wedding day in San Juan, Puerto Rico, in 1968, Rafaela Acuña y Daubón has mild misgivings, but she marries Peter Brennan Jr. anyway in a blaze of romantic optimism. She has no way of knowing how dramatically her life will change when she uproots her young family to start over in the American Midwest, unleashing a fleet of disappointments. In the 1980s, against the backdrop of her mother’s isolation in St. Louis, Missouri, Rafaela’s daughter, Ruth, wants only to belong. Eager to fit in, Ruth lets go of her language, habits, and childhood memories of Puerto Rico. I

How does the son of a Presbyterian minister wind up winning a Pulitzer Prize for writing a wildly inaccurate newspaper column read by millions of people? In Class Clown, Dave Barry takes us on a hilarious ride, starting with a childhood largely spent throwing rocks for entertainment—there was no internet—and preparing for nuclear war by hiding under a classroom desk. After literally getting elected class clown in high school, he went to college, where, as an English major, he read snippets of great literature when he was not busy playing in a rock band (it was the sixties).

With the gravitas of Joan Biskupic and the irreverence of Elie Mystal, Leah Litman brings her signature wit to the question of what’s gone wrong at One First Street. In Lawless, she argues that the Supreme Court is no longer practicing law; it’s running on vibes. By “vibes,” Litman means legal-ish claims that repackage the politics of conservative grievance and dress them up in robes. Major decisions adopt the language and posture of the law, while in fact displaying a commitment to protecting a single minority: the religious conservatives and Republican officials.

I’ve never seen anyone at a public pool with a memorable enough body, good or bad, that I think about it ever again. If this line sounds familiar, it’s because you’ve heard it in the background of thousands of videos on social media—a humbling reminder from poet and radio personality Josie Balka that what’s important in our lives now isn’t necessarily what’s important to us in the long run. I Hope You Remember, Josie’s first book of poetry, includes this poem and over eighty others, some previously published and others never shared before.

From the New York Times bestselling author of The End of Overeating comes an illuminating understanding of body weight, including the role of the latest weight loss drugs, and the possibility of changing our health, weight, and bodies forever.