Caroline Fraser grew up in the shadow of Ted Bundy, the most notorious serial murderer of women in American history, surrounded by his hunting grounds and mountain body dumps, in the brooding landscape of the Pacific Northwest. But in the 1970s and ’80s, Bundy was just one perpetrator amid an uncanny explosion of serial rape and murder across the region. Why so many? Why so weirdly and nightmarishly gruesome? Why the senseless rise and then sudden fall of an epidemic of serial killing?

So Many Stars knits together the voices of trans, nonbinary, genderqueer and two spirit elders of color as they share authentic, intimate accounts of how they created space for themselves and their communities in the world, how they pursued their passions, and how they continue to be at the vanguard of social change.

Veteran and private eye Boubacar doesn’t need much—least of all trouble—but trouble always seems to find him. Work has dried up, and he’d rather be left alone to deal with his bills as the Harmattan rolls in to coat the city in dust, but Bouba is a down on his luck deux fois, suspended between two cultures and two worlds.

Con artists are everywhere—your new boyfriend or girlfriend, your new neighbor or coworker, your new friend—and they don’t outsmart you; they out-feel you to get their hands on your money. In Anatomy of a Con Artist, Walton lays out “the tells” based on hundreds of real-life cases he’s investigated.

In her heyday, Stephanie St. Clair went by many names, but one was best known by all: Madame Queen. The undeniable queen of the Harlem numbers game, St. Clair redefined what it meant to be a woman of means. After immigrating to America from the West Indies, St. Clair would go on to manage one of the largest policy banks in all of Harlem by 1923. She knew the power of reputation, and even though her business was illegal gambling, she ran it like any other respectable entrepreneur. Because first and foremost, Madame Queen was a lady.