
The Finality Problem (Dramatized Adaptation)
Warlock Holmes, Book 5
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By:
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G.S. Denning
About this listen
The famous duo has been split! Watson has been banished from Holmes's company. Despite the interference of his horrible wife, Mary, Watson tirelessly insinuates himself into every magical adventure he can.
Together, he and Holmes face a man with a twisted...everything, some very questionable juice-drinking Germans, Garrideb the Devourer and the estimable Irene Adler. Yet, nothing can prepare them for Moriarty's new form and the terrible moment they must face their Finality Problem at the edge of the Reichenbach Falls.
Performed by Scott McCormick, Eric Messner, Kimberly Gilbert, Patrick Bussink, Colleen Delany, John Kielty, Earl Fisher, Bradley Foster Smith, Christopher Graybill, Kay Eluvian, Jenna Sharpe, Chris Davenport, Todd Scofield, Stewart Crank, Wyn Delano, Peter Holdway, Joey Sourlis, Michael John Casey, Andrew Colford, Danny Gavigan, Mort Shelby, Rose Elizabeth Supan, Terence Aselford, Alex Hill-Knight, Torian Brackett, Lucy Symons, Jacob Yeh, Nora Achrati, Lolita Horne and Jillian Levine-Sisson.
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Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.
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Volcanic Lairs, Death Rays & Cats… Oh My! 😼
- By C. White on 09-19-23
By: John Scalzi
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What listeners say about The Finality Problem (Dramatized Adaptation)
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- donielle ficca
- 07-28-22
Get the non-dramatized version of the book
I enjoy this series. The author has come up with some clever twists and turns to the original Sherlock Holmes to make it an fun, and interesting set of stories. The sound engineering on this dramatized version is BAD. I can only assume that they hired someone's son or niece to do the work as no actual audio engineer would do such a terrible job. They played LOUD, jaunty jazz while the narrator (whom I thought did a good job, what I could hear of it) was speaking about murder. If you must put music in there it should be quiet, a background to the narration and not drowning the words to unintelligibility.
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