Gone Like Yesterday follows two Black women—Zahra, a listless college prep coach, and Sammie, a teenage girl and budding activist soon off to college—who are drawn to each other through the songs of gypsy moths. Gypsy moths have been singing the songs of Zahra’s ancestors to her for years, so when Zahra realizes that Sammie might be a moth person too, their paths become intertwined. Then, the unthinkable happens: Zahra’s brother, Derrick, goes missing.

When tragedy strikes Marjette’s street, and an unexpected child shows up on the first day of school with an uncle who has all the class moms aflutter, Marjette is forced to contend with both her neighbor and her own heartache over losing the life she once thought was guaranteed.

One sunny Spring morning, EJ's simple life is turned upside down when the town's master gardener unceremoniously hands her a stack of handwritten letters that have all been addressed to a nonexistent person at the garden. This simple act sets in motion a chain of events that will lead EJ on a life-altering quest to uncover the identity of the mysterious letter writer―and into a surprising head-on confrontation with the harsh realities of the racial injustice that is as deeply rooted in the life of her community as the ancient herbs cultivated in the Moravian garden.

Indian American journalist Smita has returned to India to cover a story, but reluctantly: long ago she and her family left the country with no intention of ever coming back. As she follows the case of Meena—a Hindu woman attacked by members of her own village and her own family for marrying a Muslim man—Smita comes face to face with a society where tradition carries more weight than one’s own heart, and a story that threatens to unearth the painful secrets of Smita’s own past.

Women warriors planned and led slave revolts on slave ships during the Middle Passage. They fought their enslavers throughout the Americas, and then they were erased from history. Wake tells the story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and a woman haunted by the legacy of slavery. The accepted history of slave revolts has always said that enslaved women were not involved, but Rebecca decides to look deeper.

When sixteen-year-old Cindra Zoeller is sent to a reform camp in Montana after being involved in an armed robbery, she is thrust into a world of mountains and cowboys and prayers and miscreants and people from all walks of life like she’s never seen in suburban Massachusetts. At Camp Challenge, she becomes transfixed by Lucky, a camp employee of mysterious origin—an origin of constant speculation—and the chemistry between them is instant, and profound. The pair escape together into the wilderness to create an idyllic life far from the reach of the law.

Lilian and Rosie were once the closest of sisters, but the untimely death of their parents pulled them apart. Now, three years on, Rosie has reached out to her big sister, asking to meet. Driving on an icy road in the middle of a snowstorm, Rosie admits that she has something important to tell Lilian—a secret she describes as a matter of life and death. But before she has a chance to tell Lilian, a car careens into theirs, with devastating consequences. Lilian is convinced that someone deliberately rammed Rosie’s car. But why?

If there's one thing seventeen-year-old Maverick Carter knows, it's that a real man takes care of his family. As the son of a former gang legend, Mav does that the only way he knows how: dealing for the King Lords. With this money he can help his mom, who works two jobs while his dad's in prison. Life's not perfect, but with a fly girlfriend and a cousin who always has his back, Mav's got everything under control. Until, that is, Maverick finds out he's a father. But it's not so easy to sling dope, finish school, and raise a child.

Violet Figg and her sister Trudy have lived a quiet life in Sugar Bend ever since a night forty years ago stole Trudy’s voice and cemented Violet’s role as Trudy’s fierce and loyal protector. Now, Trudy spends her days making sculptures from found objects and speaking via notes written on scraps of paper, while Violet runs their art shop, monitors the bird activity up and down the water, and tries not to think of her one great love she gave up in order to keep her sister safe.

Just turned eighteen, Romany is on the cusp of taking her first steps into adulthood when tragedy strikes, and she finds herself suddenly alone without her mother, Angie, the only parent she has ever known. In her final letter, Angie has charged her four closest friends with guiding Romany through her last year of school—but is there an ulterior motive to her unusual dying wish? Each of the four guardians possesses an outlook on life that Angie wants to give her daughter as a legacy.

It’s 1957, and after leaving the only home she has ever known, Alice Young steps off the bus into the all-Black town of New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. Instead, they seek to maintain, and fortify, the community they cherish on their “side of the woods.” In this place, Alice falls in love with Raymond Campbell, whose clandestine organizing activities challenge New Jessup’s longstanding status quo and could lead to the young couple’s expulsion—or worse—from the home they both hold dear.

Josephine N. Leary is determined to build a life of her own and a future for her family. When she moves to Edenton, North Carolina, from the plantation where she was born, she is free, newly married, and ready to follow her dreams. As the demands of life pull Josephine’s attention away, it becomes increasingly difficult for her to pursue her real estate aspirations. She finds herself immersed in deepening her marriage, mothering her daughters, and being a dutiful daughter and granddaughter.

One of five children, Pat watched as her alcoholic mother struggled to get by on charity, cons, and petty crimes. At age seven, Pat was taught to roll drunks for money. At 12, she was targeted for sex by a man eight years her senior; by 13, she was pregnant. By 15, Pat was a mother of two. Alone at 16, Pat was determined to make a better life for her children. But with no job skills and an eighth-grade education, her options were limited. She learned quickly that hustling and humor were the only tools she had to survive.

Dolores Claiborne is suspected of killing Vera Donovan, her wealthy employer, and when the police question her, she tells the story of her life, harkening back to her disintegrating marriage and the suspicious death of her violent husband 30 years earlier. Dolores also tells of Vera's physical and mental decline and how she became emotionally demanding in recent years.

Clara Kelley is not who they think she is. She's not the experienced Irish maid who was hired to work in one of Pittsburgh's grandest households. She's a poor farmer's daughter with nowhere to go and nothing in her pockets. But the other woman with the same name has vanished, and pretending to be her just might get Clara some money to send back home.

One of five children, Pat watched as her alcoholic mother struggled to get by on charity, cons, and petty crimes. At age seven, Pat was taught to roll drunks for money. At 12, she was targeted for sex by a man eight years her senior; by 13, she was pregnant. By 15, Pat was a mother of two. Alone at 16, Pat was determined to make a better life for her children. But with no job skills and an eighth-grade education, her options were limited. She learned quickly that hustling and humor were the only tools she had to survive.

Gayle was the beauty who believed that a man could make her life complete. Patricia was the intellectual who thought that rising to the top of her career would make her happy. And then there is Marcus Carter, who has been linked to both Gayle and Pat since the tragedy that occurred when they were all children. Can either one save him from himself? Can friends survive a love that comes between them? Each of them gets what she wants, but no one counts on the price they have to pay.

Sally O'Malley made a promise to her daddy before he died. She swore she'd look after her sister, Troo. Keep her safe. But like her Granny always said, actions speak louder than words. And Sally would have to agree with her.

Celeste English and Ronnie Frazier are sisters, but they couldn't be more different. Celeste is a doctor's wife, living a perfect and elegant façade. But secretly, her marriage is falling apart and her need to control people around her threatens to destroy them all. Ronnie is an actress, living in New York. But she has no money, she has no home, and her life is held together by "chewing gum, paper clips, and spit." When their father dies, the sisters inherit a house in Prosper, North Carolina.

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.

When Brittany Ellis walks into chemistry class on the first day of senior year, she has no clue that her carefully created perfect life is about to unravel before her eyes. She's forced to be lab partners with Alex Fuentes, a gang member from the other side of town, and he is about to threaten everything she's worked so hard for her flawless reputation, her relationship with her boyfriend, and the secret that her home life is anything but perfect.

When it happened Miguel was sent to Juvi. The judge only gave him a year in a group home - said he had to write in a journal so some counselor could try to figure out how he thinks. The judge had no idea that he'd actually done Miguel a favor. Ever since it happened Miguel’s mom can't even look him in the eye. Any home besides his would be a better place to live. But Miguel didn’t bet on meeting Rondell or Mong or on any of what happened after they broke out. He only thought about Mexico and getting across the border to where he could start over....

When Vivi and Siddalee Walker, an unforgettable mother-daughter team, get into a savage fight over a New York Times article that refers to Vivi as a "tap-dancing child abuser", the fallout is felt from Louisiana to New York to Seattle. Siddalee, a successful theater director with a huge hit on her hands, panics and postpones her upcoming wedding to her lover and friend, Connor McGill. Vivi's intrepid gang of lifelong girlfriends, the Ya-Yas, sashay in and conspire to bring everyone back together.

Among the longleaf pines and family farms of eastern North Carolina, days seem to pass without incident for Margaret Clayton and Bernice Stokes until they discover each other in a friendship that will take them on the most important journey of their lives. Margaret, droll and whip smart, has a will of iron that never fails her even when her body does, while Bernice, an avid country-music fan, is rarely lucid.

The Turners have lived on Yarrow Street for over 50 years. Their house has seen 13 children grown and gone - and some returned; it has seen the arrival of grandchildren, the fall of Detroit's East Side, and the loss of a father. The house still stands despite abandoned lots, an embattled city, and the inevitable shift outward to the suburbs. But now, as ailing matriarch Viola finds herself forced to leave her home and move in with her eldest son, the family discovers that the house is worth just a 10th of its mortgage.

On the corner of American Street and Joy Road, Fabiola Toussaint thought she would finally find une belle vie - a good life. But after they leave Port-au-Prince, Haiti, Fabiola's mother is detained by US immigration, leaving Fabiola to navigate her loud American cousins - Chantal, Donna, and Princess - the grittiness of Detroit's West Side, a new school, and a surprising romance all on her own.

Mitchell S. Jackson grew up black in a neglected neighborhood in America’s whitest city, Portland, Oregon. In the ’90s, those streets and beyond had fallen under the shadow of crack cocaine and its familiar mayhem. In his commanding autobiographical novel, Mitchell writes what it was to come of age in that time and place, with a break-out voice that’s nothing less than extraordinary. The Residue Years switches between the perspectives of a young man, Champ, and his mother, Grace.

Danny's tall and skinny. Even though he's not "built", his arms are long enough to give his pitch a power so fierce that any college scout would sign him on the spot. Ninety-five-mile-an-hour fastball, but the boy's not even on a team. Every time he gets up on the mound, he loses it. Ball ends up so far out of the strike zone it's laughable. But at his private school, they don't expect much else from him. Danny's brown. Half-Mexican brown....

Frances "Khaki" Mason has it all: a thriving interior design career, a loving husband and son, homes in North Carolina and Manhattan - everything except the second child she has always wanted. Jodi, her husband's 19-year-old cousin, is fresh out of rehab, pregnant, and alone.

The feds want Miami bookmaker Harry Arno to squeal on his wiseguy boss. So they're putting word out on the street that Arno's skimming profits from "Jimmy Cap" Capotorto - which he is, but everybody does it. He was planning to retire to Italy someday anyway, so Harry figures now's a good time to get lost. U.S. Marshal Raylan Givens knows Harry's tricky - the bookie ditched him once in an airport while in the marshal's custody - but not careful.

Pete Riley answers the door one morning and lets in a parent's worst nightmare. On his doorstep is Miles Lambert, a stranger who breaks the devastating news that Pete's son, Theo, isn't actually his son - he is the Lamberts', switched at birth by an understaffed hospital while their real son was sent home with Miles and his wife, Lucy. For Pete, his partner Maddie, and the little boy they've been raising for the past two years, life will never be the same again.

Luciana is the baby of her large Colombian American family. And despite usually being relegated to the sidelines, she now finds herself the voice of reason in the middle of their unexpected crisis. Her older sister, Mari, is away at college and reduced to a mere listening ear on the other end of their many phone calls, so when South Florida residents are ordered to evacuate before a hurricane, it’s up to Luciana to deal with her eccentric grandmother, Abue, who’s refusing to leave. But the storm isn’t the only danger.

An unambitious twenty-two-year-old, Darren lives in a Bed-Stuy brownstone with his mother, who wants nothing more than to see him live up to his potential as the valedictorian of Bronx Science. But Darren is content working at Starbucks in the lobby of a Midtown office building, hanging out with his girlfriend, Soraya, and eating his mother's home-cooked meals. All that changes when a chance encounter with Rhett Daniels, the silver-tongued CEO of Sumwun, NYC's hottest tech startup, results in an exclusive invitation for Darren to join an elite sales team on the thirty-sixth floor.

After going viral “reading” the chaotic political news, having one-too-many awkward social encounters, and coming to terms with his intersecting identities, R. Eric Thomas finally knew who he was and where he was going. He was living his best life. But then everything changed. In this collection of insightful and hilarious essays, Thomas moves back to his perpetually misunderstood hometown of Baltimore (a place he never wanted to return, even to be buried) and behaving completely out of character.

There are things Chelsea Devantez probably shouldn’t be telling you. Many of them are in this book: some are embarrassing (like when she tried to break her three year spell of celibacy using a guide of seduction tips). Some are confessional (getting sentenced to the “hell hill” at Mormon church camp). Some are TMI (a series of outrageous doctor visits that ended with one doctor misdiagnosing her as “pregnant.” Woopsies!).