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Stein on Writing
- A Master Editor Shares His Craft, Techniques, and Strategies
- Narrated by: Christopher Lane
- Length: 11 hrs and 17 mins
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Featured Article: The 10 Best Audiobooks on Writing
National Novel Writing Month—or NaNoWriMo—is the one time every year you can be totally obsessed with your novel, live knee-deep inside your own stories, and no one can say anything about it! It is, in short, a creative writer's dream (or nightmare, depending on how well you write under pressure). From fantastical epics to realistic shorts to flash-fiction, we each have our own wonderful story to tell. This carefully selected list of the best audiobooks on writing will help you access your inner writer and get your story on the page.
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The Glamour of Grammar
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Early in the history of English, glamour and grammar were the same word, linked to enchantment and magical spells. Now grammar brings to mind language bullies and bored-out-of-their-skulls students. Roy Peter Clark, one of America’s most influential writing teachers, wants to change that by putting the glamour back into grammar.
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Wasteful
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Reading Like a Writer
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In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters and discover why their work has endured. Written with passion, humor, and wisdom, Reading Like a Writer will inspire listeners to return to literature with a fresh eye and an eager heart.
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Practical, literate, generous
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How to Write Short
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In How to Write Short , Roy Peter Clark turns his attention to the art of painting a thousand pictures with just a few words. Short forms of writing have always existed - from ship logs and telegrams to prayers and haikus. But in this ever-changing Internet age, short-form writing has become an essential skill. Clark covers how to write effective and powerful titles, headlines, essays, sales pitches, Tweets, letters, and even self-descriptions for online dating services.
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Ironically long
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The Art of Fiction
- By: Ayn Rand
- Narrated by: Marguerite Gavin
- Length: 6 hrs and 50 mins
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Ayn Rand discusses how a writer combines abstract ideas with concrete action and description to achieve a unity of theme, plot, characterization, and style, the four essential elements of fiction. Here, too, are Rand's illuminating analyses of passages from famous writers, rewrites of scenes from her own works, and fascinating rules for building dramatic plots and characters with depth.
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Get Stein on Writing
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How Fiction Works
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Ranging widely from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings, Wood takes the reader through the basic elements of the art, step by step. He sums up two decades of insight with wit and concision, resulting in nothing less than a philosophy of the novel, which has won critical acclaim nationwide, from the San Francisco Chronicle to the New York Times Book Review.
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Educational!
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Draft No. 4
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Draft No. 4 is an elucidation of the writer's craft by a master practitioner. In a series of playful but expertly wrought essays, John McPhee shares insights he's gathered over his career and refined during his long-running course at Princeton University, where he has launched some of the most esteemed writers of several generations. McPhee offers a definitive guide to the crucial decisions regarding structure, diction, and tone that shape nonfiction pieces and presents extracts from some of his best-loved work, subjecting them to wry scrutiny.
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McPhee is the Craft
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By: John McPhee
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The Glamour of Grammar
- By: Roy Peter Clark
- Narrated by: Roy Peter Clark
- Length: 8 hrs and 55 mins
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Overall
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Performance
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Early in the history of English, glamour and grammar were the same word, linked to enchantment and magical spells. Now grammar brings to mind language bullies and bored-out-of-their-skulls students. Roy Peter Clark, one of America’s most influential writing teachers, wants to change that by putting the glamour back into grammar.
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Wasteful
- By ABID on 12-05-13
By: Roy Peter Clark
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Reading Like a Writer
- By: Francine Prose
- Narrated by: Nanette Savard
- Length: 8 hrs and 59 mins
- Unabridged
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Overall
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Performance
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Story
In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters and discover why their work has endured. Written with passion, humor, and wisdom, Reading Like a Writer will inspire listeners to return to literature with a fresh eye and an eager heart.
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Practical, literate, generous
- By Gare on 04-13-08
By: Francine Prose
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How to Write Short
- Word Craft for Fast Times
- By: Roy Peter Clark
- Narrated by: Roy Peter Clark
- Length: 5 hrs and 20 mins
- Unabridged
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Overall
-
Performance
-
Story
In How to Write Short , Roy Peter Clark turns his attention to the art of painting a thousand pictures with just a few words. Short forms of writing have always existed - from ship logs and telegrams to prayers and haikus. But in this ever-changing Internet age, short-form writing has become an essential skill. Clark covers how to write effective and powerful titles, headlines, essays, sales pitches, Tweets, letters, and even self-descriptions for online dating services.
-
-
Ironically long
- By Amazon Customer on 03-14-16
By: Roy Peter Clark
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The Art of Fiction
- By: Ayn Rand
- Narrated by: Marguerite Gavin
- Length: 6 hrs and 50 mins
- Unabridged
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Overall
-
Performance
-
Story
Ayn Rand discusses how a writer combines abstract ideas with concrete action and description to achieve a unity of theme, plot, characterization, and style, the four essential elements of fiction. Here, too, are Rand's illuminating analyses of passages from famous writers, rewrites of scenes from her own works, and fascinating rules for building dramatic plots and characters with depth.
-
-
Get Stein on Writing
- By Lois on 12-04-09
By: Ayn Rand
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How Fiction Works
- By: James Wood
- Narrated by: James Adams
- Length: 5 hrs and 47 mins
- Unabridged
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Overall
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Performance
-
Story
Ranging widely from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings, Wood takes the reader through the basic elements of the art, step by step. He sums up two decades of insight with wit and concision, resulting in nothing less than a philosophy of the novel, which has won critical acclaim nationwide, from the San Francisco Chronicle to the New York Times Book Review.
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-
Educational!
- By Don on 05-04-09
By: James Wood
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Draft No. 4
- On the Writing Process
- By: John McPhee
- Narrated by: John McPhee
- Length: 6 hrs and 49 mins
- Unabridged
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Overall
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Performance
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Story
Draft No. 4 is an elucidation of the writer's craft by a master practitioner. In a series of playful but expertly wrought essays, John McPhee shares insights he's gathered over his career and refined during his long-running course at Princeton University, where he has launched some of the most esteemed writers of several generations. McPhee offers a definitive guide to the crucial decisions regarding structure, diction, and tone that shape nonfiction pieces and presents extracts from some of his best-loved work, subjecting them to wry scrutiny.
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McPhee is the Craft
- By Darwin8u on 09-19-17
By: John McPhee
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Six Walks in the Fictional Woods
- By: Umberto Eco
- Narrated by: Nick Sullivan
- Length: 5 hrs and 4 mins
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In this exhilarating book, we accompany Umberto Eco as he explores the intricacies of fictional form and method. Using examples ranging from fairy tales and Flaubert, Poe and Mickey Spillane, Eco draws us in by means of a novelist's techniques, making us his collaborators in the creation of his text and in the investigation of some of fiction's most basic mechanisms.
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big ideas presented simply
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The Memoir Project
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Whether or not one has lived an exceptional or dramatic life, we inherently understand that writing memoir—whether it’s a book, blog, or just a letter to a child - is the single greatest portal to self-examination. Stop treading water in writing exercises or hiding behind “writer’s block” and learn how to write with intent. Marion Roach Smith’s disarmingly frank but wildly fun tactics offer you simple and effective guidelines that work. Your legacy beings now.
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amazing what you can learn from brevity
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So We Read On
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Conceived nearly a century ago by a man who died believing himself a failure, it's now a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As Maureen Corrigan, Gatsby lover extraordinaire, points out, while Fitzgerald's masterpiece may be one of the most popular novels in America, many of us first read it when we were too young to fully comprehend its power.
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Reading Gatsby as an adult reveals its greatness!
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- Substance, Structure, Style, and the Principles of Screenwriting
- By: Robert McKee
- Narrated by: Robert McKee
- Length: 6 hrs and 12 mins
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Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.
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Only 5 Chapters
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Every Love Story Is a Ghost Story
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- By: D. T. Max
- Narrated by: Malcolm Hillgartner
- Length: 12 hrs and 25 mins
- Unabridged
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David Foster Wallace was the leading literary light of his generation, a man who not only captivated readers with his prose but also mesmerized them with his brilliant mind. In this, the first biography of the writer, D. T. Max sets out to chart Wallace’s tormented, anguished, and often triumphant battle to succeed as a novelist as he fights off depression and addiction to emerge with his masterpiece, Infinite Jest.
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Max avoids hagiography or a sycophant's biography
- By Darwin8u on 06-11-13
By: D. T. Max
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Process
- The Writing Lives of Great Authors
- By: Sarah Stodola
- Narrated by: Andi Arndt
- Length: 7 hrs and 4 mins
- Unabridged
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Ernest Hemingway, Zadie Smith, Joan Didion, Franz Kafka, David Foster Wallace, and more. In Process, acclaimed journalist Sarah Stodola examines the creative methods of literature's most transformative figures. Each chapter contains a mini biography of one of the world's most lauded authors, focused solely on his or her writing process.
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Excellent!
- By Davina Rush on 04-10-15
By: Sarah Stodola
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The Stephen King Companion
- Four Decades of Fear from the Master of Horror
- By: George Beahm
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- Length: 24 hrs and 21 mins
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The Stephen King Companion is an authoritative look at horror author King's personal life and professional career, from Carrie to The Bazaar of Bad Dreams. King expert George Beahm, who has published extensively about Maine's main author, is your seasoned guide to the imaginative world of Stephen King, covering his varied and prodigious output: juvenalia, short fiction, limited edition books, best-selling novels, and film adaptations.
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A Kingopedia: Books, Movies, Bio and Art
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The Enchanted Hour
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A Wall Street Journal writer’s conversation-changing look at how reading aloud makes adults and children smarter, happier, healthier, more successful, and more closely attached, even as technology pulls in the other direction.
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advice to take to heart
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My Life with Bob
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Pamela Paul has kept a single book by her side for 28 years - carried throughout high school and college, hauled from Paris to London to Thailand, from job to job, safely packed away and then carefully removed from apartment to house to its current perch on a shelf over her desk - reliable if frayed, anonymous-looking yet deeply personal. This book has a name: Bob. Bob is Paul's Book of Books, a journal that records every book she's ever read.
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An uncanny mirror and a celebration of book love
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Poetry in Person
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This first audio edition of Poetry in Person: 25 Years of Conversation with America’s Poets (Knopf, 2010), invites listeners into an intimate classroom with eight acclaimed poets. Full of compelling, in-depth conversation about manuscripts and drafts by the poets themselves, plus readings of the finished poems, these historic recordings offer one of the most detailed portraits ever produced of how poems are actually made.
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Fascinating
- By d on 08-28-16
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Where the Past Begins
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Moving from her childhood in Oakland and growing up with her Chinese parents through her success as a novelist, Amy Tan delves into her creative interests in music, the paralysis of beginning a new project, journal writing, and travelling. Where the Past Begins chronicles the making of a writer. With characteristic humor and poignant observation, Tan weaves a nontraditional introspective narrative that is as complex and vibrant as this beloved American novelist's fiction.
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Narration Issues
- By Sara on 12-14-17
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Save the Cat!
- The Last Book on Screenwriting You'll Ever Need
- By: Blake Snyder
- Narrated by: George Newbern
- Length: 5 hrs and 22 mins
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Here's what started the phenomenon: This book has been a best seller for over 15 years and has been used by screenwriters around the world! Blake Snyder tells all in this fast, funny, and candid look inside the movie business. Save the Cat is just one of many ironclad rules for making your ideas more marketable and your script more satisfying.
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Don't waste your time
- By Amazon Customer on 02-05-20
By: Blake Snyder
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Go ahead. Download it.
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This writer's approach might work for some, but. .
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Required Reading
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Early in the history of English, glamour and grammar were the same word, linked to enchantment and magical spells. Now grammar brings to mind language bullies and bored-out-of-their-skulls students. Roy Peter Clark, one of America’s most influential writing teachers, wants to change that by putting the glamour back into grammar.
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Wasteful
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Not what I expected but useful
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20 Master Plots
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Some Good Ideas
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There's more to writing a successful fantasy story than building a unique world or inventing a new type of magic. From the writing of strong, action-packed scenes to the creation of dynamic, multi-dimensional characters, fantasy author Deborah Chester guides novices and intermediate writers through a step-by-step process of story construction. Whether offering tips on how to test a plot premise or survive what she calls the dark dismal middle, Chester shares the techniques she uses in writing her own novels.
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Ended up buying the paperback version
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Show, Don't Tell
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Show, don't tell is probably the single most important piece of advice given to writers. But many writers struggle to understand this powerful principle or have difficulty applying it to their own work. Even experienced authors sometimes don't grasp the finer nuances of showing and telling. In this book, Sandra Gerth draws on her experience as an editor and a best-selling author to show you how to show and tell you when to tell.
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A Great Teaching Tool
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What listeners say about Stein on Writing
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- David
- 04-04-09
Must Have
Now that I have listened to this book I will have to buy a hard copy. There was not enough room on my MP3 player for all of the bookmarks. This is a book you will want to dog ear.
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10 people found this helpful
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- Sil A.
- 07-29-18
A Classic
Sol Stein’s On Writing is a classic that still speaks. Sol shares his experiences as a successful editor in a clear, methodical, and applicable manner. Though primarily written for fiction authors, the book is also relevant for non-fiction authors. In fact, he points out at the beginning what chapters apply to each group. Even though I am primarily interested in non-fiction, I found the entire book very interesting, filled with great examples, analyses based on published texts, many of which were edited by Sol himself. Listening to the insights of an editor with his experience is priceless info. If you are serious about writing, this book is a must. Narration is exceptional and easy to follow.
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2 people found this helpful
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- TC Austin
- 05-25-17
must have for the would be author
If you aspire to be a published author or already are, this book and audio is an absolute necessity. Solstien shares his wisdom and experiences as one of the most renowned editor and successful author of our time.
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1 person found this helpful
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- Christos
- 07-28-19
Stein On Writing
The man knows the writers trade as editor and author. He delivers useful techniques wrapped in a flu9d narration that has enough humor folded in to move the narrative along at a nice pace.
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1 person found this helpful
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- michael
- 04-02-12
Essential book for any writer
Would you consider the audio edition of Stein on Writing to be better than the print version?
I enjoy the audio version because I can listen to it on my iPod while doing chores. I am beginning my second pass through the book right now!
Have you listened to any of Christopher Lane’s other performances before? How does this one compare?
I have not heard Christopher Lane before but he is a fine a voice performer as you can get! His reading of this book was perfect, in my estimation.
What’s an idea from the book that you will remember?
I found his application of fiction writing techniques to non-fiction a revelation. I am a documentary filmmaker and often write the voice over for my films. This book has transformed the way I view that task.
Any additional comments?
Every writer MUST read this! Even if you do not aspire to become a writer, listening to this book will enhance your enjoyment of good writing.
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1 person found this helpful
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- S. Taylor
- 06-03-14
A master communicator
What made the experience of listening to Stein on Writing the most enjoyable?
Solid stories about the real world.
Who was your favorite character and why?
Sol, of course.
What about Christopher Lane’s performance did you like?
Didn't get tired of his voice. Listened on a three hour drive, back and forth.
Was there a moment in the book that particularly moved you?
no
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- Amazon Customer
- 02-20-12
You go, Sol!
Would you listen to Stein on Writing again? Why?
I most certainly will listen to this book again. Stein has enlightened me on what makes a great book great.
What was one of the most memorable moments of Stein on Writing?
Stein makes it personal, using stories from his own experience. He also uses examples from literature, which are readily known and/or accessible. He shows instead of tells, which is one of the basic premises.
Which character ??? as performed by Christopher Lane ??? was your favorite?
This is not fiction. The only
What???s an idea from the book that you will remember?
That's just it...this entire book is worth remembering. When I think I'm starting to forget, I will re-listen.
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- Amazon Customer
- 09-14-21
great
I have been going through a dry spell and this is what I needed
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- RNS
- 12-25-20
Great resource!
Spell-binding, with deep insight into the human condition; valuable resources for the aspiring writer. Thank you!
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Overall
- Kestrel
- 03-15-06
Useful, if you can get past the attitude
I suspect that deep inside of literary Mr. Stein there lurks a sleazy adventure writer yearning to get out. Stein denigrates "transient" fiction (a.k.a. genre fiction in his opinion), yet examples from his own work differ little from the examples of "transient" literature that he quotes. The only difference I could see was that the "transient" literature was drawn from books I'd actually heard of. Stein mocks the use of cliches, yet in an example from his own writing, uses the cliche phrase "naked and unashamed." Dear, dear.
One thing lacking from the book was a discussion of writing appropriately for one's audience. Stein chastises Thomas Huxley for writing in a florid, convoluted style, yet he quotes Huxley entirely out of context and fails to consider Huxley's audience: educated Victorians who expected no less from an educated scientist and writer. Stein would lead us to believe that there is but one way to write well -- his way.
Still, once past the attitudinal bits, there is much that is useful here, making this a worthwhile download for serious writers. Stein has some solid ideas on how to go about editing one's work, starting with a grand overview, and going down to details. His advice to find the weakest chapter, then the weakest scene, is extremely helpful. His advice on plotting is good and easy to follow. Pay attention to what he says about adjectives. It can clean up your work considerably.
As an audiobook, this is easy on the ears. The reading is clear and the pace is good. Warning: you may be tempted to drive with a notebook in hand to jot down ideas. Or you may end up buying the hard copy so you can refer back to the bits that you found most useful.
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