Recovering from the recent tragedy of his wife's death in a cliff fall, Tony Sheridan goes to stay with his sister-in-law, Lucy, and her husband at their new home - Otherways - a strange circular, moated house. Disturbed by memories of his wife and a growing attraction to Lucy, Sheridan is also troubled by weird and vivid dreams. And as he and Lucy embark on a secret and passionate affair, Sheridan begins uncovering the truth about Otherways.

On assignment in Vienna, photographer Ian Jarrett falls suddenly and desperately in love with a woman he meets by pure chance, Marian Esguard. Back in England, he separates from his wife and goes to meet Marian at an agreed rendezvous, only to hear her tell him on the telephone that she will not, after all, be coming. Then she vanishes from his life as mysteriously as she entered it. Who and where is the woman he met and fell in love with in Vienna?

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

An unmatched guide to the religious dimensions of American politics, Jeff Sharlet journeys into corners of our national psyche where others fear to tread. The Undertow is both inquiry and meditation, an attempt to understand how, over the last decade, reaction has morphed into delusion, social division into distrust, distrust into paranoia, and hatred into fantasies—sometimes realities—of violence.

Homicide is always an abomination, but there is something exceptionally disturbing about the victim discovered in a high, lonely place: a corpse with a mouth full of sand, abandoned at a crime scene seemingly devoid of tracks or useful clues. Though it goes against his better judgment, Navajo tribal police lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer.

Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food to the Dead. But mostly, he is alone.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Upon her brother's death, missionary Rose Sayer and Charles Allnutt, disreputable skipper of the African Queen, become allies as, marooned in German Central Africa during World War I, they fight their old launch downriver 'to strike a blow for England'.

"I have been acquainted with the smell of death." So begins Clytemnestra's tale of her own life in ancient Mycenae, the legendary Greek city from which her husband, King Agamemnon, left when he set sail with his army for Troy. Clytemnestra rules Mycenae now, along with her new lover, Aegisthus, and together they plot the bloody murder of Agamemnon on the day of his return after nine years at war.

It is a tale of ghosts, of madness, of revenge - of old alliances giving way to new intrigues. Denmark is changing, shaking off its medieval past. War with Norway is on the horizon. And Hamlet - son of the old king, nephew of the new - becomes increasingly entangled in a web of deception - and murder. Beautifully performed by actor Richard Armitage ("Thorin Oakenshield" in the Hobbit films), Hamlet, Prince of Denmark takes Shakespeare’s original into unexpected realms, reinventing a story we thought we knew.

December 11, 1936. The King of England, Edward VIII, has given up his crown, foregoing his duty for the love of Wallis Simpson, an American divorcee. Their courtship has been dogged by controversy and scandal, but with Edward's abdication, they can live happily ever after.

Willis Wu doesn’t perceive himself as a protagonist even in his own life: He’s merely Generic Asian man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but he is always relegated to a prop. Yet every day he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy - the most respected role that anyone who looks like him can attain. At least that’s what he has been told.

Welcome to the summer of 1985 in Philadelphia, when the city was rocked—in almost every sense of the word—by two unprecedented events: Mayor W. Wilson Goode’s May 13 decision to bomb the headquarters of MOVE, a controversial Philadelphia-based radical communal organization, and the July 13 Live Aid concert, where international rock royalty convened in Philly to raise money for victims of the Ethiopian famine. Separated by just two months and eight miles, these events would showcase both the best and the worst of the so-called City of Brotherly Love.

Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s house and who is as awkward as Frankie is. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, shot through with an enigmatic phrase, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us.

Graham Greene’s evocative analysis of the love of self, the love of another, and the love of God is an English classic that has been translated for the stage, the screen, and even the opera house. Academy Award-winning actor Colin Firth (The King’s Speech, A Single Man) turns in an authentic and stirring performance for this distinguished audio release.