Reha feels torn between two worlds: school, where she’s the only Indian American student, and home, with her family’s traditions and holidays. But Reha’s parents don’t understand why she’s conflicted - they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked - Reha means “star” and Punam means “moon” - but they are a universe apart. Then Reha finds out that her Amma is sick.

Annie and Lee were just children when a brutal revolution changed their world, giving everyone—even the lowborn—a chance to test into the governing class of dragonriders. Now, they are both rising stars in the new regime, despite backgrounds that couldn't be more different. Annie's lowborn family was executed by dragonfire, while Lee's aristocratic family was murdered by revolutionaries. Growing up in the same orphanage forged their friendship, and seven years of training have made them rivals for the top position in the dragonriding fleet.

Welcome to the Home for Wayward and Misbegotten Creatures, an institution run by evil Miss Carbunkle, a cunning villainess who believes her terrified young charges exist only to serve and suffer. Part animal and part human, the groundlings toil in classroom and factory, forbidden to enjoy anything regular children have, most particularly singing and music. For the Wonderling, an innocent-hearted, one-eared, fox-like eleven-year-old with only a number rather than a proper name - a 13 etched on a medallion around his neck - it is the only home he has ever known.

Once upon a time, there was a girl named Maud who adored stories. When she was fourteen years old, Maud wrote in her journal, "I love books. I hope when I grow up to be able to have lots of them." Not only did Maud grow up to own lots of books, she wrote twenty-four of them herself as L. M. Montgomery, the world-renowned author of Anne of Green Gables. For many years, her lifelong struggles with anxiety and depression, her "year of mad passion" and her difficult married life were buried deep within her unpublished personal journals....

Zada is a camel with a treasure trove of stories to tell. She’s won camel races for the royal Pasha of Smyrna, crossed treacherous oceans to new land, led army missions with her best camel friend by her side, and outsmarted a far too pompous mountain lion. But those stories were from before. Now, Zada wanders the desert as the last camel in Texas. She’s not, however, alone. Two tiny kestrel chicks are nestled in the fluff of fur between her ears - kee-killy-keeing for their missing parents - and a dust storm the size of a mountain is taking Zada on one more grand adventure.

"Are you in a bad mood or something?" asked Rocky. "Or something," said Judy Moody. Bad moods, good moods, even back-to-school moods - Judy Moody has them all! When her teacher assigns the class the task of creating "Me" collages, it puts Judy in a cut-and-paste mood! Meet Judy Moody, her little "bother" Stink, her best friend Rocky, and her "pest" friend Frank Pearl. They're guaranteed to put you in a very Judy Moody mood... or something.

Malian loves spending time with her grandparents at their home on a Wabanaki reservation. She’s there for a visit when, suddenly, all travel shuts down. There’s a new virus making people sick, and Malian will have to stay with her grandparents for the duration. Everyone is worried about the pandemic, but Malian knows how to keep her family and community safe: She protects her grandparents, and they protect her. She doesn’t go outside to play with friends, she helps her grandparents use video chat, and she listens to and learns from their stories.

Louisa May Alcott portrays a writer as worthy of interest in her own right as her most famous character, Jo March, and addresses all aspects of Alcott's life: the effect of her father's self-indulgent utopian schemes; her family's chronic economic difficulties and frequent uprootings; her experience as a nurse in the Civil War; and the loss of her health and frequent recourse to opiates in search of relief from migraines, insomnia, and symptomatic pain.

Winner of the 1982 National Book Award for Biography, Mornings on Horseback is the brilliant biography of the young Theodore Roosevelt. Hailed as a masterpiece by Newsday, it is the story of a remarkable little boy -- seriously handicapped by recurrent and nearly fatal attacks of asthma -- and his struggle to manhood.

Charles Dickens: A Life gives full measure to Dickens's heroic stature - his huge virtues both as a writer and as a human being - while observing his failings in both respects with an unblinking eye. Renowned literary biographer Claire Tomalin crafts a story worthy of Dickens's own pen, a comedy that turns to tragedy as the very qualities that made him great - his indomitable energy, boldness, imagination, and showmanship - finally destroyed him.

Charlotte Gordon's new work is a fresh look at the lives of Mary Wollstonecraft and Mary Shelley, who together comprise one of the most illustrious and inspiring mother-daughter pairs in history.

Hardy's work challenged sexual and religious conventions in a way that few other authors of the time dared. Though his modesty and kindness allowed some to underestimate him, or even to pity him, they did not prevent him from taking on the central themes of human experience: time, memory, loss, love, fear, grief, anger, death. This engrossing biography identifies the inner demons and the outer mores that drove Hardy and presents a complex portrait of one of the greatest figures in English literature.

Joy Davidman is known, if she is known at all, as the wife of C. S. Lewis. Their marriage was immortalized in the film Shadowlands and Lewis' memoir, A Grief Observed. Now, through extraordinary new documents as well as years of research and interviews, Abigail Santamaria brings Joy Davidman Gresham Lewis to your ears in the fullness and depth she deserves. A poet and radical, Davidman was a frequent contributor to the communist vehicle New Masses and an active member of New York literary circles in the 1930s and '40s.

Charlotte Brontë's life contained all the drama and tragedy of the great Gothic novels it inspired. Like Jane Eyre, she was raised motherless on remote Yorkshire moors and sent away to a brutally strict boarding school at a young age. Charlotte grew up and watched helplessly as, one by one, her five beloved siblings sickened and died; by the end of her short life, she was the only child of the Brontë clan remaining.

Marked by honesty, humility, and grace, rendered in the most elegant of prose, A Life of My Own is a portrait of a life, replete with joy and heartbreak. With quiet insight and unsparing clarity, Claire Tomalin writes autobiography at its most luminous, delivering an astonishing and emotionally taut masterpiece.