The Lady and Her Monsters by Roseanne Motillo brings to life the fascinating times, startling science, and real-life horrors behind Mary Shelley's gothic masterpiece, Frankenstein. Montillo recounts how - at the intersection of the Romantic Age and the Industrial Revolution - Shelley's Victor Frankenstein was inspired by actual scientists of the period: curious and daring iconoclasts who were obsessed with the inner workings of the human body and how it might be reanimated after death.

There is no more dramatic scene in literary history than the stormy night by Lake Geneva when Byron, Claire Clairmont, Polidori and the Shelleys met to talk of horror and the unexplained. From that emerged Frankenstein, a monster who has haunted imaginations for 200 years. Miranda Seymour illustrates the rich and unexplored life of Mary Shelley. Everything from her childhood to her tempestuous relationship with Percy Shelley; Seymour brings to life the brilliant mind that created Frankenstein through unexplored and intriguing sources.

When did we begin to be as self-centered as we are today? At what point did we expect to have the right to determine our own lives? When did we first ask the question, how can I be free? It all began in the 1790s in a quiet university town in Germany when a group of playwrights, poets, and writers put the self at center stage in their thinking, writing, and their lives.

First published in 1792, A Vindication of the Rights of Woman tackles many of the punitive patriarchal attitudes that dominated 18th-century society. With warmth and passion, Mary Wollstonecraft urges women to prioritize reason over emotion - a necessary step in building the strength of character required to break free from male notions of female fragility and foolishness. Wollstonecraft bases much of her argument in the case for women's education.

Charlotte Brontë's life contained all the drama and tragedy of the great Gothic novels it inspired. Like Jane Eyre, she was raised motherless on remote Yorkshire moors and sent away to a brutally strict boarding school at a young age. Charlotte grew up and watched helplessly as, one by one, her five beloved siblings sickened and died; by the end of her short life, she was the only child of the Brontë clan remaining.

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented—but armed—aimlessness.

1860: As the clash between the states rolls slowly to a boil, Elizabeth Packard, housewife and mother of six, is facing her own battle. The enemy sits across the table and sleeps in the next room. Her husband of 21 years is plotting against her because he feels increasingly threatened - by Elizabeth’s intellect, independence, and unwillingness to stifle her own thoughts. So Theophilus makes a plan to put his wife back in her place. One summer morning, he has her committed to an insane asylum.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

The Victorians are often credited with ushering in our current era, yet the seeds of change were planted in the years before. The Regency (1811-1820) began when the profligate Prince of Wales - the future King George IV - replaced his insane father, George III, as Britain's ruler. Around the regent surged a society steeped in contrasts: evangelicalism and hedonism, elegance and brutality, exuberance and despair. The arts flourished at this time with a showcase of extraordinary writers and painters such as Jane Austen, Lord Byron, the Shelleys, John Constable, and J. M. W. Turner.

The seventeenth century was a revolutionary age for the English. It started as they suddenly found themselves ruled by a Scotsman, and it ended in the shadow of an invasion by the Dutch. Under James I, England suffered terrorism and witch panics. Under his son Charles, state and society collapsed into civil war, to be followed by an army coup and regicide. For a short time—for the only time in history—England was a republic. There were bitter struggles over faith and Parliament asserted itself like never before. There were no boundaries to politics.

A captivating exploration of the role in which Queen Victoria exerted the most international power and influence: as a matchmaking grandmother. Queen Victoria's Matchmaking travels through the glittering, decadent palaces of Europe from London to Saint Petersburg, weaving in scandals, political machinations, and family tensions. It is at once an intimate portrait of a royal family and an examination of the conflict caused by the marriages the Queen arranged. At the heart of it all is Victoria herself: doting grandmother one moment, determined Queen Empress the next.

In the latest volume of his celebrated series of Time Traveler's Guides, Ian Mortimer turns to what is arguably the most-loved period in British history—the Regency, or Georgian England. A time of exuberance, thrills, frills, and unchecked bad behavior, it was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality. At the same time, it was a period of transition. Conveying the sights, sounds, and smells of the Regency period, this is history at its most exciting—the past not as something to be studied, but as lived experience.

A wild and unexpected journey through culture, science, philosophy, and religion to better understand the mercurial genius of William Blake.

Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.

Born in London to an American father and a British mother on the eve of the Revolutionary War, Louisa Catherine Johnson was raised in circumstances very different from the New England upbringing of future president John Quincy Adams, whose life had been dedicated to public service from the earliest age. And yet John Quincy fell in love with her almost despite himself. Their often tempestuous but deeply close marriage lasted half a century.

Herman Melville's epic novel, Moby-Dick, was a spectacular failure when it was published in 1851, effectively ending its author's rise to literary fame. Because he was neglected by academics for so long, and because he made little effort to preserve his legacy, we know very little about Melville, and even less about what he called his "wicked book". Scholars still puzzle over what drove Melville to invent Captain Ahab's mad pursuit of the great white whale.

When did we begin to be as self-centered as we are today? At what point did we expect to have the right to determine our own lives? When did we first ask the question, how can I be free? It all began in the 1790s in a quiet university town in Germany when a group of playwrights, poets, and writers put the self at center stage in their thinking, writing, and their lives.

Charlotte Brontë's life contained all the drama and tragedy of the great Gothic novels it inspired. Like Jane Eyre, she was raised motherless on remote Yorkshire moors and sent away to a brutally strict boarding school at a young age. Charlotte grew up and watched helplessly as, one by one, her five beloved siblings sickened and died; by the end of her short life, she was the only child of the Brontë clan remaining.

Biographers have consistently credited her father, Bronson Alcott, for Louisa May Alcott's professional success, assuming that this outspoken idealist was the source of her progressive thinking and remarkable independence. But in this riveting dual biography, Eve LaPlante explodes those myths, drawing on unknown and unexplored letters and journals to show that Louisa's "Marmee", Abigail May Alcott, was in fact the intellectual and emotional center of her daughter's world. It was Abigail who urged Louisa to write, who inspired many of her stories, and who gave her the support and courage she needed to pursue her path.

Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.

In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk's Head Tavern in London to dine, drink, and talk until midnight. Eventually, the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as "the Club". In this captivating audiobook, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters.

Nietzsche wrote that all philosophy is autobiographical, and in this vividly compelling, myth-shattering biography, Sue Prideaux brings listeners into the world of this brilliant, eccentric, and deeply troubled man, illuminating the events and people that shaped his life and work. I Am Dynamite! is the essential biography for anyone seeking to understand history's most misunderstood philosopher.

Once upon a time, there was a girl named Maud who adored stories. When she was fourteen years old, Maud wrote in her journal, "I love books. I hope when I grow up to be able to have lots of them." Not only did Maud grow up to own lots of books, she wrote twenty-four of them herself as L. M. Montgomery, the world-renowned author of Anne of Green Gables. For many years, her lifelong struggles with anxiety and depression, her "year of mad passion" and her difficult married life were buried deep within her unpublished personal journals....

When Victoria was born, in 1819, the world was a very different place. Revolution would threaten many of Europe’s monarchies in the coming decades. In Britain, a generation of royals had indulged their whims at the public’s expense, and republican sentiment was growing. The Industrial Revolution was transforming the landscape, and the British Empire was commanding ever larger tracts of the globe. In a world where women were often powerless, during a century roiling with change, Victoria went on to rule the most powerful country on earth with a decisive hand.

Lady Georgiana Spencer was the great-great-great-great-aunt of Diana, Princess of Wales, and was nearly as famous in her day. In 1774 Georgiana achieved immediate celebrity by marrying William Cavendish, fifth Duke of Devonshire, one of England's richest and most influential aristocrats. She became the queen of fashionable society and founder of the most important political salon of her time.

They were confidantes to British prime ministers, poets, writers, and artists, their lives entwined with the most celebrated and scandalous figures of the day, from Oscar Wilde to Henry James. They were the lovers of great men - or men of great prominence... They lived in a world of luxurious excess, a world of splendor at 44 Belgrave Square and later at the even more vast Clouds, the exquisite Wiltshire house on 4,000 acres, the "house of the age", designed in 1876 by the visionary architect Philip Webb - the model for Henry James' The Spoils of Poynton.

Fans fell in love with Eliza Hamilton - Alexander Hamilton’s devoted wife - in Lin-Manuel Miranda’s phenomenal musical Hamilton. But they don’t know her full story. A strong pioneer woman, a loving sister, a caring mother, and, in her later years, a generous philanthropist, Eliza had many sides - and this fascinating biography brings her multifaceted personality to vivid life.

With his usual storytelling flair and unparalleled research, Tom Fleming offers a compelling, intimate look at the founders—George Washington, Ben Franklin, John Adams, Thomas Jefferson, Alexander Hamilton, and James Madison—and the women who played essential roles in their lives.

Eleanor Roosevelt was born into the privileges and prejudices of American aristocracy and into a family ravaged by alcoholism. She overcame debilitating roots: in her public life, fighting against racism and injustice and advancing the rights of women; and in her private life, forming lasting intimate friendships with some of the great men and women of her time.

Charlotte Brontë's life contained all the drama and tragedy of the great Gothic novels it inspired. Like Jane Eyre, she was raised motherless on remote Yorkshire moors and sent away to a brutally strict boarding school at a young age. Charlotte grew up and watched helplessly as, one by one, her five beloved siblings sickened and died; by the end of her short life, she was the only child of the Brontë clan remaining.

Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction—above all, the extraordinary Wide Sargasso Sea—that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now.

Mary Wollstonecraft, often described as the first major feminist, is remembered principally as the author of A Vindication of the Rights of Woman (1792), and there has been a tendency to view her most famous work in isolation. Yet Wollstonecraft's pronouncements about women grew out of her reflections about men, and her views on the female sex constituted an integral part of a wider moral and political critique of her times which she first fully formulated in A Vindication of the Rights of Men (1790).

When did we begin to be as self-centered as we are today? At what point did we expect to have the right to determine our own lives? When did we first ask the question, how can I be free? It all began in the 1790s in a quiet university town in Germany when a group of playwrights, poets, and writers put the self at center stage in their thinking, writing, and their lives.

Jamestown, England's first real foothold in the New World, was fraught with danger - from starvation and disease to violent skirmishes between colonists and the native populations. Mortality rates were impossibly high: six out of seven settlers died within the first few years. How clear these and other perils were made to the 56 young women who left their homes and boarded ships in England in 1621, nearly 15 years after Jamestown's founding, is not known. But we do know who they were. Their ages ranged from 16 to 28, and they were deemed "young and uncorrupt".

Charles Dickens: A Life gives full measure to Dickens's heroic stature - his huge virtues both as a writer and as a human being - while observing his failings in both respects with an unblinking eye. Renowned literary biographer Claire Tomalin crafts a story worthy of Dickens's own pen, a comedy that turns to tragedy as the very qualities that made him great - his indomitable energy, boldness, imagination, and showmanship - finally destroyed him.

In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk's Head Tavern in London to dine, drink, and talk until midnight. Eventually, the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as "the Club". In this captivating audiobook, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters.

In The Voice Is All, Joyce Johnson - coauthor of the classic memoir Door Wide Open, about her relationship with Jack Kerouac - brilliantly peels away layers of the Kerouac legend to show how, caught between two cultures and two languages, he forged a voice to contain his dualities. Looking more deeply than previous biographers into how Kerouac's French Canadian background enriched his prose and gave him a unique outsider's vision of America, she tracks his development from boyhood through the phenomenal breakthroughs of 1951 that resulted in the composition of On the Road.

There is no more dramatic scene in literary history than the stormy night by Lake Geneva when Byron, Claire Clairmont, Polidori and the Shelleys met to talk of horror and the unexplained. From that emerged Frankenstein, a monster who has haunted imaginations for 200 years. Miranda Seymour illustrates the rich and unexplored life of Mary Shelley. Everything from her childhood to her tempestuous relationship with Percy Shelley; Seymour brings to life the brilliant mind that created Frankenstein through unexplored and intriguing sources.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.