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Reconstruction
- Narrated by: Julia Franklin
- Length: 12 hrs and 55 mins
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Pools of blood, scenes of carnage, signs of agonising death - who deals with the aftermath of violence once the bodies have been taken away? Judith Kepler has seen it all. She is a crime-scene specialist. She turns crime scenes back into habitable spaces. She is a cleaner. It is at the home of a woman who has been brutally murdered that she is suddenly confronted with her own past. The murder victim knew Judith's secret: as a child Judith was sent to an orphanage under mysterious circumstances - parentage unknown.
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Reader was very distracting
- By Merry Unbirthday on 10-16-17
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The Lost Ones
- A Novel
- By: Sheena Kamal
- Narrated by: Bahni Turpin
- Length: 10 hrs and 20 mins
- Unabridged
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It begins with a phone call that Nora Watts has dreaded for 15 years - since the day she gave her newborn daughter up for adoption. Bonnie has vanished. The police consider her a chronic runaway and aren't looking, leaving her desperate adoptive parents to reach out to her birth mother as a last hope. A biracial product of the foster system, transient, homeless, scarred by a past filled with pain and violence, Nora knows intimately what happens to vulnerable girls on the streets.
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Would make a great movie!
- By Shay on 08-27-17
By: Sheena Kamal
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Dear Amy
- By: Helen Callaghan
- Narrated by: Michelle Ford
- Length: 10 hrs and 52 mins
- Unabridged
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Margot Lewis is a teacher at an exclusive high school in the English university town of Cambridge. In her spare time, she writes an advice column, "Dear Amy", for the local newspaper. When one of Margot's students, 15-year-old Katie, disappears, the school and the town fear the worst. And then Margot gets a "Dear Amy" letter unlike any of the ones she's received before. It's a desperate plea for rescue from a girl who says she is being held captive and in terrible danger - a girl called Bethan Avery, who was abducted from the local area 20 years ago and never found.
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Stunning debut
- By Mystery Maven on 11-18-16
By: Helen Callaghan
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Only the Innocent
- By: Rachel Abbott
- Narrated by: Sarah Coomes
- Length: 15 hrs and 7 mins
- Unabridged
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When philanthropist Hugo Fletcher’s dead body is discovered tied to a bed in his London home, Chief Inspector Tom Douglas determines right away that he’s hunting a female killer. Though Fletcher made countless enemies through his work with Eastern European prostitutes, the crime scene reeks of sex and revenge. This murder was personal. Douglas knows Fletcher’s unhappy wife, Laura, should be his prime suspect. She’s definitely hiding something. Something big. But he isn’t convinced it’s murder. Besides, she’s not the only woman with a motive to kill the manipulative billionaire....
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Sigh... Sigh... Ohhh Sigh...
- By Colorado-reader on 01-30-15
By: Rachel Abbott
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The Wicked Girls
- By: Alex Marwood
- Narrated by: Anna Bentinck
- Length: 14 hrs and 12 mins
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On a fateful summer morning in 1986, two 11-year-old girls meet for the first time. By the end of the day, they will both be charged with murder. Twenty-five years later, journalist Kirsty Lindsay is reporting on a series of sickening attacks on young female tourists in a seaside vacation town when her investigation leads her to interview carnival cleaner Amber Gordon. For Kirsty and Amber, it's the first time they've seen each other since that dark day so many years ago.
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I didn't want to like these girls...
- By Lesley on 08-30-13
By: Alex Marwood
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The Beautiful Dead
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Overall
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Crime reporter Eve Singer's career is on the downward slope when a spate of bizarre murders - each carefully orchestrated and advertised like performance art - begin in her territory. Covering these very public crimes revives her byline, and when the killer contacts Eve to discuss her coverage of his crimes, she is suddenly on the inside of the biggest murder investigation of the decade. But as the killer becomes increasingly obsessed with her, Eve realizes there's a thin line between inside information and becoming an accomplice to murder.
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What is this
- By J.Hamp on 02-09-21
By: Belinda Bauer
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Hero: A Simon Serrailler Short Story
- By: Susan Hill
- Narrated by: Steven Pacey
- Length: 51 mins
- Unabridged
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Performance
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Story
When Simon Serrailler was a rookie constable with the Met, he did something reckless in the course of a night's work which caused a man's death. But his act was praised by his colleagues, and he was called a hero. Years later, now a detective chief superintendent who has been badly injured in the course of duty, he receives a medal for bravery at Buckingham Palace while recollecting that fateful night of his early career, when chance disguised itself as bravery.
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This 'story' makes no sense to me
- By Pamela Donaldson on 05-10-17
By: Susan Hill
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Sixty-One Nails
- The Courts of the Feyre, Book 1
- By: Mike Shevdon
- Narrated by: Nigel Carrington
- Length: 16 hrs and 13 mins
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Overall
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Performance
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There is a secret war growing beneath the streets of London. The immense Sixty-One Nails follows Niall Petersen, from a suspected heart attack on the London Underground, into the hidden world of the Feyre, an uncanny place of legend that lurks just beyond the surface of everyday life. The ancient peoples are at war - but is Niall really the one who can wield the dark magic of the Untainted, and save them all?
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Urban Fantasy with a Gothic Flavor
- By Tango on 03-16-14
By: Mike Shevdon
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Angelmaker
- By: Nick Harkaway
- Narrated by: Daniel Weyman
- Length: 18 hrs and 11 mins
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Joe Spork repairs clocks, a far cry from his late father, a flashy London gangster. But when Joe fixes one particularly unusual device, his life is suddenly upended. Joe's client, Edie Banister, is more than just a kindly old lady - she's a former superspy. And the device? It's a 1950s doomsday machine. And having triggered it, Joe now faces the wrath of both the government and a diabolical South Asian dictator, Edie's old arch-nemesis.
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A cure for the modern cynic
- By Maine Colonial 🌲 on 08-28-12
By: Nick Harkaway
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Julian Lawndsley has renounced his high-flying job in the city for a simpler life running a bookshop in a small English seaside town. But only a couple of months into his new career, Julian’s evening is disrupted by a visitor. Edward, a Polish émigré living in Silverview, the big house on the edge of town, seems to know a lot about Julian’s family and is rather too interested in the inner workings of his modest new enterprise.
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Death at the Sign of the Rook
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In his sleepy Yorkshire town, ex-detective Jackson Brodie is staving off boredom and malaise. His only case is the seemingly tedious matter of a stolen painting. But Jackson soon uncovers a string of unsolved art thefts that lead him down a dizzying spiral of disguise and deceit to Burton Makepeace, a formerly magnificent estate now partially converted into a hotel hosting Murder Mystery weekends.
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What listeners say about Reconstruction
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- Patti Antonacci
- 12-13-21
Good book Cringe worthy narrator
Why have the narrator introduce herself at the beginning of the novel? It just distracts from the novel and inserts her ostentatious personality. She over emotes at every opportunity. Hearing her act like a child is just creepy not to mention her swallowing saliva. Ick.
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1 person found this helpful
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- Tan A. Summers
- 05-19-24
Not as good as the Slough House series.
A main character is supposed to be Hispanic, but the reader’s idea of a Spanish accent sounds more Eastern European.
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- Tx Star
- 05-22-21
Excellent Story and narration
The story was well developed and engaging. I particularly appreciated Ms. Franklin’s introduction and Explanation about how she would narrate this book.
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1 person found this helpful
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- Manny Molina
- 02-08-23
Good story
I have a new favorite British spy author.. Excellent characters. I recommend this book.
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- mimz
- 06-25-21
worst reader ever
I tried to get past it because I am a huge Herron fan and love the audio editions of the Slough House series, but this reader is incredibly overbearing. Way way too much emphasis on every. single. word. The scenery chewing overacting is such that I couldn't follow the plot—far too distracted by the overdone voicing. (Not good in so many ways, including: why does she use a thick, Boris-and-Natasha Russian accent to voice a hispanic character????) I got maybe halfway through, kept having to rewind whole chapters to try to hear the story rather than the hamfest vocal performance, and finally just couldn't take it any more, gave up and returned for refund credit.
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5 people found this helpful
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- HMac8
- 08-22-22
I love Mick Heron but
This isn’t his best. Writing is clever but the story is too drawn out. A few less repeated phrases and themes might have helped.
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- Amazon Customer
- 10-05-22
Narrator is intolerable but story is good
I had to mute it a lot to get through it. I'm not sure the narrator has ever heard a child speak. I won't get another book with her reading it.
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- Ca
- 08-26-22
The narration takes away from the story
It is really a bit painful
So much so that it is difficult to focus on the story
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- VEH
- 10-22-23
Not Herron's best
Mick Herron is one of my all-time favorite writers, but this one lags. It's still worth a listen, though I agree with other reviewers that the narrator detracts a great deal from the experience (and why use a poor imitation of an Eastern European accent for a principal character whose first language is Spanish??) For me, the plot lacked Herron's usual deft twists and the book over-all seemed tedious -- I kept thinking of Dog Day Afternoon. Herron's writing is superb - his use of language is always a treat, so yes, I would still recommend this book, but for me, his others are much better.
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- Michael Fuchs
- 02-01-24
Technically robust, tedious presentation
I’ve read all the Slough House books and loved them. This book, however, I found difficult to stay with. It is a slow moving psychological study of a microcosm of a larger international event.
Of particular irritation was the frequent jump of first person perspective accompanied by repeated text - dialogue or descriptive - two, three or more times. This copy-paste approach confounded my perspective leading to multiple, irritating re-reads to clarify.
The technical aspects of spy craft and international finance were well done. But the pace is less action-movie, more therapy session.
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